♡ ✲✲✲✲✲✲✲ . ♡ Official https://onwatchly.com/video-9790.html?utm_source=form_run ♡ DOWNLOAD*STREAM https://onwatchly.com/video-9790.html?utm_source=form_run ♡ ✦✦✦✦✦✦✦ - Reporter - Drika Maraviglia https://twitter.com/drikared - Info: Serial blogger Genre Action / Release year 2019 / Runtime 99 min / Giuseppe Capotondi / Hired to steal a rare painting from one of most enigmatic painters of all time, an ambitious art dealer becomes consumed by his own greed and insecurity as the operation spins out of control. -Marvel logo: appears -Me: Oh shit, here we go again... This looks amazing. Indonesia siap menanti. 🤣 🤣 🤣. James ! James Ball's. Wait I mean bond. Videos Learn more More Like This Comedy | Drama 1 2 3 4 5 6 7 8 9 10 7. 2 / 10 X When seriously ill teenager Milla falls madly in love with smalltime drug dealer Moses, it's her parents' worst nightmare. But as Milla's first brush with love brings her a new lust for... See full summary  » Director: Shannon Murphy Stars: Ben Mendelsohn, Eliza Scanlen, Essie Davis 7. 4 / 10 The unfolding of the single largest public school embezzlement scandal in history. Cory Finley Allison Janney, Hugh Jackman, Kathrine Narducci 6. 9 / 10 An artist is suspected of selling a valuable painting to the Nazis, but there is more to the story than meets the eye. Dan Friedkin Daan Aufenacker, Claes Bang, Mark Behan 6. 6 / 10 A stormy reunion between scriptwriter Lumir with her famous mother and actress, Fabienne, against the backdrop of Fabienne's autobiographic book and her latest role in a Sci-Fi picture as a mother who never grows old. Hirokazu Koreeda Catherine Deneuve, Juliette Binoche, Ethan Hawke 5. 6 / 10 Satire about the world of the super-rich. Michael Winterbottom Asa Butterfield, Sophie Cookson, Isla Fisher Horror Thriller 6. 8 / 10 Hunter, a newly pregnant housewife, finds herself increasingly compelled to consume dangerous objects. As her husband and his family tighten their control over her life, she must confront the dark secret behind her new obsession. Carlo Mirabella-Davis Haley Bennett, Austin Stowell, Denis O'Hare History 5. 7 / 10 Yu Jin is working undercover gathering intelligence for the Allies. Ye Lou Li Gong, Mark Chao, Pascal Greggory Mystery 7 / 10 While grieving for the loss of their mother, the Connolly Sisters suddenly find they have a crime to cover up, leading them deep into the underbelly of their salty Maine fishing village. Directors: Bridget Savage Cole, Danielle Krudy David Coffin, David Pridemore, Adam Wolf Mayerson 5. 4 / 10 Veronica wants to remain in jail for a sexual assault she knows she's been wrongfully indicted for. She and her father, Jim, find themselves acting out of the bounds of good behavior as the past haunts them. Atom Egoyan David Thewlis, Luke Wilson, Sima Fisher The story of five Cuban political prisoners who had been imprisoned by the United States since the late 1990s on charges of espionage and murder. Olivier Assayas Ana de Armas, Penélope Cruz, Wagner Moura 7. 1 / 10 A loner and cook (John Magaro) has traveled west and joined a group of fur trappers in Oregon Territory, though he only finds connection with a Chinese immigrant (Orion Lee). The men... See full summary  » Kelly Reichardt John Magaro, Orion Lee, Rene Auberjonois Biography 4. 8 / 10 Inspired by real events in the life of French New Wave icon Jean Seberg. In the late 1960s, Hoover's FBI targeted her because of her political and romantic involvement with civil rights activist Hakim Jamal. Benedict Andrews Kristen Stewart, Yvan Attal, Gabriel Sky Edit Storyline Hired to steal a rare painting from one of most enigmatic painters of all time, an ambitious art dealer becomes consumed by his own greed and insecurity as the operation spins out of control. Plot Summary Add Synopsis Motion Picture Rating ( MPAA) Rated R for some sexual content/nudity, language, drug use and violence. See all certifications  » Details Release Date: 6 March 2020 (USA) See more  » Also Known As: The Burnt Orange Heresy Company Credits Technical Specs See full technical specs  » Did You Know? Trivia The film had its world premiere at the 76th Venice International Film Festival on 07 September 2019. Shortly after, Sony Pictures Classics acquired distribution rights to the film. See more ». Hogwarts Isn't the same. Oops. thought this was a horror movie about the Nitwit in Chief, DJT. A lot of movie best in years. thanks admin. Career options are in constant flux. Ambitious students who might once have embarked upon an arduous training in neurosurgery can now stream the sound of panpipes, invest in a clutch of jade eggs, and swiftly prosper as wellness