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Rating 4613 votes.
Country Italy.
Creators Michelangelo Antonioni, Tullio Pinelli.
Year 1952.
rating 7,5 of 10 stars.
One of the masterpieces. Italian movies are unforgettable. Thx for loading
The protagonist is a stuffy little bureaucrat from a small town arriving for his honeymoon in Rome with his very sheltered (only a bit more than himself) young bride. He has few romantic thoughts on his mind. His main concern is a meeting with his uncle, a minor official at the Vatican, who has arranged an audience with the Pope.
While the jerk is taking a nap, his bride plots a momentary escape to fulfill her one wild fantasy- A meeting with the "White Sheik" a hero of the "frumetti. a sort of trashy photographic comic book popular in 50s Italy- to whom she has sent red hot fan mail. She learns that the studio is only a few blocks from the hotel and resolves to meet her secret love for just a minute and get back to the hotel in time. Through a comedy of errors she is accidentally "abducted" to a shooting session where she learns to be careful about what she wishes for. Meanwhile, her husband is desperately searching for her and coming up with all kinds of frantic excuses to his family for her absence. I won't describe the movie any further for the benefit of those who wish to see it.
A very effective comedy with plenty of innuendo for adults and even some slapstick and sight gags. Loads of laughs for young and old. A very sweet story that nevertheless contains some of the surrealistic elements of Fellini's later work. If possible, get the subtitled version. The Italian language enhances the comical effect. A real gem.
So beautiful.
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Stupenda testimonianza di amore verso il pubblico,il proprio lavoro. Nei miei ricordi c'è sempre qualche scena di qualche film del Grande Alberto Sordi.
The realism of this is hard hitting and it can be bleak and depressing, and comical in parts, but the imagery is strong and memorable. For me, it shows the failure of self in trying to save oneself. We build our own cages and stay trapped in them even when the door is can be redemption in the realisation of our failures and a surrender to something greater than this limited me. It takes breakdowns and in the end, life has broken him is it enough to crack the hard shell open so that he can be redeemed or does it finish him off.
The White Sheik Theatrical release poster Directed by Federico Fellini Produced by Luigi Rovere Screenplay by Federico Fellini Tullio Pinelli Ennio Flaiano Story by Michelangelo Antonioni Federico Fellini Tullio Pinelli Starring Alberto Sordi Leopoldo Trieste Brunella Bovo Giulietta Masina Music by Nino Rota Cinematography Arturo Gallea Edited by Rolando Benedetti Production company American International Pictures Release date 6 September 1952 ( VFF) 20 September 1952 (Italy) 25 April 1956 (USA) Running time 83 minutes Country Italy Language Italian
The White Sheik ( Italian: Lo sceicco bianco) is a 1952 Italian romantic comedy film directed by Federico Fellini and starring Alberto Sordi, Leopoldo Trieste, Brunella Bovo and Giulietta Masina. Written by Fellini, Tullio Pinelli, Ennio Flaiano and Michelangelo Antonioni, the film is about a man who brings his new bride to Rome for their honeymoon, to gain an audience with the Pope, and to present his wife to his family. When the young woman sneaks away to find the hero of her romance novels, the man is forced to spend hour after painful hour making excuses to his eager family who want to meet his missing bride. [1] The White Sheik was filmed on location in Fregene, Rome, Spoleto and Vatican City. [2]
Plot [ edit]
Two young newlyweds from a provincial town, Wanda (Brunella Bovo) and Ivan Cavalli ( Leopoldo Trieste), arrive in Rome for their honeymoon. Wanda is obsessed with the "White Sheik" ( Alberto Sordi), the Rudolph Valentino -like hero of a soap opera photo strip and sneaks off to find him, leaving her conventional, petit bourgeois husband in hysterics as he tries to hide his wife's disappearance from his strait-laced relatives who are waiting to go with them to visit the Pope. The plotline was appropriated by Woody Allen in his film To Rome with Love.
