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DOWNLOAD - STREAM https://onwatchly.com/video-9826.html?utm_source=form_run
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Countries UK.
Writed by Rose Glass.
Follows a pious nurse who becomes dangerously obsessed with saving the soul of her dying patient.
7,9 / 10.
directors Rose Glass.
Love this movie, kinda strange, just watched it online.
Love love love the music choice in this trailer. I was gonna see this movie anyway, but this trailer super sold me.
Saint maurice 94410.
Saint maud trailer.
A24: breathes me: wow that was a real deep breath 👏👏👏.
Saint maud trailer song.
Saint maud tiff.
For the first time Sandler did a Serious role and he didn't get a nomination. SMH Oscar is a Great Big Scam.
This is gonna be great.
Only seen 9 9: The Spectacular Now 8: Free Fire 7: Enemy 6: Locke 5: It Comes At Night 4: Ex Machina 3: Green Room 2: Hereditary 1: Room.
Saint maud ending.
Yep my brain just ran away after seeing just the trailer.
I'm here for all the good girls go to hell edit: lol just read the comments... bro did all billie haters come here?😂🤦🏻♀️.
A24 always produces near-perfect movies. I gotta see this.
Saint maud fontenoy.
Gajju gang. hit like if uk what i mean😂😂😂.
Amy Adams returns.
Saint maurice.
Can you guess what every woman's worst nightmare is? such a strong quote. I can't wait for this movie! 👏.
Morfydd Clark and Jennifer Ehle play nurse and patient in this claustrophobic psychological thriller from debutante director Rose Glass.
Although this unsettling, contemporary-set British psychological drama is not a biopic about the real-life canonized St. Maud, a 10th century, excessively devout German queen, it's not hard to imagine why the lead character might have chosen to rechristen herself Maud after a trauma and subsequent conversion to Christianity. Like the disturbed palliative-care nurse we follow here, played with subtlety but also white-hot fervor by Morfydd Clark, the original St. Maud nursed the sick, and is now considered the patron saint of misbehaving children.
That second bit seems apt here given that this striking and auspicious feature debut for writer-director Rose Glass explores the title character's obsessive need to control and maybe even convert her older, terminally ill patient, played by Jennifer Ehle. Redolent of a video-store shelf's worth of 1960s and '70s psychological horror thrillers — especially Repulsion, Performance, Taxi Driver and maybe even The Killing of Sister George in an oblique way, as well as recent pastiches of that same period ( The Duke of Burgundy) — Saint Maud seeds the clouds with an eclectic mix of influences, but it works, creating a film with its own strange weather.
Stab-quick flashbacks of a gory scene in a hospital and dropped hints elsewhere suggest something bad happened to a patient in the backstory for which tightly clenched nurse Maud (Clark) may or may not be responsible. Now, instead of working in the national health service (where she was known as Kate before she changed her name), Maud is caring for terminally ill patients through a private agency in an unnamed seaside town. (The street scenes were shot in picturesque-seedy Scarborough, in the north of England. )
Her latest client is Amanda (Ehle), once a feted, avant-garde dancer in the Pina Bausch vein judging by a video clip we see at one point, who now has a terminal illness, probably cancer judging by the hair loss. But despite the fact that Maud wants to see the glamorous and witty Amanda as an injured broken bird to be cared for, Amanda is more like a spider nesting in her vast bed at the center of a dark house full of corners, menacingly patterned wallpaper the color of blood and secrets.
Amanda is not evil or anything as simple and banal as that — just a very smart, complex woman bored with the last stages of her own mortality. In Maud, whom she describes at one point as the loneliest person she's ever met, she sees an amusing if broken plaything to fill up the time with in between visits from her young, sexily snarling lover, Carol (a vividly feral Lily Frazer).
But Maud isn't as simple as she looks either, and the two begin a tango of seduction or destruction that leads to some very weird head games. Eventually, Maud's faith and perhaps her sanity starts to fray and crackle, and she swaps the starched uniform for sexier threads and a night of hedonism for herself.