consultants. No profession has risen quite so fast, however, as that of intimacy coördinator. It’s a hell of a job. You hang around on movie sets, telling people in various states of undress what they can do to one another, what they mustn’t even think of when they’re doing it, what they definitely can’t do, and, once they’ve not done it, how to treat the nasty case of tennis elbow that they developed along the way. Yet the hardiest intimacy coördinator—armed with a tape measure, a protractor, a magnifying glass, and a copy of Peter Singer’s “Practical Ethics”—would struggle, I suspect, with “The Burnt Orange Heresy” and “The Whistlers. ” These two new films have a surprising amount in common. In each case, near the start, a man and a woman have sex. The activity itself is vanilla but vigorous, like a frothing milkshake. But what of the motivations? In “The Burnt Orange Heresy, ” the spent participants, who only just met, lounge around, in ecstasy’s wake, and riff about what comes next. “We’ll move to the States. Connecticut, probably. Buy a house, porch, with a swing and a brook, ” one says. “Babbling, ” the other adds. You can sense that the riffing turns them on, and that they’re almost certainly lying about what brought them to this encounter. As for “The Whistlers, ” the couple isn’t a couple. He’s a cop and she’s a criminal, but they’re in league, and she pretends to be a sex worker, summoned to his apartment, because they’re all too aware of being watched on CCTV by those who wish them ill. In short, what appears to be consensual intimacy, in both movies, is an act of deliberate carnal deceit. Coördinate that. “The Burnt Orange Heresy, ” directed by Giuseppe Capotondi, stars Claes Bang (I’m saying nothing) as an art critic named James Figueras. Though handsomely clean-cut, he’s ragged around the edges in ways that are hard to define; you’d willingly lend him money, but you wouldn’t expect to get it back. We first meet him in Milan, where he’s lecturing to a group of culture buffs—spinning them a yarn about a nonexistent painter and then smoothly reeling them in. They are joined by a latecomer, the elegant Berenice Hollis (Elizabeth Debicki), of no fixed abode. She and Figueras, wasting no time, become firm friends, as detailed above, and he asks her along on his next jaunt: an invitation from a wealthy art collector, Joseph Cassidy, to his villa on Lake Como. Tough gig. Cassidy is played by none other than Mick Jagger, who has graced our feature films all too rarely since he played the reclusive rock star of “Performance” (1970), delivering “Memo from Turner” in a crowing drawl, among half-naked gangsters, with Ry Cooder on slide guitar. If Jagger’s character hadn’t been shot at the end of that movie, you could imagine him growing up into the comically rich Maecenas of “The Burnt Orange Heresy”—though not, as yet, growing old. Cassidy is an extraordinary figure: wicked, wrinkled, flute-thin, flawlessly dressed, with a head too big for his frame and a smile too big for his head. The smile suggests a perpetual amusement, as if he were enjoying a joke that is far too private to share. Identifying Figueras as a fellow-knave, Cassidy gives him a delicate sin to commit. The target is Jerome Debney (Donald Sutherland), the Salinger of painters—an object of both reverence and rumor, long vanished from the public eye. In fact, he’s dwelling quietly in the grounds of the villa, and Figueras’s mission, should he choose to accept it, is to steal a Debney, having inveigled himself into the artist’s confidence. What (or, indeed, whether) he has been creating of late is not the point. Cassidy, like all patrons, craves to possess. “The Burnt Orange Heresy” began as a 1971 novel by Charles Willeford: cavalryman, tank commander, poet, boxer, crime writer, and college professor. No bio-pic could contain so thronged a life. “Miami Blues, ” published in 1984, four years before his death, was adapted into a sharp-witted thriller, with Alec Baldwin and Jennifer Jason Leigh, and I was praying for a repeat with “The Burnt Orange Heresy. ” Everything’s in place, and there’s not a weak link in the cast, with Debicki—lofty, playful, and unreadable—in especially beguiling form. The idea that art, like love, is something that you can make or fake, and that surprisingly few people can tell the difference, will always be ripe for exploration. And yet the movie stumbles. The book was set in Florida, and the prettifying switch to Italy adds languor but subtracts fever; even when the plot speeds up, in the final third, the atmosphere feels more hasty than intense, and the alluring promise of the early