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Country=Japan
runtime=1hours 52Minutes
7,8 / 10 Star
director=Makoto Shinkai
Romance
ドリトルキメラ.
スパークル大好き.聴くたんびに映画館で観た隕石が割れて降ってくるあの幻想的な光景を思い出す.はぁもう一度映画館で観てぇ. 切実.
梦幻西游 海外专区.
セバーグ 京都.
In the latest from the director of the hit anime “Your Name, ” two teenagers find mysterious rays of hope amid catastrophe. Credit... GKIDS Published Jan. 16, 2020 Updated Jan. 21, 2020 Weathering with You Directed by Makoto Shinkai Animation, Drama, Fantasy, Romance PG-13 1h 54m The rain doesn’t simply fall in “Weathering With You, ” an anime about love in a time of catastrophe, it gushes. The record torrent that pounds Tokyo throughout is relentless: It floods streets and homes, wrapping the city in a heavy blanket of gray. There’s beauty here, though, in the shocks of color like the red latticework of an Eiffel-like tower and umbrellas that, when seen from above, look like promenading flowers. Every so often, a ray of sunshine pierces the gloom, illuminating a small urban patch. The first time you see the sun streaming, it’s in the company of the teenage Hina (voiced by Nana Mori), who rushes toward the beam as if pulled by a magnet. She finds its terminus on the roof of a derelict building, where the light spreads over bright green, nodding blooms and an incongruously placed red torii gate. A traditional structure found in or at the entrance of Shinto shrines, the gate often serves as an entrance to a sacred space. Putting her hands together as if in prayer, Hina closes her eyes and steps through the gate, changing both herself and the story. She doesn’t travel over the rainbow, not exactly, but slips through a watery portal, landing on a green field atop a mushroom-shaped cloud. The apocalyptic resonance of this image, which invokes the destruction of Hiroshima and Nagasaki, hovers like an omen. For now, though, Hina finds peace under a blue sky where fish soar and raindrops fall up, swirling like tadpoles. She’s bathed in light, but then also soon home, waking from a voyage or maybe a dream. The Japanese writer-director Makoto Shinkai has a thing for dualities and a penchant for imaginatively blurring the divide between them. Much like his wistful hit “Your Name, ” this movie centers on an adolescent boy and girl whose lives intersect, almost magically, and who mirror each other visually and narratively. In “Weathering, ” the boy, Hodaka (Kotaro Daigo), is a teenage runaway who almost drowns soon after the movie opens. Once in Tokyo, he struggles to stay dry, find something to eat, a place to live, a way to live. The story grows more intricate after Hodaka meets Hina, a sweet, friendly smiler with a younger brother and no adult support. The two soon hit on a scheme to sell Hina’s mysterious new gifts as a so-called sunshine girl, a figure who can summon the sun with prayer. In Shinto, the sun goddess Amaterasu is an important deity, but Hina’s realm is far more down to earth. Creating a website, she and Hodaka start selling her rays at a bargain rate, sharing precious light with the city’s grateful, sodden inhabitants. Shinkai fills “Weathering” with bold leaps, narrative complications (the story jumps around in time, not always productively) and softly hued, filigreed backdrops that approach the photorealistic. The character design, by contrast, is more generic, conforming to the familiar stylized anime (and manga) look. Hina and Hodaka have heart-shaped faces with huge gemstone eyes, small noses and tiny, ductile mouths that open wide and comically wider. The characters’ personalities are filled in by the highly modulated vocal performances and by Shinkai’s animation, the discreet and bold choices that make their faces and physicalities pop. The story flows like all the running water, particularly in its fast-moving first hour. As Shinkai briskly cuts from one image to another, introducing characters as he jumps from scene to scene, the story gathers momentum that escalates with a fired gun, a sleazy villain and a rush to safety. The pace is sometimes so rapid that you scarcely have time to look, much less admire the translucent sheen of a plastic garbage bag or the meticulous lettering on a beer can (“Since 1978”). That’s to Shinkai’s purpose. As streets, homes, rooms and faces hurtle by, a textured world emerges detail by detail, one that looks like life yet is also expressionistic. “Weathering With You” loses its way with a diffuse ending that leans heavily on pop songs and includes a fatalistic shrug and a romantic deluge of tears. A late nod at climate change — a close-up reference to the Anthropocene — brings the story briefly into the bleak now. This invocation of environmental catastrophe puts all the rain into new, unmistakable context. It also suggests that a lot of what happened earlier in the story may have been dreamed into existence by two impressionable young souls who, struggling to survive, found refuge in each other and wished the real world away. Whether they did or not, you know how they feel. Weathering With You Rated PG-13 for intimations of doom. In Japanese, with English subtitles. Running time: 1 hour 54 minutes.
Trying to turn the other cheek.
