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Brahms: The Boy II is a movie starring Katie Holmes, Owain Yeoman, and Christopher Convery. After a family moves into the Heelshire Mansion, their young son soon makes friends with a life-like doll called Brahms
creator=Stacey Menear
Katie Holmes, Christopher Convery
Directors=William Brent Bell
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Brahms: The Boy II Directed by William Brent Bell Produced by
Matt Berenson
Gary Lucchesi
Tom Rosenberg
Jim Wedaa
Eric Reid
Roy Lee
Richard S. Wright
Written by Stacey Menear Starring
Katie Holmes
Ralph Ineson
Owain Yeoman
Christopher Convery
Edited by Brian Berdan Production companies
Lakeshore Entertainment
STXfilms
Distributed by STX Entertainment Release date
February 21, 2020 (United States)
Running time 86 minutes Country United States Language English
Brahms: The Boy II is an upcoming 2020 American supernatural horror film directed by William Brent Bell and written by Stacey Menear. A stand-alone sequel to the 2016 film The Boy, it stars Katie Holmes, Ralph Ineson, Owain Yeoman, and Christopher Convery.
Brahms: The Boy II is scheduled to be released in the United States on February 21, 2020, by STX Entertainment.
Synopsis [ edit]
Unaware of the terrifying history of Heelshire Mansion, a young family moves into a guest house on the estate where their young son soon makes an unsettling new friend, an eerily life-like doll he calls Brahms.
Cast [ edit]
Katie Holmes as Liza
Owain Yeoman as Sean
Christopher Convery as Jude
Ralph Ineson as Joseph
Anjali Jay as Dr. Lawrence
Oliver Rice as Liam
Natalie Moon as Pamela
Daphne Hoskins as Sophie
Joely Collins as Mary
Production [ edit]
Development [ edit]
By October 2018, it was announced that a sequel was in development, with Katie Holmes had joined the cast of the film, William Brent Bell returning to direct the film, from a screenplay by Stacey Menear, with Matt Berenson, Gary Lucchesi, Tom Rosenberg, Jim Wedaa and Eric Reid serving as producers on the film, under their Lakeshore Entertainment banners, with STX Entertainment producing and distributing the film. [1]
Casting [ edit]
In November 2018, Christopher Convery, Ralph Ineson and Owain Yeoman joined the cast of the film. [2] [3]
Filming [ edit]
Principal photography began in January 2019 and wrapped that March. [4]
Release [ edit]
It is scheduled to be released on February 21, 2020. [5] [6] It was previously scheduled to be released on July 26, 2019, and December 6, 2019. [7]
References [ edit]
^ Hipes, Patrick (October 23, 2018). " ' The Boy' Sequel A Go At STX With Katie Holmes, Original Director William Brent Bell". Deadline Hollywood. Retrieved February 4, 2019.
^ Hipes, Patrick (November 19, 2018). " ' The Boy 2' Adds Christopher Convery To Cast After Strong AFM". Retrieved February 4, 2019.
^ "Owain Yeoman & Ralph Ineson Board STX-Lakeshore's 'The Boy 2' With Katie Holmes". November 26, 2018. Retrieved February 4, 2019.
^ Kay, Jeremy (January 30, 2019). "Katie Holmes, Ralph Ineson horror 'The Boy 2' starts production for STX, Lakeshore". Screen International. Retrieved January 30, 2019.
^ "The Boy 2". Box Office Mojo. Retrieved June 21, 2019.
^ " ' Brahms: The Boy II' Will Now Haunt Theaters on February 21, 2020". 2019-10-16.
^ Squires, John (March 6, 2019). "STX Films Bringing Brahms Back to the Big Screen in 'The Boy 2' This Summer".. Retrieved March 6, 2019.
External links [ edit]
Brahms: The Boy II on IMDb.
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It actually makes sense because he died and now his soul is actually in the doll.
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Brian Tallerico
February 20, 2020
There has been an unexpected mini-trend lately in which horror sequels, not typically a strong subgenre, have been surprisingly strong creatively with films like “ Ouija: Origin of Evil ” and “ Annabelle: Creation, ” both better than the movies that preceded them. Perhaps this is what led someone to believe that “Brahms: The Boy II” was a good idea. This person was wrong. Maybe that’s harsh, but at least that person was wrong with this version of a sequel that even fans of the original probably weren’t really expecting. Given that "The Boy II" arguably works better—and makes a tick more sense even—if you haven’t seen the original, if you’re one of those people turn away now because the ending will have to be spoiled to discuss the new one. You’ve been warned.