scenes, when you couldn’t tell if the hero was fooling the heroine, or vice versa, melts away. They should have stayed in bed. It’s been a while since whistling had a major role in a movie. Admirers of Hitchcock’s “The 39 Steps” (1935) will remember the earworm stuck in Robert Donat’s brain—the musical phrase that he couldn’t help whistling, and that returned to him, laden with fresh meaning, at the finale. Then there’s the emotional pick-me-up of “I Whistle a Happy Tune, ” as sung by Deborah Kerr (or, rather, by Marni Nixon, the queen of dubbing), in “The King and I” (1956). Now we have Corneliu Porumboiu’s “The Whistlers, ” the plot of which demands that the characters put their lips together and blow. Much of the tale is set in La Gomera, one of the Canary Islands. La Gomera is the ancient home of El Silbo, the nonverbal idiom by which its inhabitants have traditionally made contact across the island’s gullies and ravines. The component sounds of Spanish words, cut down to two vowels and four consonants, are conveyed by whistling, the trick being to curl your fingers against your mouth with one finger outstretched, as if your hand were a gun. That is how Cristi (Vlad Ivanov), a Romanian visitor to La Gomera, is taught the rudiments of Silbo by an expert, who explains, “If the police hear the language, they will think the birds are singing. ” Pastoral noir! The fact that Cristi is the police only proves what a heap of trouble he’s in. Still, he’s an ideal student of Silbo, being not just a quick learner but a taciturn sort, more likely to clam up than to spill. The less talking you do, in his line of work, the better. But what is that line? There’s no risk of my revealing what happens in Porumboiu’s film, because I remain, as I began, in the dark. All I can tell you is that Cristi’s a bent cop, based in Bucharest, and trying to operate on both sides of the fence. He has a scary superior, Magda (Rodica Lazar), who is battling corruption, although she, too, is prepared to flex the rules. That may be why her office is bugged. The official villains include a money-laundering gangster, Zsolt (Sabin Tambrea), and his girlfriend, Gilda (Catrinel Marlon), the woman who sleeps with Cristi in the interests of untruth. He warms to her, and, at one point, they communicate from afar in Silbo, as though it were a natural language of love. If Cristi were a Rita Hayworth fan, he would recall one of the first principles of cinema: Never, ever fall for anyone named Gilda. The Burnt Orange Heresy Directed by Giuseppe Capotondi Produced by William Horberg David Lancaster David Zander Screenplay by Scott Smith Based on The Burnt Orange Heresy by Charles Willeford Starring Claes Bang Elizabeth Debicki Mick Jagger Donald Sutherland Music by Craig Armstrong Cinematography David Ungaro Edited by Guido Notari Production company Indiana Production MJZ Rumble Films Distributed by Sony Pictures Classics Release date September 7, 2019 ( Venice) March 6, 2020 (United States) Country United States Italy The Burnt Orange Heresy is an Italian-American drama thriller film directed by Giuseppe Capotondi and with a screenplay by Scott Smith. It is based on the book of same name by Charles Willeford. The film stars Claes Bang, Elizabeth Debicki, Mick Jagger, and Donald Sutherland. It was selected as the closing film at the 76th Venice International Film Festival. It is scheduled to be released on March 6, 2020, by Sony Pictures Classics. Cast [ edit] Claes Bang as James Figueras Elizabeth Debicki as Berenice Hollis Mick Jagger as Joseph Cassidy Donald Sutherland as Jerome Debney Alessandro Fabrizi as Rodolfo Production [ edit] In February 2018, Elizabeth Debicki and Christopher Walken were cast in the film adaptation of Charles Willeford 's book The Burnt Orange Heresy, to play Berenice Hollis and an artist Jerome Debney, respectively. [1] In April 2018, Claes Bang joined the film to play the lead role of James Figueras, a fiercely ambitious art critic and thief. [2] In early September 2018, Mick Jagger was cast to play Joseph Cassidy, an art dealer. [3] In late September 2018, Donald Sutherland was cast in the film, replacing Walken, to play an enigmatic painter who becomes the target of an art-world heist. [4] Principal photography on the film began late September 2018 in Lake Como, Italy. [4] Release [ edit] The film had its world premiere at the Venice International Film Festival on September 7, 2019. [5] Shortly after, Sony Pictures Classics acquired distribution rights to the film. [6] It is scheduled to be released on March 6, 2020. [7] References [ edit] ^ Ritman, Alex (February 15, 2018). "Christopher