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Published by: Myra LAL https://twitter.com/Myra_LAL
Resume: Regarder loin c'est regarder tôt. Reeves.
Year 2018

user rating 8,1 of 10

countries Belgium

scores 1033 votes

Genre Thriller

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PLEASE make this into a movie or series. Little Black Girls all over the world need to love themselves and their hair. We need more of this displayed on tv.
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Elle est tellement touchante merci à vous (l équipe) pour elles, c'était un moment magnifique...
3:54 MDRR😭 ‘Et encore jte fais pas payer le Macdo.
Tu ma tuer 😂❤️😂❤️.
Le soleil joue à cache cache avec la lune, tes ombres dans mes ombres, ça devient plus clair quand mes yeux ne voient que toi autour du monde. Bises.
Night. A man and a woman in a car. He is driving, while she has to make a phone call to her sister, who is babysitting her daughter.

I agree with a previous reviewer that his is an intense short. Well crafted, but I have a nagging disbelief as to her attitude towards what happened before the depicted story starts.

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This was an excellent, very well made exciting short film, which makes you sit on the edge of your seat. The dialogues and the performances were all convincing and the ending was cathartic. But unfortunately this movie is kind of a copy paste of a great danish movie called "The Guilty. If that movie didn't exist I would give this one a 10/10 rating, but the plot is so similar to "The Guilty" that it couldn't surprise me despite it's great presentation. Still I think this is the best of the Oscar nominated live action short films this year this year (I haven't seen SARIA yet.

P.S.: I didn't spoil "The Guilty" watch that if you liked this.
Of the five shorts nominated by the Oscars, this was the best. A simple concept beautifully acted and shot.

PSG est pourri.
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Etwas ist schiefgegangen. Wiederholen Sie die Anforderung später noch einmal.
Sie werden über Neuerscheinungen informiert, erhalten verbesserte Empfehlungen u. v. m. (in Kürze).
Je laurais un jour je laurais 😈😂😂😂.
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Je vais me voilé❤❤❤😘☝☝.
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VITE QUE CETTE ALBUM SOIE EN KIOSQUE
Qui coupe des oignons.
J'ai eut les larmes au yeux.
C'est quoi le titre de la musique à 0:18.
Un brin de Mylène Farmer.
"A Sister" is an ideal short film in both its structure and content. The masterful use of camera combined with a powerful script and performances demonstrate all the essential qualities this cinematic medium has to offer. Delphine Girard's film couldn't be more timely and is one that will stay with its audience long after the final credits roll.
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I feel like I've seen a picture book with these characters.
"Une soeur" or "A Sister" is a Belgian French-language live action short film that premiered back in 2018 and was nominated at the 2020 Academy Awards almost 1.5 years later. The director is Delphine Girard, apparently still a relatively young filmmaker, and her effort here makes me curious about what we can expect from her once she makes the transition to full feature films. I got to watch all the five nominated live action short films last night before the Oscar ceremony and this one here was the first they showed and also my favorite from the bunch. At approximately 17 minutes, it as also the shortest from the nominees I believe, but the outcome here is a perfect example of how quantity does not equal quality because the other four are inferior, some even drastically. Shame this one probably never really had a chance to take home the prize. But that does not make it worse or anything. When and after watching, I still thought it was merely good, but after thinking a bit about it, I'd say it is even great and one of the finest short movies from its year and also deserving of the Oscar win. This partially has to do with lead actress Veerle Baetens here, who plays an emergency phone hotline operator. I already thought she was amazing on "The Broken Cicle Breakdown" wow... can't believe this one is already almost a decade old. so I recognized her immediately. This film reminded me of a Danish film from not too long ago that was also fairly close to being nominated for an Oscar, but that was a full feature film, so there were plot twwists and everything. This one here is just very focused and essential story-telling that almost feels a bit like a documentary from a police investigation. Fittingly, I read an article not too long ago about a case where a woman called such a hotline to report a case of domestic violence I think and that she (or somebody close to her) is in danger, but she could not speak freely, so she disguised her call as if she was calling to order a pizza. The hotline operator understood and realized it is not a prank and managed to help her to become hero of the day.

This film is at least slightly similar to that but it as made way before the event I just mentioned (became public) so it did not inspire this film. I think the moment you realize what's going on, namely when you find out that the hotline operator just received the call you saw before that from the perspective of the woman in the car, you are immediately in the middle of this film. And you won't leave until it is over. It is that good and had me on the edge of my seat more than most full feature movies. Of course, you will need subtitles unless you are fluent in French, but this should not keep you from watching. It is really essential that you understand all the dialogues. I also liked how they elaborated on what happened before that, probably that the woman was abused sexually and then abducted. You would not know how it ends, if there is a big car chase scene, the guy loses it and maybe kills his victim and/or himself or whatever else could happen, but Girard took the most likely and most realistic way out without any spectacular final sequence. Or I should say any spectacular showy sequence because the moment the police stops them, he gets out of the car and surrenders. Felt very authentic and realistic. So did everything else about the end, for example how she asks the woman on the phone if she is supposed to step out of the vehicle now as well. She trusted her to make the right decision for her the way she did before that by basically saving her. And at the very end, when Baetens' character asked for her name, we find out how anonymous this job really is and how you have to deliver acts that are much bigger than a simple "hello my name is. and still it stays a really lonely profession. The attention to detail in this film is nice too. Just one example how she steps away from the noise at her workplace when she is about to talk to the guy. She definitely is a pro knowing what needed to be done to do her best to save a life. There is no guarantee of course. Early on, there is also a brief moment of comedy when we find out about a guy who has been constantly calling for nothing that warrants calling. And finally, I would like to say that I think the title is a good choice as well. Very simple, but hits the nail right on the head. She is her sister that night, not only because of how she has to pretend she is, but also because the two women have a special connection. In the truest sense of the word. I highly recommend this film. Very well done.

Vous êtes super dans vos chansons! Bravo! SUBSCRIBE LIKE SHARE! TRÈS JOLIE CHANSON ET VÉRIDIQUE! Superbe chanson! Bisous.




Un génie ce mec ! l'un des rares qui me fasse pleurer de rire.
Totalement d'accord ❤️❤️❤️ I LOVE MY SISTER ❣️❣️❣️.
I wonder if this movie will be depressing Pixar: Say no more.
Mashallah mashallah ma sœur continue comme ça et Allah avec toi inshallah.
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This should have won, I love this short.
J'aime bcp trop ❤.
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Juste. Waou. ❤️❤️❤️😿😿😿💕💌.






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