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Les MisÃrables: The Staged.
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I was literally watching this video on Instagram when the notification for this popped up 😂.
28:08 The Runaway Cart.
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“Rob. Houchen.” wow i agree x glad i got to be there opening night too, youre right the atmosphere was incredible 😌 gotta be said i left stage door early after id seen rob and carrie because it was so crazy and hectic and maybe ive just been spoilt by the ROA tour and how close i was to that cast but i did feel uncomfortable here with the barriers and the cheering etc lol. but an amazing production nonetheless, and had a lovely conversation with two women behind me who were asking about carrie, MORE THAN HAPPY TO FILL YOU IN HUNS cannot recommend it enough, ive never seen the full production so hearing one day more live for the first time and in such a grand setting really emphasised its power and i absolutely loved it.
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This sent shivers down me, so overwhelming ❤.
Did Michael nearly forget he's not playing Marius. lol. fabulous 😁. Thank you x.
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Almost a decade later and I still have chills listening to this version 😍😭.
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3:44 I died.
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Samantha Barks is my favorite Eponine and I love her anywhere as Eponine, but to me she is best in the 25th Anniversary Concert and the West End.
Les MisÃrables: The Staged concert dates.
After 34 uninterrupted years, Les Misérables has a strong claim to be the greatest musical ever written and 2019 is proving to be one of the most memorable in its history. Victor Hugo’s redemptive tale of an ex-convict discovering his lost soul through the love of a child amidst the revolutionary fervor of the Parisian underworld received a starry six-part BBC period drama by Andrew Davies earlier this year and it is a story that continues to captivate. But in 1985 it was beautifully and evocatively adapted by composer Claude-Michel Schönberg and lyricst Alain Boublil (English translation by Herbert Kretzmer), condensing Hugo’s broad sweep and focus on compassion for all of humanity into a neat three-hour show. Les Misérables is nothing if not a call to arms, a melodious message to fight for the things that matter and above all to be kind, to ask yourself whether “You Hear the People Sing? ”
Having previously been staged at the Barbican and a long run at the Palace Theatre, Les Misérables moved into the Queen’s Theatre in 2004. But the soon to be renamed Sondheim Theatre is being renovated before the touring version is (somewhat controversially for fans of the original revolve) permanently installed on Shaftesbury Avenue. So, producer Cameron Mackintosh has stripped back his most well-known show to create a staged concert version running at the neighbouring Gielgud Theatre for four months which will allow Les Misérables to retain its position as longest running West End show.
It’s actually a rather canny move and one that speaks nicely to the show’s own performance history. Concert versions have been staged for key anniversaries, welcoming back a fantasy league of theatre stars who have passed through its UK and International ranks but never appeared together. Most recently the 25th Anniversary Concert was held at the O2 in 2010 but it was the 10th Anniversary Concert at the Royal Albert Hall that has never been bettered – Colm Wilkinson as Jean Valjean, Ruthie Henshall as Fantine, Alan Armstrong as Thénardier, Lea Salonger as Éponine and Michael Ball as the original and definitive Marius.
With directing credits for James Powell and Jean Pierre Van Der Spuy, this new version is essentially semi-staged in what is a fully acted approach from the cast with performers in costume to embody their character and some props. It uses a technically excellent but also meaningful lighting design primarily to shift between the many locations of Hugo’s story as well as the 15 or so years that it covers. The prepared stage opens with a lighting rig crashed like a barricade across the space which rises up to reveal four large microphone stands during those famous opening bars.
The lighting design is particularly striking, emphasising the changing moods and purpose of the vocals. One of Les Misérables most notable features are the generous solos given to all the key characters that rapidly and effectively reveal their psychological state, motivations and often tragic pre-history. These are lit with care, picking out the more spiritual conversations of Valjean, Fantine and later Javert in bright white and pale blue, changing the intensity of the spotlights or combining them as the singer peaks, while opting for darker purples and greens for the murkier scenarios including Cosette’s childhood enslavement and the Thénardier sewer.