Tanjiro: tanjiro nichirin swords break Rui: hurts nezuko tanjiro:so you just choosen death.
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A lot of people really don't like the gun. However, I really liked the mere existence of it. It upped the stakes of everything, and during the scenes where Hodaka uses the gun, you can feel how conflicted and confused he is. Heck, the camera angle also change to his line of sight when it is used to aim. Did it have to be a gun? Not necessarily. Could it not exist? Definitely no. He was desperate, dug himself into a hole that he cannot come out of, chooses to keep the gun due to this desperation and fires it out of desperation. That's a big reason for him to keep, use and drop the gun. These are all choices made out of desperation by Hodaka which resulted in devastating results. The gun didn't need a reason to exist, it exists because it's a symbol of what being overly desperation could result it. Though I'd agree if it was more organic, it would have been absolutely perfect.
Lol, in the theater where i watched this, everyone cheered when taki showed up and they cheered even louder when mitsuha showed up.
January 9, 2020 6:25PM PT
Makoto Shinkai follows up his hit anime 'Your Name' with this meteorological meet-cute, in which a boy falls for a girl who can control the weather.
In Texas, there’s a saying that goes, “If you don’t like the weather, wait a few minutes. ” All the way over in Tokyo, changing the forecast doesn’t come nearly so easy — and may even require a human sacrifice to set things right — or at least, that’s the premise of “ Weathering With You, ” an inventive romantic fantasy from director Makoto Shinkai, whose 2016 hit “Your Name” became the first anime made by someone other than Hayao Miyazaki to earn more than 10 billion yen (or $100 million) in Japan. Here, a young couple desperate to stay together find themselves contending with all manner of meteorological freakery, with spectacular, if somewhat difficult to follow, results.
As in the body-swapping sensation that preceded it, “ Weathering With You ” blends the emotional concerns of 21st-century teens with elaborate supernatural elements, making for a visually dazzling, narratively convoluted adventure that speaks to the younger generation, but not necessarily the world at large. While it’s exciting to see a non-Ghibli-associated talent emerge in the domain of Japanese animation, there’s a great deal that simply doesn’t translate to American audiences, who may have trouble swallowing the film’s outrageous ending and its J-poppy Radwimps score.
Even so, GKIDS has ambitious plans for the film, which has earned a by-no-means-unimpressive $125 million since its July 19 release in Japan, and which kicked off the L. A. -based Animation Is Film Festival last October. GKIDS will release “Weathering With You” on Jan. 17 in the States, following two nights of fan preview screenings around the country.
The tragic impossibility of true love is once again the director’s secret ingredient, as a 16-year-old runaway named Hokoda (Kotaro Daigo) falls for Hina (Nana Mori), a so-called Sunshine Girl, an exceptionally rare specimen with the power to pray away the gray skies. Her gift comes at a cost, however, and both teens realize that eventually, her ability to tame the weather will reach its limit, and she’ll levitate up into the clouds to be vaporized. Or something. (I’ve watched “Weathering With You” three times, and I still can’t make sense of the story or its arcane rules. ) The point is, by the movie’s own mythology, Sunshine Girls aren’t long for this earth.
In the real world, of course, humans have zero control over the weather. Neither do filmmakers, which would make it hard to tell a story that calls for such extreme fluctuations between rain and shine via live action. On the other hand, by working in animation — specifically, a tech-forward approach in which tablets and digital tools are used to mirror the figures and style of classical hand-drawn anime — Shinkai is free to play God, conjuring whatever kind of weather patterns his story requires while dazzling us with his usual attention to lighting and landscapes.
One of Shinkai’s more impressive signatures, dating back at least to 2007’s “5 Centimeters per Second, ” involves the awesome illumination of outdoor vistas in which the sun breaks through shadow and traces its way across the screen, like a theater curtain raising to reveal the world in all its splendor. Hina has the ability to make that happen, although the movie takes a while to introduce her ability, focusing first on young Hodaka.
Escaping the island where he grew up for what he imagines to be a more exciting life in Tokyo, Hodaka is standing on the deck of a ferry boat when a storm materializes directly overhead, hammering down so hard, the flash flood nearly casts the boy overboard. Instead, he’s rescued by Mr. Suga (Shun Oguri), a not-entirely-legit magazine publisher who gives Hodaka his card and, later, a job, after the kid realizes that he’s too young to get work in the big city. TV weather reports make it clear that Tokyo has been plagued by massive rains lately, and the newscasters don’t know what to make of the “fafrotskies, ” or fish-like objects and strange jelly left behind by the storms. (No explanation ever comes, although we can assume Shinkai is riffing on the erratic impact of global warming. )
Countless filmmakers have offered their view of Tokyo, but Shinkai has a unique sense of the capital, and one of the movie’s more unexpected pleasures is seeing the metropolis through his eyes. From crowded neon-lit intersections to private rooftop shrines, the director captures many facets of the famous city, encompassing both the macro (fireworks over Meiji Jingu Gaien Park) and more intimate details (like the pleasures of a vending-machine feast). Hodaka meets Hina at a nondescript McDonald’s, where he finds a gun left behind by another customer, later using it to defend her from what looks to be a pimp.