Cast [ edit]
Alberto Sordi as Fernando Rivoli, The White Sheik
Leopoldo Trieste as Ivan Cavalli
Brunella Bovo as Wanda Giardino Cavalli
Giulietta Masina as Cabiria, the prostitute
Lilia Landi as Felga, the photonovel's gipsy
Ernesto Almirante as Dottore Fortuna, the photonovel's director
Fanny Marchiò as Marilena Alba Vellardi
Gina Mascetti as Aida Rivoli, the wife of Fernando
Ugo Attanasio as Uncle of Ivan [3]
Production [ edit]
The White Sheik was Fellini's first solo effort as a director. He had previously co-directed Variety Lights in 1950 with Alberto Lattuada.
Originally the treatment for The White Sheik was written by Michelangelo Antonioni. [4] Carlo Ponti commissioned Fellini and Tullio Pinelli to develop the treatment. It was satirical in nature, targeting the trashy fotoromanzi comic strips that were extremely popular in Italy when the film was made. [5]
The male lead, Leopoldo Trieste, a playwright who did not consider himself an actor, reluctantly auditioned for Fellini. During the audition Fellini asked him to compose a sonnet that the lead character would have written to his wife. The poem which begins "She is graceful, sweet and teeny... " was included in the film. [6]
Appearing briefly as the prostitute Cabiria, Giulietta Masina would later return to this role in Nights of Cabiria. Her short scene inspired Fellini to write the screenplay and also convinced producers that Giulietta was ready for the leading role. [7]
Reception [ edit]
Italian film critic Giulio Cesare Castello, writing for Cinema V, argued that Fellini's past as a successful strip cartoonist made him a natural choice as the film's director: "Fellini was undoubtedly the best qualified and for two reasons: firstly, his experience as a strip cartoonist and consequently his familiarity with the secrets and intrigues of the world he was about to bring to the screen; secondly, his gift for sarcastic comment and delight in satirizing tradition... The result is unusual and stimulating but derives more from the failure to establish a basic mood or tone rather than from any direct intention. Fellini should find this tone in future works if he is to avoid the discontinuity we found here. " [8]
Soundtrack [ edit]
Nino Rota scored the film.
References [ edit]
^ "The White Sheik". Internet Movie Database. Retrieved 21 April 2012.
^ "Filming locations for The White Sheik". Retrieved 21 April 2012.
^ "Full cast and crew for The White Sheik". Retrieved 21 April 2012.
^ Chandler, Charlotte (March 2012). "My Dinners with Federico and Michelangelo". Vanity Fair. Retrieved 16 August 2015.
^ Hancock, Joseph H., Toni Johnson-Woods and Vicki Karaminas (2013). Fashion in Popular Culture: Literature, Media and Contemporary Studies. Chicago: Intellect Books. p. 249. ISBN 1841507164.
^ Trieste, Leopoldo. "Lo Sceicco Bianco - Fellini - Interviste".. Retrieved 16 August 2015.
^ Smith, Geoffrey Nowell (1996). The Companion to Italian Cinema. London: Cassell. p. 79. ISBN 0304341975.
^ Castello's review first published in Cinema V (Milan) December 15, 1952. Cited in Claudio Fava and Aldo Vigano, The Films of Federico Fellini, New York: Citadel Press (1985), p. 65.
Further reading [ edit]
Aristarco, Guido. Lo sceicco bianco, in: "Cinema Nuovo", n° 1, Novembre 1952. (in Italian)
Burke, Frank M. " Variety Lights, The White Sheik, and Italian Neorealism". In Film Criticism, Winter 1978, Volume 3, no. 2, p. 53-66.
External links [ edit]
The White Sheik on IMDb
The White Sheik an essay by Jonathan Rosenbaum at the Criterion Collection.
20:55 fa ridere il tipo che dice Vuoi birra e salsiccia? e l'autista No io no...
🌹🌹🌹🇸 🇴 🇷 🇩 🇮 🍀🍀🍀NON SARAI DIMENTICATO.🌹🌹.
Grande Alberto ❤️.
Lo sceicco bianco Free streaming.
@AsaNisiMasa7 Io metterei anche il finale di C'era una volta il west.