Walken, Elizabeth Debicki Join Neo-Noir Thriller 'Burnt Orange Heresy' (Exclusive)". The Hollywood Reporter. Retrieved October 13, 2018. ^ Clarke, Stewart (April 24, 2018). "Claes Bang Joins Christopher Walken, Elizabeth Debicki in 'The Burnt Orange Heresy ' ". Variety. Retrieved October 13, 2018. ^ McNary, Dave (September 6, 2018). "Mick Jagger Joins Heist Thriller 'Burnt Orange Heresy ' ". Retrieved October 13, 2018. ^ a b Anderson, Ariston (September 27, 2018). "Donald Sutherland Joins 'Burnt Orange Heresy' Cast". Retrieved October 13, 2018. ^ Vivarelli, Nick (22 July 2019). " ' The Burnt Orange Heresy, ' With Mick Jagger and Donald Sutherland, to Close Venice". Retrieved 22 July 2019. ^ Lang, Brent (September 16, 2019). "Toronto: Sony Pictures Classics Buys 'The Burnt Orange Heresy' (EXCLUSIVE)". Retrieved September 16, 2019. ^ "The Burnt Orange Hersey". Retrieved November 28, 2019. External links [ edit] The Burnt Orange Heresy on IMDb. Spoiler Alohomora. “ The Burnt Orange Heresy, ” starring Mick Jagger as a reclusive art dealer alongside Elizabeth Debicki (“Widows”), Claes Bang (“The Square”) and Donald Sutherland, has been selected as the Venice Film Festival closer. The English-language art heist movie marks Italian director Giuseppe Capotondi’s first time back at Venice since 2009, when his debut feature film, the taut thriller “The Double Hour, ” made a splash on the Lido. That film won   its star, Kseniya Rappoport, the best actress prize. Described   as a contemporary “erotic neo-noir thriller” in the festival’s synopsis, “ The Burnt Orange Heresy ” sees charismatic art critic James Figueras (Bang) hook up with provocative and alluring fellow American Berenice Hollis (Debicki).   “He’s a classic anti-hero in the making with a charm that masks his ambition, whilst she’s an innocent touring Europe, enjoying the freedom of being whoever she wishes, ” the festival said. The lovers travel to the lavish and opulent Lake Como estate of powerful art collector Cassidy (Jagger). Their host reveals that he is the patron of Jerome Debney (Sutherland), the reclusive “J. D. Salinger of the art world, ” and has a simple request: for James to steal a Debney masterpiece from the artist’s studio, whatever the cost. Produced by David Zander of MJZ, David Lancaster of Rumble Films and William Horberg of Wonderful Films, “The Burnt Orange Heresy” will world premiere on the Lido out of competition on Sept. 7. Executive producers include Sienna Aquilini and Peter Touche. The screenplay is by Scott B. Smith, from the novel of the same title by Charles Willeford. HanWay has international sales outside the U. S., where UTA/CAA are handling. The 76th edition of Venice will run Aug. 28-Sept. The full lineup will be announced on Thursday. After three weeks in theaters, Sony’s “Bad Boys for Life” is officially the highest-grossing installment in the action-comedy series. The Will Smith and Martin Lawrence-led threequel has made $291 million globally to date, pushing it past previous franchise record holder, 2003’s “Bad Boys II” and its $271 million haul. The first entry, 1995’s “Bad Boys, ” [... ] The BAFTA film awards have kicked off in London, with Graham Norton hosting this year at the Royal Albert Hall. The awards will be broadcast on the BBC in the United Kingdom and at 5 p. m. PT on BBC America. “Joker” topped the nominations with 11 nods, while “Once Upon a Time in Hollywood, ” and [... ] “1917, ” Sam Mendes’ World War I survival thriller, has taken an early lead at the 73rd British Academy of Film and Television’s Film Awards with four wins so far. “1917” took the Outstanding British Film Award, the clear favourite in the category, which was the first of the evening to be announced. “1917” also won [... ] Every summer, more than 1, 000 teens swarm the Texas capitol building to attend Boys State, the annual American Legion-sponsored leadership conference where these incipient politicians divide into rival parties, the Nationalists and the Federalists, and attempt to build a mock government from the ground up. In 2017, the program attracted attention for all the wrong [... ] Box office newcomers “Rhythm Section” and “Gretel and Hansel” fumbled as “Bad Boys for Life” remained champions during a painfully slow Super Bowl weekend. Studios consider Sunday’s NFL championship a dead zone at movie theaters since the Super Bowl is the most-watched TV event. This year proved no exception. Overall ticket sales for the weekend [... ] Ahead of tonight’s BAFTA Awards in London, Amy Gustin and Deena Wallace, co-directors of the British Independent Film Awards (BIFA), discuss how they shook up their awards’ voting mechanisms to become more inclusive of a wider variety of films and filmmakers.  