Most notable though is how vividly the team create the feeling of violent action at the barricade, bathing the stage in red light as the stationary students are picked-off one by one with blasts of white light like individual bullets darting across the stage to their target. It is a key scene in the fully staged version on a real barricade that lingers on their sacrifice during ‘The Final Battle’, but is cleverly and effectively rendered on the smaller Gielgud stage here.
Powell and Van Der Spuy also maintain the audience’s attention with a number of small moments that prevent the show from seeming too static including a meaningful approach to character entrances and exits. Matt Kinley has designed three routes to the stage with a staircase at the back between choir stalls that house the ensemble and a metal gantry that lowers into place from above to create variation in height and volume – although core performances are all given at the downstage microphones. Departing performers freeze in their final moments to cast meaningful glances that summarise their struggles; Carrie Hope Fletcher’s Fantine reacts to her daughter Cosette crossing her path, while Shan Ako’s Éponine turns to offer-up a final glance at Marius as she departs. These moments add poignancy and credibility to the performances, a concert version that still ably creates and conveys Hugo’s world.
Like its predecessors, 2019’s Les Misérables: The Staged Concert will be long remembered as another notable event in the musical’s performance history, heralding the return of Michael Ball to a show he helped to establish, but this time in the role of Javert. Recently, Ball was described as the last great musical star, with fame extending beyond the regular theatre-going audience. Now a household name with TV and radio success, a Eurovision runner-up in the days when the UK stood a chance, and chart success as well as frequent appearances in shows from Aspects of Love to Chitty Chitty Bang Bang, Sweeney Todd and Hairspray to which he returns next year, Ball’s star has never dimmed.
As Marius, Ball captured all the complexities of the lonely student dazzled by the revolutionary passion of his friends but distracted by love. Schönberg and Boublil may have compressed hundreds of pages of character development into a few group numbers, duets and one major solo, but Michael Ball’s rendition of the desolating ‘Empty Chairs at Empty Tables’ at the 10th Anniversary Concert in particular is a sublime moment in musical theatre history, his voice breaking with emotional despair in the song’s rolling crescendo. That ability to pinpoint and powerfully convey the core of his characters, to unfold the breadth of their interior life makes his casting as Javert such an intriguing prospect, enough to draw audiences who may not have seen the show for years.
The relationship between Jean Valjean and Javert underpins the action, driving the narrative as they collide at different points. The casting of collaborators and friends Alfie Boe and Ball uses their playful yet competitive chemistry to great effect, yielding plenty of rewards for the audience. As Javert, Ball has the most difficult role to pitch, cast as a villain of sorts, operating with an inflexible moral code but through two solos must extract the pathos that Hugo also built into all of the character.
Schönberg and Boublil use Javert as chief antagonist, a harsh and unyielding figure in most of Act One, Javert’s main failing is not his hatred for Valjean but a refusal to accept that people can change, and it is this sudden realisation that determines his path through Act Two. Javert’s first solo ‘Stars’ is an important insight into this belief system, an idea of constancy and stability in which he maintains his faith. Ball sings this with great power, prompting a spontaneous standing ovation from a few audience members. The same occurs with ‘Soliloquy’ his final number as Ball’s Javert unpacks the unravelling of his mind with great meaning, leading movingly to his final turbulent release. It is a big coup for Les Misérables to have tempted him back and it proves a memorable performance – perhaps in the years ahead we may see his Valjean too.
Alfie Boe reprises a role he played next door and in the 25th Anniversary Concert. His operatic voice responds with ease to the changing registers of Valjean’s music but they allow Boe to vary the force of his delivery as his character’s circumstances and mental state fluctuate throughout the show. There is a predominant softness in his tone that reflects Valjean’s gentle nature and the essential goodness of heart that Hugo so carefully charts across the novels 1200 pages. Yet Boe uses the full power of his tenor range in Valjean’s moments of deep crisis, grappling with his own conscience in the Prologue numbers as the Bishop grants him a second chance, and later when the arrest of his lookalike forces him into a confession in the seismic ‘Who Am I? ’
In some ways this is a very generous performance by Boe, allowing other cast members to shine, especially in the second half when political and romantic events among the younger generation dominate the story. But this is where Boe also delivers his best work; any Valjean will rise or fall on his ‘Bring Him Home’ and here it is all it should be, a huge transition for man about to lose everything he’s been living for, delivered with emotional might and rewarded with an extended audience ovation.