Traz a magia dos cinemas de antigamente, a espera pelo trailer. a expectativa do filme, ninguem como Rota soube bem captar tal clima, e o filme em si Amarcord - Fellini, não precisa dizer mais nada, bello bellissimo.
Avrei voluto vivere quei tempi. Si dava il giusto peso ai valori. Forse non sarei stato felice ugualmente ma. a molte persone avrebbe battuto il cuore più di oggi...
Federico Fellini, one of the most gifted and visually wild Italian directors of the 20th century, blossomed out until with his masterpiece 8 1/2 (which, by the time he got to, as Martin Scorsese once said, he was on Mars. With his first solo effort, parting ways with Rossellini but not entirely from neo-realism, he went back to one of his passions- comic-book writing. Los Sciecco Bianco (The White Shiek) is likely one of Fellini's funniest works, and it shows him gearing up his visual sense of space, and with his trademark characters (set, which is his usual, in Rome.
The story is quite simple and, for the novice to Fellini's daring feats of the 60's, entertaining and accessible. A man with a level of pride in his family's connections in bureaucracy and religion in Rome (played by Leopoldo Triste, with perfect usage of wide eyes) is married to a young woman, Wanda (Brunella Bovo. She loves him, but finds him perhaps a little un-easy to be around for a day. So, she sneaks off for what she thinks is just a momentary call for fandom- she's a big fan of 'the white sheik' the star of the kinds of comics being printed in Italy (mostly for women, as said on the DVD, they were still photos as opposed to drawings, with pulp/love stories. But, in a Fellinian twist, Wanda gets whisked away by the shooting crew of the series, and Ivan (Triste) is stuck in one of those text-book comic situations, where everything is "under control. The results are rather funny, if also intriguing.
The little characters are also what makes the film fun, aside from our lead couple, and with this film we get the white sheik himself, Fernando Rivoli (Alberto Sordi, who finds that line between a stealthily romantic type and hopelessly dim) and the crew, filled with their little comments. Plus, there is a late-night visit to Ivan in a despairing state, from Cabiria (later to appear in one of Masina/Fellini's best combinations, Nights of Cabiria) involving a flame shooter. And as the film unravels, it becomes key to the fun- we know things will turn out right somehow, but how is what makes the film work (unlike Fellini, some might think, as many of his other films are the opposite, with flights of fantastical comedy in hopeless tragedies. It's not a great film, there are some inconsistencies, and at a couple of points the pace loses its strength. But if this was a place to evolve from for the director, it's not a bad place in the slightest. That there are wonderful turns for Trieste, Bovo, Marchio, and legendary composer Nina Rota, is another reason to watch it.
TVS86 :Tamás Major (photo) Non é Nino has confundido. Correzione.
Che grande persona che sei Alberto, un abbraccio grande ovunque tu sia🤗🤗.
Ma la fate finita de scrive le vostre misere opinioni quà sotto. Dovete scrive solo GRAZIE ALBERTO! Basta! Lui era Lui, e voi nun sete ne sarete mai un cazzo.
Una finestra per sogno d'um maestro di la creatzione piu bela qui se puo imaginare.
Beautiful.
Hanz zimmer carpeteria.
Immortale.
Nino Rota è stato un grande maestro. Le sue composizioni suscitano sempre delle emozioni molto forti, difficili da spiegare.
Just watched 8 1/2 last night, so happy to see this on here, IMO this is Fellini's Masterpiece, not that MANY of his others weren't, but just something about La Strada.
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@vbacs22.
Intermezzo.
Fantastico.
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I love how they made the theme for a movie about nostalgia oh so memorable. I gets stuck in your head pretty easily.
Siamo allo stesso livello i altre meraviglie della nostra Cappella Sistina ecc ecc Stupendo affresco Italiano commovente e struggente. Storia.
Uno dei meglio attori italiani.
Que buena imagen y audio, pero los diálogos están a destiempo y creo que incompletos
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Un bellissimo brano del grande Rota.
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In fact this was composed some time before the godfather theme.
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Creator - Félix Núñez https://twitter.com/umbertoec