BIFA is different from other awards bodies in its process as well as its [... ] A wide range of Scandinavian films, including the politically-charged Danish drama “Shorta, ” the supernatural Icelandic drama “Lamb” with Noomi Rapace, and the Finnish-Iranian refugee tale “Any Day Now, ’ were some of the highlights at this year’s Nordic Film Market. They were presented, along with 13 other films in post-production, as part of the Work-in-Progress section. [... ]. TRUMP 2020. Okay, that was creepy. Any Harypotter fans. The only way to get out is to stop paying the mortgage How was Your experience making this film. i'm jumpin Jack Flash, it was a gas, gas, gas... The only one that seems interesting to me is black widow. and the rythym section. Average rating 3. 90 · 729 ratings 68 reviews | Start your review of The Burnt Orange Heresy The best Willeford---better even than Miami Blues, which is fun and clever but familiar and makes me think way too hard about the utter furriness of Alec Baldwin's chest hair c. 1990. What I love about BOH is what I love about the best of literary pulp: it finds a way to erase the high culture/low culture divide. Suffice to say, the hero here is an art critic, ambitious, underhanded, entirely comfortable with his greedy-seediness. The story makes you think how much more fun and interesting.. I remember reading this book because the poet Michael Weaver (not the well-known poet Michael Weaver but another Michael Weaver from San Diego) spoke so highly of the author. So I read the book. Then I too spoke highly of this author. When a really smart writer takes on a genre populated by mostly cloneish writers, magic happens. This author makes magic and over. Dark. Brill. Great summer reading. I read Charles Willeford’s four Hoke Mosely novels many years ago and thought they were among the best crime novels I’d ever read and, in the case of ‘Sideswipe ‘ simply one of the best novels. So, I decided to catch up with some of his other books. This one was interesting but somewhat disappointing after his detective novels. It’s about a young art critic and his obsession with a mysterious French avant-garde painter. Most of the book consists of conversations about art and artistic movements... A nasty, little gem. As much a commentary on criticism and art as a character study and dark thriller. A lot of times when a writer attempts to delve into an exotic arena (in this case, the art world), even with research, the setting can come off more as how the writer wants the art world to be or how he/she thinks it is (This is best illustrated by the "punk rock" episode of "T. J. Hooker". The 50 year-old writer had obviously read an article in time on "punkers" and used that as the entire basis.. The book starts out a little slow. A lot of the first act is the narrator/protagonist, an art critic trying to break into the big time, musing on the nature of art criticism and the role it plays as a service, not just to consumers and patrons of art, but the artists themselves. It’s not as boring as it sounds. He takes a pretty dense piece of subject matter and breaks it down into pretty simple lay terms, even using sports analogies. I wasn’t entirely sure if he was satirizing critics or.. Willeford wrote this noir about an art critic trying to advance his career by taking advantage of a hermetic artist. The artist has built a juggernaut reputation on rarely exhibiting his work. The elements are goofy but the tone is dark deadpan. Instead of guns, dames, drugs, and jewels, Willeford's characters jockey for galleries, graduate school grants, art history articles, critical and artistic reputations with the intensity of mobsters and PIs. The book reminded me of Pynchon, though with.. Not really a four star masterpiece in all respects, maybe, but nonetheless a very interesting novel for my particular tastes, for this turned out to be a Jamesian artist tale filtered through the language and outlook of 50s American pulp literature — the genre Willeford started out in. The story can easily be read as a combination of Henry James’ The Aspern Papers and The Figure in the Carpet. After all, the narrator protagonist is not called James (actually Jaime) Figueras for nothing. He’s a.. Willeford is a talented writer but the first 2/3rds of the book sort of bored me. I get the appeal of art and art criticism but I don't have much interest in reading books about it, even short ones like this. But that final 1/ Once things get set in motion, Willeford's set up about what nihilistic surrealism