Les Misérables: The Staged Concert has a few other star names including Matt Lucas’s return as Thénardier in a great partnership with Katy Secombe. ‘Master of the House’ never fails to please the crowd, but Lucas and Secombe add some extra comedy asides and ad libs which the audience adore, although arguably the more serious ‘Dog Eats Dog’ is Lucas’s finest moment with Thénardier ruling the sewers and descrying the loss of God. Carrie Hope Fletcher is a sweet and tragic Fantine, a small role but she makes the first major solo of the show (‘I Dreamed a Dream’) a moving experience.
Any project like this celebrates the show’s past but also has an eye to its future and the younger cast members more than hold their own. The fervent rebel leader Enjolras is one of Les Misérables most exciting characters and Schönberg and Boublil have given him some rousing music which Bradley Jaden delivers exceptionally. Shan Ako is wonderful in Éponine’s ‘On My Own’ but Rob Houchen has the hardest role of all, standing next to the greatest ever Marius and trying to deliver his take on the character. Houchen may be a dreamier, more romantic version of Marius than Ball’s but his ‘Empty Chairs at Empty Tables’ is a strong moment for him.
If you go to the theatre often, the focus is so often on the new, the next production, a new play or rising star that we dismiss the long-running musicals as tourist fodder. But revisiting Les Misérables for this staged concert is a reminder why this show has lasted so long as well seeing a new chapter in its performance history. Schönberg and Boublil have captured the breadth and richness of Victor Hugo’s incredible novel without losing any of the psychological complexity of its multi-lead format. And it is Hugo’s call for compassion that you will take away – something we all need a little bit more of these days. “Do You Hear the People Sing? ” the rebels ask, well they’ve been singing for 34-years and it’s time we listened.
Les Misérables: The Staged Concert is at the Gielgud Theatre until 30th November with tickets from £32. 50. Follow this blog on Twitter @culturalcap1 or Facebook: Cultural Capital Theatre Blog
About Maryam Philpott
This blog takes a more discursive and in-depth approach to reviewing a range of cultural activities in London, primarily covering theatre, but also exhibitions and film events.
Since 2014, I have written for The Reviews Hub as part of the London theatre critic team, professionally reviewing over 500 shows. The Reviews Hub was established in 2007 to review all forms of professional theatre nationwide including Fringe and West End.
My background is in social and cultural history and I published a book entitled Air and Sea Power in World War One which examines the experience of the Royal Flying Corps and the Royal Navy.
View all posts by Maryam Philpott.
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If I were Marius, I'd pick Eponine over Cosette any day.
Les Miśerables - The Dream Cast in Concert Directed by Gavin Taylor Produced by Cameron Mackintosh Written by Alain Boublil Herbert Kretzmer Claude-Michel Schönberg Starring Colm Wilkinson Philip Quast Alun Armstrong Jenny Galloway Judy Kuhn Michael Ball Lea Salonga Ruthie Henshall Anthony Crivello Michael McCarthy Music by Claude-Michel Schönberg Edited by Nigel Cattle Distributed by Sony Pictures (US/CAN) BBC Video (UK) (current US/CAN distributor) Release date 17 November 1998 Running time 148 minutes Country United Kingdom Language English
Les Misérables: The Dream Cast in Concert (1995), also titled Les Misérables in Concert, is a concert version of the musical Les Misérables, produced to celebrate the 10th anniversary of the West End production. It was filmed in October 1995 at the Royal Albert Hall and released on DVD, VHS and LD in 1998 and re-released on DVD in North America in 2008. The latest DVD presents the concert in its original 16x9 ratio. Although filmed with HD cameras, a Blu-ray edition has not been released yet. The 10th Anniversary cast stars Colm Wilkinson as Jean Valjean, Philip Quast as Inspector Javert, Michael Ball as Marius Pontmercy, Lea Salonga as Éponine, Judy Kuhn as Cosette, Ruthie Henshall as Fantine, Michael Maguire as Enjolras, Alun Armstrong as Thénardier, Jenny Galloway as Madame Thénardier, Adam Searles as Gavroche, Hannah Chick as Young Cosette, and several others, and was directed by John Caird. The performers were chosen from the London, Broadway and Australian productions of the show and the Royal Philharmonic Orchestra was conducted by David Charles Abell. It also aired on PBS part of the Great Performances series.