Shinkai doesn’t provide enough background on either of the characters (why Hodaka leaves home, why Hina agrees to sex work), and yet, audiences will have no trouble accepting that they’re meant to be together, finding it easy to root for the couple through some of the story’s stranger turns. For example, once Hina realizes that she can override the rain, she and Hodaka decide to start a business, where clients pay her to call out the sun for sporting events, street fairs and a simple family afternoon in the park. But that incident with the gun (a bizarre subplot by any measure) attracts the police’s attention, as does Hina’s ability to harness lightning in alarmingly violent ways, and before long, they’re on the run from the authorities.
This is where “Weathering With You” proves weakest, falling back on tropes seen far too frequently in kids movies (rescuing the mermaid from researchers in “Splash, ” for example), instead of charting a fresh path. Shinkai hasn’t gone far enough into fantasy to excuse the enormous holes in his script, though he does a nice job of distracting us with details, going so far as to incorporate cameo appearances by Taki and Mitsuha, the lead characters of “Your Name, ” in such a way that suggests that the films may be part of an extended “Shinkai-verse. ”
If that’s the case, the last act of “Weathering With You” feels all the more extreme (spoiler alert: this paragraph reveals the film’s ending). Shinkai conceived the film on the premise that average folks don’t appreciate the degree to which their emotions are influenced by the weather, nor do they realize how their individual decisions, no matter how small, may contribute to global climate change. Here, rather than accepting Hina’s fate — her sacrifice restores the weather — the couple selfishly challenge nature, to the extent that Tokyo is left permanently underwater. Romantic? Sure, though it’s no better than Jack and Rose letting everyone on the Titanic drown just so they could wind up together. There’s gotta be a better solution.
Charades, the Paris-based sales company behind the Oscar-nominated “I Lost My Body” and “Mirai, ” has closed a raft of deals on high-profile animated features, including “Little Nicholas” and “Marona’s Fantastic Tale. ” Anca Damian’s “Marona’s Fantastic Tale, ” which world premiered in competition at last year’s Annecy Film Festival and was nominated at the European Film Awards, [... ]
Paris and Los Angeles-based Federation Entertainment has acquired the TV format and remake rights to Alejandro Amenábar’s debut feature, “Thesis. ” It’s a prime example of the value of key older movie titles from standout younger foreign-language auteurs. Producer of “The Bureau, ” “Marseille, ” “Bad Banks” and “Hostages, ” Federation Entertainment will produce a drama series based on [... ]
Amsterdam-based NL Film and Hupe Film in Cologne have boarded Jo Baier’s upcoming Nazi war criminal horror thriller “Life Through a Dead Man’s Eyes. ” The companies join co-producers Films in Motion (FIM), the Berlin-based shingle run by American producer René Asch, and Angelika Mohr’s Morefilms in Munich, which is also handling world sales. German thesps [... ]
The Berlinale in recent years has been a prime launching pad for Italian films directed by women, which though fewer in number to their male counterparts, make up a considerable portion of the country’s representation on the festival circuit — Alice Rohrwacher (“Happy as Lazzaro”) at Cannes, Susanna Nicchiarelli (“Nico”) at Venice, and Berlin regular [... ]
Though hiring a foreigner to run a national institution such as the Berlinale in Germany is rather rare, it’s been happening to other Italians lately. Carlo Chatrian at Berlin is the most prominent case. But there are several more. In 2018, Italy’s Paolo Moretti, who now heads the Cannes Directors’ Fortnight, became the first non-French [... ]
One of the hippest, most international Scandinavian companies, the Copenhagen-based Snowglobe, is the 5-year-old banner behind “Wildland, ” the female-powered crime film set to world premiere at the Berlinale. Starring Sidse Babett Knudsen (“Borgen”) as a mafia ringleader and introducing Sandra Guldberg Kampp, “Wildland” was written by Ingeborg Topsoe (“The Charmer”) and directed by Jeanette Nordahl. [... ]
“Beyond the Raging Sea, ” an extreme sea adventure documentary aimed at raising awareness of the global refugee crisis, is set for a wide theatrical release across the MENA region via Arab marketing and distribution company Mad Solutions and Middle East exhibitor Vox Cinemas. The deal between the two companies and the International Emerging Film Talent [... ].
First half of the trailer Me: this is gonna be amazing GUNSHOT Me: here we go again. 😐.