is and how it functions with regards to the story and what he's trying to say as an author pays off in an enormous way, right up to the thrilling conclusion. I will be thinking.. An odd book. Jacques Figueras is an art critic willing to do pretty much anything to rise in the art world. When he gets a chance to interview a notoriously reclusive painter (so long as he can steal of his painting), he more than jumps at the chance, but that interview doesn't turn out quick like he though it would, and some strange events follow it. Could have been good, though I was not very interested in the parts of the book about this painter's history. You can see where it's going, but.. This is the first Willeford book that I've read that was a bit of a dud to me (not counting the collection of posthumously published short stories). It starts slow, the middle is slow, the end is sort of exciting for like 3 pages, and then it's all slow again. I could not stand the narrator. And unlike with most of Willeford's other protagonists (none of whom are all that likeable) I couldn't find one aspect of Figueras that I could tolerate. I would not ever want to be in the same room as that.. This a very clever little book about what happens when you become fixated on acquiring social position. Unlike in B. E. Ellis' American Psycho, this is not an attempt to imagine the inner world of a textbook psychiatric category. We are not in a world where all empathy and moralising is alien and absurd. Willeford creates the more believable scenario of someone who is drawn towards their goals with such focus and ferocity of speed, everything else falls out of view, including the autonomy of.. Been meaning to read this one for a while. It fits in my back pocket, so I thought it would be good to take on my trip to Monterey/Big Sur. Charles Willeford is continually fascinating as a writer. There is nothing flashy about this book at all, but it is fantastic. His characters can always rationalize any ridiculous or insane action. This book's protagonist is no exception to that rule. Perhaps the most interested thing of all to me in Willeford's late writings (say this one and the Hoke.. This is my first exposure to Charles Willeford's work and what I read is not exactly a crime novel. Oh, there's a murder victim here, arson, theft. But what it is is a take on the art world: critics, artists, collectors, and their sphere of existence. Jacques Figueras is the art critic pushed into stealing from a reclusive painter. First Willeford, but not likely my last. I felt a little foolish about halfway thru because I was a little bored and expecting more treacherous characters and more mystery... hey! the protagonist is an art critic. so there is as much detail of art and philosophy as a clever safe cracker or jewel thief would share. the tension was remarkable when you break down the basic plot. exciting and I'm looking forward to more Willeford. An art collector hires an art critic to steal a painting from a reclusive artist. It sounds like an allegory about the role of art and commerce in society. It's actually a swift, brutal dissection of a man driven by pride and ambition. A masterpiece of a crime novel. eh. Willeford sounded intriguing from some review I stumbled upon, and this was described as "his best book. " I hope not. “If she got away, everything was over for me – everything. ” A short, anti-climatic, shaggy dog story featuring a very believable art critic voice and some plot turns I didn’t buy. Imagine a young Brian Sewell trying to interview and then whooshing up a fake Banksy by way of furthering his career and you have “Burnt Orange”. Of course, nothing like this would happen in the real world… would it? A year after Patricia Highsmith’s 1970 “Ripley Under Ground” Charles Willeford presents Jaime Figueras,.. the 11th from willeford for perback burnt orange heresy, 1971 dedication for the late, great jacques debierue c. 1886-1970 memoria in aeterna nothing exists. if anything exists, it is incomprehensible. if anything was comprehensible, it would be incommunicable. --gorgias part one: nothing exists story begins: two hours ago the railway expressman delivered the crated, newly published international encyclopedia of fine arts to my palm beach apartment. i signed for the set, turned the thermostat of the.. In this book Charles Willeford takes us into the world of Art Criticism. His protagonist, James Figueras, is a fairly accomplished, ambition young art critic out to make a name for himself. The story is fairly absurd, (Figueras becoming an authority on the "Worlds Greatest Living Artist" an artist who has