By the end, it's not entirely clear whether we have entered an ecstatic realm where the supernatural is possible or whether it's all in Maud's imagination, like the whirlpools she sees in glasses of beer and bathtub drains, redolent of Hitchcock's famous shower scene in Psycho. That ambiguity of genre, never entirely resolved, may frustrate some viewers, but it's clear Glass knows exactly what she's doing as she keeps adding thin layers of meaning and texture to the narrative. This smart, sinister work represents a very arresting calling card which augurs very well for her future prospects.
Venue: Toronto Film Festival (Midnight Madness)
Production: A Film4, BFI presentation of an Escape Plan production
Cast: Morfydd Clark, Jennifer Ehle, Lily Frazer, Lily Knight, Marcus Hutton, Turlough Convery, Rosie Sansom, Carl Prekopp, Jonathan Milshaw, Noa Bodner, Rosie Sansom
Director-screenwriter: Rose Glass
Producers: Oliver Kassman, Andrea Cornwell
Executive producers: Daniel Battsek, Sam Lavender, Mary Burke
Director of photography: Ben Fordesman
Production designer: Paulina Rzeszowska
Costume designer: Tina Kalivas
Editor: Mark Towns
Music: Adam Janota Bzowski
Casting: Kharmel Cochrane
Sales: Protagonist
83 minutes.
Here I fix the name Escape from Tarkov np
Saint maud.
Saint maud release date.
Saint mandrier.
Saint mande 94160.
Saint maud 2019.
I could have sworn that was Hitler on the thumbnail.
Saint maux de tête.
The attempt at the South African accents are. interesting 😅.
Whyd ye spill yer be. oops wrong movie.
Saint maud rose glass.
Am I the only one who loved the 'olde Englishe' used in this film.
Watched this like 6 months ago in one of the independent theaters and I see it's 2020 movie 😳 Super great, funny and intriguing...
Saint maudan.
Synopsis
Never Waste Your Pain
Having recently found God, self-effacing young nurse Maud, arrives at a plush home to care for Amanda, a hedonistic dancer left frail from a chronic illness. When a chance encounter with a former colleague throws up hints of a dark past, it becomes clear there is more to sweet Maud than meets the eye.
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A slender but unholy cross between “First Reformed” and “The Exorcist, ” Rose Glass’ taut and trembling “Saint Maud” transmutes a young woman’s spiritual crisis into such a refined story of body horror that genre fans might feel like they’re having a religious experience. Of course, even the most overzealous viewers will find there’s always room for doubt — and that’s where the Devil gets in. A palliative care nurse in a dreary town somewhere along the British coast, the intensely devout Maud (a divine Morfydd Clark) is doing her best to seal the area around her soul. That seems to be one hell of a struggle. Soft-spoken but vibrating with serial killer intensity, Maud seldom opens her mouth when she’s…
AFI Fest - Film #2 Morfydd Clark as Maud was not compelling. Jennifer Ehle as Amanda was stagnant. The upside down shots were irrelevant. Deciding to stay up for this midnight movie proved to be a waste of time. It didn't even feel like a real film. I did like the beer tornadoes, though.
One of the scariest movies I’ve ever seen. It’s brilliant by any standard, but I can’t get over the fact that this is Rose Glass’ debut. Her direction is so confident, always certain and commanding of your attention. The performances she gets from her actors are equally strong, our lead being an absolute force of nature. There are a few sequences where the writing becomes thin, but this remains a fascinating story. Easily one of the best uses of voice-over here, too, as it’s not narration at all. It instead creates a space for our protagonist’s prayers to be elevated in a palpable way. Incredibly suspenseful and entertaining in a way that’s only enhanced by its intriguing religious themes. The scares are terrifying in the moment, but it’s the more spiritual aspect of the horror that really gets you. This one’s gonna be hard to shake.
Margaret White: The Early Years, God Told Me Too... There's been a bit of renaissance of religious horror movies over the last few years and Rose Glass's debut feature broadly falls into that category too, following the increasingly traumatic life of Maud; a pious young hospice nurse who forms an obsessive bond with the woman under her care, cancer patient Amanda. It's not exactly original, drawing strongly on films like Misery, Repulsion and the intense psychodramas of Bergman ( Cries and Whispers springs to mind), but it's the skill of the execution and an excellent, nuanced performance by Morfydd Clark that make it such a dark treat. The film leaves you in little doubt that Maud is highly disturbed, but exactly…
Sturdy but ultimately another devotion-or-psychosis play.