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The first film was basically a modestly clever cheat, convincing viewers that it was a movie about a possessed doll and then twisting that narrative in the final scenes. The story of a woman who was tasked to take care of a doll as if it was a real boy, and became convinced that it was real only to find that there was a man living in the wall, had at least a bit of simple narrative thrust compared to the nonsensical places that “Brahms: The Boy II” ends up. It’s almost as if someone started the project by asking “How can we get crazier than the ending of the first movie? ” And then worked back from there. Sadly, even posing that question probably makes “Brahms” sound significantly more fun than it actually is. The truth is that it breaks a cardinal rule of genre filmmaking which is that if your film isn’t going to make much sense, it at least needs to be fun. A movie this boring that doesn’t cohere at all narratively is just dreadful. And the worst thing is that there’s a point in the final act when it feels like “Brahms” could have become the crazy movie it needed to at least be memorable, but then it just fizzles to one of those annoying non-endings that makes even less sense than the nonsense that preceded it. Anyway, back to the story. After a home invasion that’s filmed just horrendously, a mother ( Katie Holmes), her husband ( Owain Yeoman), and their son Jude ( Christopher Convery) move to a country estate that will be familiar to fans of the original. Actually, they move to a guest house on the grounds of that estate, which is only one of many bad decisions here because while the setting was actually an effective element of the first movie, you'll have no such luck here. On the first day there, Jude finds the doll known as Brahms buried in the woods—always a good sign when your kid finds a creepy doll buried with its clothes in a coffin in the creepy woods. But mom plays along. And because of the trauma of the attack on his mother that he witnessed, Jude has gone mute, and Brahms seems to open him up. And possibly make him crazy!
As Jude adopts a creepier posture and dead-eyed stares, mom starts to wonder if Brahms is possessed and ordering Jude around, and director William Brent Bell leans into the idea way more than the first movie that Brahms is animated. We see his eyes and head move in cartoonish, horribly rendered ways, although you keep telling yourself that it could be a product of mom’s trauma, which has been leading her to have a few hallucinations of her own. (And because you're trying to make the movie more interesting. ) Things get more intense as Jude starts relaying how unhappy Brahms is with mom and dad. Finally, a creepy guy named Joseph ( Ralph Ineson) wanders the grounds with a shotgun, and clearly has either a big secret or is just there for an exposition dump in the final act. (It turns out that he gets to do both. ) Clearly, this film shares some thematic elements with the original, including a woman traumatized by violence who may be going crazy, but almost all of the atmosphere is drained. It’s a film with alternating shots of Katie Holmes looking scared and the doll looking creepy. Rinse and repeat. And it becomes so tediously boring that your mind will wander. (I started to imagine an Annabelle vs. Brahms battle movie. ) The biggest problem is that are are no stakes. It’s a ghost story with no ghosts; a slasher pic with no slashing; an atmosphere with no, well, you get it. It’s just a film that’s as blank as Brahms’ expression. And when it finally threatens to fill that space with something interesting? Roll credits before it even gets to 90 minutes. After all, they have to leave something for “The Boy III. ”
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Brahms The Boy II Movie INFO
Release Date: 2020-2-21
Rating: 7. 9
Directed by
William Brent Bell
Written by
Stacey Menear, Roy Lee
Based on
there's a lot of other interesting stuff that he feels more open to "focus on" since the audience already knows the twist going into the sequel
Starring
Katie Holmes, Owain Yeoman, Christopher Convery, Ralph Ineson, Anjali Jay, Oliver Rice, Natalie Moon, Daphne Hoskins, Joely Collins
Country
Germany, United States of America, United Kingdom
Production
Huayi Brothers, Lakeshore Entertainment, STX Entertainment
Translations
English, Français, Polski, Deutsch, svenska, Español, Pусский, български език, Italiano, Português, ozbek, 한국어/조선말, Slovenčina, ελληνικά, Український, Magyar, עִבְרִית, Nederlands, 普通话, Português, ქართული
Brahms The Boy II is an upcoming Horror film directed by William Brent Bell and written by Stacey Menear "Brahms The Boy II" The Boy The Curse of Brahms the sequel to 'Brahms: The Boy II' that arrived last 2016 and promises to make us tremble again. After directing the first installment, William Brent Bell, returns to get behind the scenes in this second film, with Stacey Menear also taking charge of writing the film again. The first film introduced us to a young American woman (played by the actress of 'The Walking Dead' Lauren Cohan) who was starting a babysitter job to discover that the boy in question, Brahms, is actually a life-size doll that has own life.
Brahms The Boy II Full Movie Plot Outline
In 'Brahms The Boy II', Katie Holmes gives life to the protagonist of the film, in which we will see how, ignoring the terrifying story of the Heelshire Mansion, she moves to the house with her family to help her complicated son. There, the little one will soon become a new and disturbing friend, a doll he will call Brahms. A first trailer already let us take a look at the story, which has now become even more sinister with this new video you have on these lines.