no work to speak of! ) It could be read as a critique on the ridiculousness of Modern Art (or some modern art "movements"), and more specifically Art Critiscim. IMHO it's not up there with his.. Willeford, to me, it like the perfect intersection of high and low brow like an article in Playboy from the late 70's about some social issue facing the nation. He is always playing to the cheap seats, but lovingly, dispersing just enough of his insights and psychology to guide the reader along into seeing the bigger picture. Juxtaposing this with the usual sensationalism of crimes or noire femme fatales always leaves me giddy and elated while reading. What can I say, I'm a simpleton. But here,.. As other reviewers have pointed out, most of this book is back story on a fictional artist and conceited, grating commentary on art criticism. There are elements of humor here and there - The whole thing feels like hyperbole, more so than other novels of this type - so much so that you sometimes find yourself wondering if Willeford is just writing a satire of noir novels. (The famous French Série Noire makes an appearance here, as if to remind you. ) All of that aside, I think the real point is.. I have been reading early Charles Willeford novels and trying to do it chronologically. I had just finished "Whip Hand" and it was a terrific story about kidnapping and a whole lot more. A dark twisting piece of crime fcton. Chronologically the next novel was this one. What a change. I almost put it down in the beginning because of the long and deep discussions about what it meant intellectually and emotionally to be an art critic and art itself. I'm not that interested in art but I eventually.. deep within the text there is a paragraph that describes the French artist's delusion about frozen vegetables reigning supreme over fresh. that graph is priceless. also the recurring descriptions of our hero's wisconsin girlfriend is downright salacious and seductive. true, the leadin to the action is somewhat longwinded, but given that the novella takes roughly 2 hours to read negates that silly objection. ultimately, i'd recommend this pile of words for the fact that our dear writer selects.. Crime novel (not a mystery or detective novel) centered on an art critic, Figueras, who sees a chance for a big boost in reputation when he gets the opportunity to interview a reclusive and eccentric French artist who doesn't allow his work to be exhibited--though he has allowed individuals access now and then. The catch: the guy who gets him access to the artist wants Figueras to steal a painting for him. Frankly, the crime aspect of this is the least interesting part. What kept me reading was.. Let down by this one, after having it hyped up as Willeford's best. Far too much inside baseball of the art world, and no real momentum until the latter part of the book. Rampant misogyny from multiple characters was also a bit of an issue. Predictable but fun. It stalls a little when Figueras has his head up his own ass (by Willeford's design), but it fits the theme. I prefer The Shark-Infested Custard in terms of this era of Willeford but it's still worth breezing through. Classic. Read in the 80s. Gift from Elizabeth I believe. One of those books that makes you love reading. This was an unputdownable 2-day read for me. I loved it Interesting villain and unique story telling. Mystery-like but goes well beyond your typical crime novel. It’s brilliant. My coworker found this book, the only library copy of it in the State of Massachusetts, and loved it. The plot, about art critic James Figueras who sets out to meet and criticize the work of a mysterious artist told in a detective noir style, sounded interesting enough. It’s a short 190 pages, and I’ve always wanted to read a Charles Willeford book. So I read it, waited for something to happen, and nothing does. It’s not easy for me to hate things, but this books is the easiest to hate. It’s.. Such a joyless gathering. The uber rich are so miserable. Mick And Bianca his marriage was from 1971 to 1978 not to 1990. I'm remembering Skyrim arrow to the knee memes when I heard her say I will shoot you in the knee. Bond: I used to be a double 0, but I took an arrow to the knee. Mistakes were made I need to see this movie. 18 + Harry Potter. Oh look, politics from Hollywood! Who actually wants this trash. I would hate to be at an event like this. What a bore. Posing around, self inful. So glad Im not famous. Daniel R, im here cuz of u hhh My only and one... childhoods fav crush and till now too. Damn, these accents are terrible. 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