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114 minuten | Japans, Nederlands ondertiteld
Animatie
Drama
Release: 30-01-2020
Wanneer een jongen besluit om een klein dorp achter zich te laten en weg te rennen naar Tokyo, wordt hij getroffen door eenzaamheid. Met weinig geld en in een periode van uitzonderlijk slecht weer, houdt hij zijn hoofd maar moeizaam boven water.
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Best Anime Movies so far: 1. Weathering With You 2. I Want To Eat Your Pancreas 3. Your Name 4. Silent Voice 5. Spirit Away 6. Totoro.
This song reminds me of the time when i watched this for the first time. it wasn't very long ago, but it feels like ages now. it used to be so simple back then. everything changed now. this song makes me sad thinking about it. and i wish and hope for a good life to everyone who's reading this.
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People say the plot was sloppy and weird but I felt it was way more real than Your Name. The characters have a reason for their affections. Instead of just "we are switching bodies and now I love you" this story has a way more well-developed and grounded love story.
There is no denying this is not anyone expected. Your Name is a good watch, because it was pure entertainment. This is something people would be talking for months, and maybe even years because of it's thought-provoking messages, meanings and symbolisms.
Sonna kōya ni umareochita boku, kimi sore de mo.
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Dude still waiting for The Attack on Titan review.
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There's a Japanese Morse Code near the end of the song. A/SHI/TA/WA/HA/RE/RU/YO Which google translate says is It will be fine tomorrow.
I want to pay it back and spend it all on you.
🌑🌕🌕🌑🌑🌑🌑🌑🌑🌑🌑🌑.
Sore de mo ano hi no kimi ga ima mo mada.
Translate an nya ngaco wkaowka.
曲が綺麗で神秘的だけど裏声もありえんくらい綺麗すぎる.
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INTRODUCTION
今や、世界的に注目されるアニメーション監督・新海誠。 叙情的な男女の物語を、美しい色彩と繊細な言葉で紡ぎ出す“ 新海ワールド” は、 国内外問わず多くの人々に支持され、生み出された作品は高く評価されてきた。 そして、前作『君の名は。』から3年― 待望の最新作が、ついに始動する。
新作『天気の子』は、天候の調和が狂っていく時代に、運命に翻弄される少年と少女が自らの生き方を「選択」するストーリー。 東京にやってきた家出少年・帆高が出会った、不思議な力を持つ少女・陽菜。ふたりの恋の物語は、美しく、切なく、新たな時代を迎えるあらゆる世代、そして全世界へのメッセージとして描かれる。 声の出演として、主人公・帆高に醍醐虎汰朗、ヒロイン・陽菜に森七菜が決定。2000人を超えるオーディションの中から選ばれた二人の声に大きな注目が集まる。更には、本田翼、倍賞千恵子、小栗旬ら、まさに豪華キャスティングが実現。 そして、主題歌「愛にできることはまだあるかい」を始め、劇中全ての音楽を担当するのはRADWIMPS。今作での新たなチャレンジとして、心の機微を神秘的に歌い上げるアーティスト・三浦透子をボーカルに迎え、複数の楽曲を制作。共に紡がれた、その“詩”は、新海ワールドに、より大きな感動をもたらした。
STORY
「あの光の中に、行ってみたかった」 高1の夏。離島から家出し、東京にやってきた帆高。 しかし生活はすぐに困窮し、孤独な日々の果てにようやく見つけた仕事は、 怪しげなオカルト雑誌のライター業だった。 彼のこれからを示唆するかのように、連日降り続ける雨。 そんな中、雑踏ひしめく都会の片隅で、帆高は一人の少女に出会う。 ある事情を抱え、弟とふたりで明るくたくましく暮らすその少女・陽菜。 彼女には、不思議な能力があった。.
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Moshikuwa haruka na yuragu koto nai ishi.
Wanneer een jongen besluit om een klein dorp achter zich te laten en weg te rennen naar Tokyo, wordt hij getroffen door eenzaamheid. Met weinig geld en in een periode van uitzonderlijk slecht weer, houdt hij zijn hoofd maar moeizaam boven water. Dan raakt hij bevriend met een weesmeisje dat een magische kracht lijkt te hebben: het laten stoppen van de regen, en het laten opklaren van de lucht…
Vue bezoekers waardering
(42 stemmen)
Regisseur:
Makoto Shinkai
Acteurs:
Kotaro Daigo, Nana Mori, Sei Hiraizumi, Yûki Kaji
Genre:
animatie / drama
Speelduur:
114 minuten (Excl. pauze en voorprogramma)
Gesproken taal:
Japans
Bij Vue vanaf:
30 januari 2020
Delen:.
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I can totally tell this movie is a masterpiece of 2019
閃耀暖暖 琴江夜未眠.
Prayers that are never heard.
Columnist - tchurus bango https://twitter.com/Lacr4m
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