Principal photography commenced on January 25, 2019 in New York, United States and concluded on August 3, 2019. The film is set for release on February 21, 2020.
4
8 /
10 stars
Rating:
IMDb / 7. 9
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2016's The Boy was a middling horror flick redeemed by one heck of a surprise ending. After spending most of its runtime convincing both its characters and the audience that the movie's creepy doll, Brahms, was possessed by the spirit of a dead child, The Boy pulled out the rug from under everyone: The doll really was just a doll. The film's real villain was the real-life Brahms Heelshire, who didn't actually die but hid in the walls of his family's home for decades, living vicariously through the porcelain plaything.
It's a delightfully absurd and oddly elegant twist, and Brahms: The Boy II desperately wants to recapture the same magic. As the title implies, Brahms — the doll, not the man — has somehow returned for the sequel, and a lot of the movie hinges on that mystery. After all, we saw the original Brahms die at the end of The Boy, so who's behind this new set of supernatural shenanigans?
Brahms: The Boy II eventually offers an answer, and ends with a series of twists so ludicrous that they make the original look downright pedestrian. Do you have questions? Because we certainly do. A lot of them.
What is Brahms, exactly?
For better or worse, Brahms: The Boy II completely undoes The Boy 's ending. The sequel wastes no time showing us that, despite what The Boy said, Brahms is much, much more than a porcelain doll. Almost as soon as he appears, Brahms begins moving of his own free will. He tells his new companion, the young trauma victim Jude, things that the kid couldn't possibly know. He flips over tables and rips up teddy bears.
However, it's not until the end of Brahms: The Boy II that we learn the whole truth. As Jude's mother Liza, played by Katie Holmes, learns, the porcelain doll is the host for a malevolent entity that has been tearing families apart for centuries. Typically, a child adopts the doll, then commits a heinous murder. When questioned about their crimes, the kids have a simple answer: the doll made them do it. The human Brahms was one of the creature's victims. So is Jude, so is Ralph Ineson's sinister "groundskeeper" Joseph, and countless others.
At the end of Brahms: The Boy II, we even see Brahm's real face after Jude's dad, Sean, smacks the doll with a croquet mallet. Instead of shattering, the porcelain falls away to reveal a pint-sized Lovecraftian horror lurking underneath. Jude ends up throwing the the doll in the fire, but that's not the end of Brahms. As it turns out, evil toys aren't that easy to kill.
More than just a kid in a mask
Brahm's true nature isn't actually Brahms: The Boy II' s final reveal. After Jude, Sean, and Liza return to London, presumably recovered from the home invasion that made them flee to the Heelshires' old estate, the film unleashes a final twist. Alone in his room, Jude puts on a porcelain mask modeled after Brahm's face and looks in the mirror. Jude thinks Brahms will be very happy in his new home, he says — as long as Jude's parents remember to follow the rules.
If you're not sure what's happening here, recall Joseph's big info dump a little earlier. Brahms knew that Jude was coming. He told Joseph to bury the doll where Jude could find him. Joseph also says that Brahms and Jude will soon "become one. " The implication seems to be that Brahms knew that his doll body would be destroyed and made plans to possess Jude, and is now cohabitating in Jude's body and mind.
During Brahms: The Boy II 's climax, when Jude is pointing the shotgun at Liza, the possession might've already taken place. It's clearly Brahms, not Jude, who's really speaking. When Sean smacks the doll, Jude seems to wake up, as if he was previously in a trance. Of course, there's another possible reading — maybe Brahms really is gone, and poor, mentally fragile Jude has simply developed a split personality based on the creature — but either way, Brahms lives on through the boy.
For Brahms, it's all about family
So now we know what Brahms does, but what does he want? Quite simply, to be loved. In The Boy, Brahms forces the Heelshires and, later, Lauren Cohen's nanny, Greta, to follow a strict set of rules. The rules aren't malicious, though. They're simple. Brahms wants to listen to music at a certain time of day. He wants to be part of family meals. He wants a kiss goodnight.
In Brahms: the Boy II, Brahms makes Liza, Jude, and Sean follow similar rules. In both movies, he only lashes out when he's ignored or abused or when people threaten to separate him from his loved ones. As long as Brahms is treated with love and respect, he's docile. There has to be a reason why Brahms only latches on to families, after all. He wants to be part of one, and he'll stop anyone who gets in his way.
