✰✰ ♦♦♦♦♦♦ . ✰✰ WATCH https://stream-flick.com/16673.html?utm_source=form_run ✰✰ 123Movies https://stream-flick.com/16673.html?utm_source=form_run ✰✰ ٭٭٭٭٭٭ Runtime 113M. country Georgia. Summary And Then We Danced is a movie starring Levan Gelbakhiani, Bachi Valishvili, and Ana Javakishvili. A passionate coming-of-age tale set amidst the conservative confines of modern Tbilisi, the film follows Merab, a competitive dancer. Drama. audience Score 4208 Vote. Google)谢谢您的分享！（谷歌翻译）. Knashi Ki ara trakshi xart tqveni dedamovtyan me. A onda smo pleslin. Oh God this movie was so good. I have just watched it and I loved it. I believe that it is gonna big step to break the ice. I am from Turkey and I wanna see like this movie for being the first step in Turkey. Really most of the new generation want to change something that already suppose to be no longer. This movie was totally worth for yesterday's fear at cinema. Atmosphere, directory, performance, all good, all set and done as it should have been. A onda smo plesalia. თქვენი ყლეწოვია დედებს შევეციი. Veravin veravis dedas moutynavs, ertxel orjer scemt am geebs kuchashi kai. Mara dge mova da iseti gei dagxvdebat, is gcems da mere mag bindzur da pirshi mogtynavs, eg arxvruli sityvebi rom cxovrebashi agar gamogiva. A onda smo plesali. {AND THEN WE} Episodes Watch Online… WhIch And Then We Danced Watch*And*Then*full*movie*cam, Watch And Then We full movie telugu And Then We Danced streaming free films to watch online including series trailers and series clips…. Like the guy with the earings. What is his secret. A onda smo plesali film. In a hundred years, people will still be listening to this music. this is how good ABBA was. Shes the best! Even see her walking in already makes me LoL-ing 🤣. 8:47 მარჯვნივ ვინაა. A onda smo plesalian. Love it <3. Kate Bush, anyone. ჩემს ქალაქში არაფერი მაოცებს, ჩემს ქალაქში ყველაფერი მოსულა აქ ჯამლეტმა ჯონდო დააორსულა 🤨🤔. His voice is amazing. I can't believe any of you are only here from David dobrik. This man is a legend. I got free tickets for this and was not expecting much. I was astonished. The performances were breathtaking, especially the protagonist's. The film featured great locations and showcased Georgia's culture with raw honesty. It was a touching journey through loss and self-discovery. Xo gaxsovt anakliashi gazantipi ro gamartes da imis mere farosana chamt,exlac daelodnen gvtis risxvas ra vilocot chveni qveynistvis da daakleben qristianebs verafers da ver gagvwyvetav.gvtismshobeli gvfaravdes yvela qartvels. Linki chamigde ra. *sigh. I always feel so lonely when I hear romantic songs. Love your content! Looking forward to seeing more. A Georgian dancer finds his voice amidst a conservative culture in Levan Akin's luminous drama, which is Sweden's official Oscar submission. Merab is a dancer. Like his mother and father before him, he has trained in the art of traditional Georgian dance since he first began walking. Lean and sinewy, he delicately balances stiffness and flow with each precise move, his eyes alight with the pure joy of creative expression. He’s the paragon of Georgian health, a perfect marriage of the fledgling democracy’s bright future and its proud past. If only his demanding dance coach, who barks that he is “too soft, ” could see it that way. If only there were room in Georgian dance — in Georgia itself — for a little softness, maybe the country wouldn’t be losing so many of its artists, scholars, and innovators to more progressive climes. “ And Then We Danced, ” Swedish filmmaker Levan Akin ’s luminous tour de force (and his native country’s Oscar submission for Best International Feature Film) adorns itself with the question of cultural identity as proudly as Merab dons his traditional Georgian dance robe in its rousing final scene. Born in Stockholm to Georgian parents from Turkey, Akin chose to set his third feature film in Tblisi, at the intersection of one young man’s arrival at queerness amid his rigorous training in the National Georgian Ensemble. We learn that hyper-masculinity is one of the central tenets of Georgian dance, although it only became so in the last 50 years. By framing his gentle coming-of-age tale around such a traditional piece of Georgian culture, he has made an inherently political film, and rendered it in sensitive terms with a celebratory spirit, not to mention a culture rarely seen onscreen. It’s one of the year’s best gay films. “And Then We Danced” begins in the studio, with Merab (Levan Gelbakhiani) circling his longtime dance partner Mary (Ana Javakishvili). In the extensive dance scenes, Merab is smooth and joyous, bringing an unmistakable flair to the hard movements. But every time he seems to get into it, all strong shoulders and splayed hips, he’s stopped and made to start again. “Georgian dance is based on masculinity, ” his teacher says. “There is no room for weakness in Georgian dance. ” “And Then We Danced” Anka Gujabidze Merab’s day-to-day is an endless stream of hard work and stress: sweating through rehearsals, waiting tables for too little money, fighting with his drunken brother, and keeping the lights on for their grandmother and unemployed mother. Nevertheless, he can’t help but skip elegantly on his way to catch the bus, as the city’s golden light and colorful clotheslines illuminate his way. When a new male dancer arrives from the country, Merab’s initial suspicions of the competition give way to intrigue. Dark-haired and with broad shoulders, the earring-clad Irakli (Bachi Valishvili) talks back to the teacher and follows his own rules. Though Merab is incensed when Irakli takes his place in a duet, he softens to the newcomer when the two start early morning rehearsals together. It isn’t long before their desire takes over, once they find each other in the woods during a weekend of partying at a friend’s country home. Drinking homemade wine out of glass carafes and cavorting loudly around the shabby