The agony and the ecstasy. Unnerving, reverie drone horror where a young hospice worker feels the passion of God run through her. Incredibly photographed and atonally scored, it becomes downright hypnotic while still integrating some old school demonic jump scares. Paul Schrader wept.
Recent reviews
Loved it even more 2nd time round. Creepy, funny, sad, it might be one of my favourite psychological / body horrors of recent years
This review may contain spoilers. I can handle the truth. It’s lit.
taut, rigid religiosity (complete w/ god-gasms! ) through the lens of visceral horror. a modern reflection on the spiritual psyche of the crusaders, one of the most vile group of humans ever to walk the earth. hard to believe this is Rose Glass's first film. stunning.
Well that fucked me up. An unsettling reminder that body horror and spiritual horror aren’t opposites — they’re roommates.
Belle petite surprise horrifique que ce premier film de Rose Glass. La mise en scène est maîtrisée, une ambiance assez glauque s'installe progressivement et, même si l'histoire de base n'est pas des plus passionnantes, elle arrive à captiver par son dernier acte. Celui-ci, un peu grotesque, trop sur certains aspects, démontre une vraie créativité qui laisse présager un vent de fraîcheur dans le genre britannique si cette réalisatrice continue sur cette voie. L'idée de jouer sur le radicalisme religieux est intéressante en ce qu'elle offre une vraie dimension tragique au personnage principal, d'ailleurs brillement interprété, tout en apportant, par un dernier plan surprenant, un regard cru sur ceux qui se veulent martyres au nom de l'évangélisation des "âmes perdues" comme ils aiment à les appeler.
A fine horror film, but the end makes it just another psychological horror movie that's afraid to commit either way and would rather once again pose the question "was any of that real or just in her head? " for the umpteenth time. Before that end, it's an interesting look at faith to cope with trauma, with characters that bring out both the best and the worst in ine another. The first half is more of a characterpiece with barely any horror tropes, while the second half starts throwing them at you more and more over the top as we approach the end. Some of it works, and looks great, other times it's almost silly due to how seriously it takes itself. I like and appreciate the fact that these small horror films still get made, especially by giving women a chance to direct, but I think both Rose Glass and horror filmmaking can do better. And I hope they will.
A brooding slow-burn spiritual horror dealing in guilt and shame. Squeamish beware.
Saw this at TIFF Midnight Madness and pretty psyched it got picked up by A24! Super on brand for them. But they need to be careful they don't screw up the marketing the way they did with The Witch. It made a ton of money, but people had mixed feelings afterwards because they were expecting one thing when the movie was another
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A24 - Complete Filmography Full list of A24's filmography, chronologically. See notes for release dates and gross. ⬇️⬇️⬇️ A24 is an independent New-York-based film company….
Saint maud trailer reaction.
There's so much more horror for women in waking life, I imagine. Me, a woman: that's a fair assumption.
I thought she was Britney then realized she wasn't Britney AND THEN TOXIC STARTS PLAYING.
Am literally under maintance care from this movie trailer. Jennifer Ehle gotta realease another block buster Am gifting notifications on my first 100 subs 🤙🤙🤙.
This director is amazing, “The Witch” and now “The Lighthouse”, who is less of a horror film, but its magnificent.
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The sessions revisited.
Saint maud trailer 2019.
Saint maudez.
This movie looks like itll be dope but I kept imagining David Carradine as the father.
Nobody ever: wakes from Nightmare to watch horror trailers Me: did exactly that.
The book was terrific. Gotta see the movie still.
I thought the film was called ‘escape from PETORIA A movie were Danial Radcliffe tries to escape the clutches of peter griffin.
Yeah i like A24... A 24 pack of beers-Tommy Macnamara.
Saint maud a24.
Saint maude film.
This looks amazing Amy Adams is such a good actress everyone should watch Sharp Objects.
It's an A24 trailer so I kept waiting for something to go horribly wrong.
As a Swedish person I find this to be an offensive and unrealistic representation of our culture because there's nothing wrong about sacrificing human victims once or twice every year or so.
Saint maud trailer subtitulado.
I didn't think A24 would be desperate enough for the I have anxiety and depression so I think I'm a witch crowd.
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Writer - helter skelter https://twitter.com/threecolorsbIue
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