This probably explains why Brahms gives up on killing Sean and Liza, too. As Liza says while pleading for her life, what's a family without a mother? She (or possibly Jude) must've convinced Brahms that he'd be happier with a complete familial unit, at least at first. After all, if things go sideways, Brahms knows how to deal with things.
But maybe young Brahms isn't all that bad
Sure, he's a creepy doll, tiny demon, and serial killer, but hidden in the two The Boy movies is the implication that maybe, just maybe, Brahms can also function as a force for good. See, Brahms tends to latch on to trauma victims. In the first movie, Greta is rattled by an abusive relationship and mourning a miscarriage. Brahms: The Boy II opens with a home invasion that leaves Liza a paranoid wreck and traumatizes Jude so badly that he won't even speak.
Joseph says that Brahms likes to prey on the mentally weak, but ironically, all of the characters actually get better through their association with Brahms, not worse. Greta essentially adopts the doll once she realizes (correctly, we know in hindsight) that he's alive, using him as a surrogate for the child she lost. In fact, in The Boy, the doll isn't even the bad guy. The real-life Brahms Heelshire is.
The trend continues in Brahms: The Boy II. Jude regains his ability to speak thanks to his bond with Brahms, and comes to rely on Brahms as a source of protection. After her encounter with Brahms, Liza learns how to stick up for herself. She gets her family back, and her nightmares and panic attacks disappear. Brahms might have a violent streak, but it turns out that he's also a pretty good therapist. Just don't make him angry.
The fate of Emily Cribbs, explained
Brahms: The Boy II 's big retcon explains the original movie's biggest unanswered question: Why did Brahms Heelshire kill his best friend in the first place? According to The Boy, Brahms and a young girl named Emily Cribbs were close friends who played together all the time. Unfortunately, Emily was murdered when Brahms was eight, and the boy was the prime suspect. In order to protect their son, the Heelshires faked Brahms' death in a fire and hid him the walls of their house, where he lived for over two decades.
But The Boy never says why young Brahms decided to get rid of Emily. The implication is that Brahms was crazy even before he was burned alive, but thanks to Brahms: The Boy II, we now have a much more satisfying explanation. It wasn't Brahms Heelshire's idea to kill Emily at all. It was the entity lurking inside that sinister doll who wanted her dead. Like Jude, Brahms was just the creature's instrument.
Brahms: The Boy II even gives us a motive: the demon, or whatever it is, gets jealous very easily when anyone comes between him and his prey. If Brahms and Emily were such good friends — and going by the photos that Greta finds, they were — the creature probably wanted Emily out of the way so he could have Brahms all to himself. Poor Emily. The girl never stood a chance.
A time-tested horror franchise tradition
There's no way around it: No matter what you might think about Brahms: The Boy II, the way it completely retcons The Boy 's ending is kind of a bummer. Sure, there's something to be said for symmetry. The Boy played with the audience's expectations by revealing that the doll wasn't actually possessed, so making the "normal" Brahms turn out to be for-real haunted is a nice mirror image. Still, The Boy worked well on its own. It didn't need to be more complicated.
At least Brahms: The Boy II isn't alone in this regard. By this point, revealing a bigger bad behind the original movie's big bad is a horror sequel staple. In Friday the 13th, the villain is Jason Voorhees' mother. It's not until Friday the 13th Part 2 that Jason himself takes center stage. In Psycho 2, Norman Bates' mother — his real mother, not his adopted one — turns out to be the film's real killer. Scream 3 reveals that the real mastermind behind everything that happened in the franchise is Sidney's cousin, a character that didn't even appear until the third installment.
By making the doll, not Brahms Heelshire, the source of all evil in The Boy universe, writer Stacey Menear (who penned the script for both movies) is really just sticking to tradition. No, that doesn't make the retcon easier to swallow, but at least there's a good precedent for this sort of thing.
Where does the Boy franchise go from here?
The Boy was clearly designed as a one-and-done. By the time the movie is over, the bad guy is dead. The heroes have escaped. The doll is just a doll. There really isn't anywhere else to go.
That's fine for a single movie, but if you're trying to build a series it's a non-starter. Brahms: The Boy II might've sacrificed a lot of the original's charm in order to set up future installments of the Boy franchise, but now that the work is done the series could go anywhere. The most obvious place to take Brahms: The Boy II 's sequel would be to follow Jude in his creepy porcelain mask as he comes a real killer.
The Boy could also look backwards. As Brahms: The Boy II established, Brahms has been causing havoc for hundreds of years. Plenty of families succumbed to Brahms' whims before the Heelshires. Lakeshore Entertainment could pump out prequels for years. On the other hand, maybe keeping it simple is best. Just have another unsuspecting family find a creepy doll out in the woods. Trouble is almost certain to follow.
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