manor, they settle into a unexpected romantic backdrop. Fallen from its former glory, the setting nonetheless exudes a charming grandeur in its peeling paint and windowed parlors. Dancing to Robyn on the moonlit porch, an oversized fur hat atop his head, Merab vibrates with the electricity of first romance. Stealing sideways glances at Irakli in the car ride home, a wide and knowing smile spreads across his face. He’s too happy to notice the other boy doesn’t return his gaze. The rest is fairly predictable, but Akin fills Merab’s world with enough other intrigue to transcend the cliches of one unrequited gay romance. Merab’s awakening may begin with Irakli, but it doesn’t end with him. When Irakli disappears back home without warning, Merab makes eyes at a swishy young man with long hair. He follows his new friend to a gay bar that wouldn’t be out of place in any other European city, as the loud and flamboyant crew party all night, ignoring the slurs of passersby. Akin’s script diverges from the traditional coming-of-age tale, even as he hits all the old notes — forcible outing by a jealous classmate, fight scene, the inevitable heartbreak. It’s all there, but the movie remains laser focused on Merab’s internal journey. His forceful final dance audition provides the film’s impassioned finale, as the character finally unshackles himself from the burden of tradition to perform with unbridled style and joy. There may be no room for softness in traditional Georgian dance, but there is always room for interpretation. Grade: A- “And Then We Danced” premiered at the 2019 Cannes Film Festival and is Sweden’s official Oscar entry for Best International Feature. The film plays NewFest on October 26. Music Box Films will release it in the U. S. in January, 2020. Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here. I love this song. Never before in cinema have I seen a relationship in which I would so genuinely believe. In every word, move, look, gesture of Merab (Levan Gelbakhiani) I can see and feel an ordinary young artist struggling with self-identification and experiencing first love. The idea of portraying gay romance in such a conservative country as Georgia could give the director Levan Akin many reasons to be moralistic and pretentious. Yet the end result is by no means like this. In every scene, every word, it is subtle, naturalistic, thought-provoking without any unnecessary preachiness. Opinions and feelings are conveyed through music and dance, which enables the film to achieve all its purposes in a delicate yet decisive way. Akin does not portray Georgian society as something evil. As everywhere, there are people who hate, people who do not understand and people who support. 'And Then We Danced' is a meaningful masterpiece made by those who support not only for those who need the support, but also for those who do not understand yet. What's the name of the movie. Movies | ‘And Then We Danced’ Review: Caught Between Desire and Tradition “There is no sexuality in Georgian dance, ” an instructor says. Then things get complicated. Credit... Music Box Films Feb. 6, 2020, 7:00 a. m. ET And Then We Danced Directed by Levan Akin Drama, Romance 1h 53m More Information Watching an attractive young male-female couple go through a complicated routine, a bearded, older instructor (Kakha Gogidze) glowers. They should not be looking at each other; their gaze should be to the floor, he says. “There is no sexuality in Georgian dance, ” he almost growls. The rehearsal is interrupted by the arrival of a new dancer, Irakli (Bachi Valishvili), who’s told to remove his earring almost immediately. Merab (Levan Gelbakhiani), the young male dancer who had been at work, looks at the new guy with trepidation and something else. In the event you needed more foreshadowing, there’s a subsequent scene in the female changing quarters where dancers gossip about a male member of the troupe who was kicked out for being gay. Tbilisi, where this movie, written and directed by Levan Akin, is set and was shot, looks like a pleasant place to live, but also like a land out of time. The young members of the Georgian dance group all smoke like chimneys, and their world, and the world around them, has seriously retrograde ideas about human relations. This means trouble for Merab, who has more than a socially unacceptable new love on his plate: his family is struggling in poverty. Gelbakhiani, the lead actor, has a lean physique, striking red hair and certain facial features that suggest he’d actually make a great Alfredo Linguini in a live-action remake of “Ratatouille, ” not that such a thing should happen. He and the rest of the cast perform with conviction, and the whole movie is attractively, solidly put together. But its dramatic components, fraught as they are, are tepidly delivered. The movie catches fire only in its final scene, in which Merab expresses his rebellion in the language of dance, not words. And Then We Danced Not rated. In Georgian, with English subtitles. Running time: 1 hour 53 minutes. I am definitely playing this at my wedding. Love the room at 3:38. This song makes me so happy! And then we danced 🌈 Tittle... ძალიან ძალიან ძალიან კარგი ფილმია.ყველა იმ დაავადებას აჩენს რაც არის საზოგადოებაში. მერაბისა და ირაკლის სიყვარული ულამაზესია. And Then We Danced movi~e d*ownl,oad kickass. This smells sad ending! no thanks. Great film and story. However as a gay man my entire life at 56yo I still find it almost impossible for a truly Gay male to have any kind of sex with a female. Under any circumstance. It just doesnt work. Its like trying to plug a toaster to a nonworking outlet that has no electricity running through it. Its just NOT possible. The movie was so amotional and amazing. Im in love with it. Dzaan tealoba Like. It's like emeralds on the pavement. Esta canción es fuera de serie. Lo mejor que nos ha dejado el 2018. 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