Production [ edit]
The 10th anniversary concert of Les Misérables is known as the "Dream Cast in Concert" because Mackintosh hand-selected the cast. Colm Wilkinson reprised his role as Valjean after starring in the original West End and Broadway productions. Philip Quast was cast as Inspector Javert after the producers of the show witnessed his performance in a musical production in his hometown in Australia. Wilkinson and Quast are widely recognized as the "Dream Casting" of the idolized roles of Valjean and Javert. Lea Salonga is the only non-Caucasian performer in the main cast. Her participation has been credited by many stage musical enthusiasts of breaking down racial barriers for future castings of the live show.
This presentation uses a "modernised" and more heavily orchestrated score than that of the original musical. It follows the traditional "musicals-in-concert" format with the cast lined up against a set of microphones with the orchestra and chorus behind them. The entire company wear costumes and use only necessary props (such as Javert's baton, Thénardier's notebook, etc. ). Apart from minor movement on the concert stage, the performers do not participate in major action scenes. Where necessary, the video switches to action from the stage production.
A few action-based scenes from the musical are not included in the concert – such as the street brawl broken up by Javert, Gavroche's death, and the confrontation between Marius and Thénardier at the wedding feast. Some musical numbers, such as "At the End of the Day", "Lovely Ladies", "The Runaway Cart", "In My Life", and "Turning" were also shortened.
Notable events [ edit]
During the performance of "Castle on a Cloud", as Hannah Chick sang the line "Crying at all is not allowed", a loud pop was heard – the popping of a balloon, one of many stored in the ceiling for release at the end of the show. It visibly startled her (as seen by her sudden flinch), but she recovered immediately and continued the song with no delay in the delivery.
The five international English-speaking Valjeans featured in the encore song played the convicts in the opening number "Look Down".
Encore [ edit]
The programme ends with an encore in which seventeen international actors who portray Jean Valjean in their respective countries join Wilkinson on stage to each sing a few bars of " Do You Hear the People Sing? " in their native languages. They are then joined by the entire cast and choir to sing the last verse of " One Day More ", receiving a standing ovation. Red, white, and blue balloons, as well as confetti, fall from the ceiling; sparklers erupt on stage as the show finishes.
Cast [ edit]
Main performers [ edit]
Colm Wilkinson
Jean Valjean
Original London Cast Original Broadway Cast
Philip Quast
Javert
Original Australian Cast Complete Symphonic Recording
Ruthie Henshall
Fantine
Replacement London Cast
Jenny Galloway
Madame Thénardier
Alun Armstrong
Thénardier
Original London Cast
Lea Salonga
Éponine
Replacement Broadway Cast
Michael Ball
Marius Pontmercy
Original London Cast Complete Symphonic Recording
Michael Maguire
Enjolras
Original Broadway Cast
Judy Kuhn
Cosette
Anthony Crivello
Grantaire
Adam Searles
Gavroche
Hannah Chick
Young Cosette
Paul Monaghan
Bishop of Digne
Michael McCarthy
Factory Foreman
The seventeen Valjeans [ edit]
The following are the seventeen Valjeans who participated in the second encore (in order):
Country
Actor
United Kingdom
Phil Cavill
France
Robert Marien
Germany
Jerzy Jeszke
Japan
Takeshi Kaga
Hungary
Gyula Vikidál
Sweden
Tommy Körberg
Poland
Krzysztof Stasierowski
Netherlands
Henk Poort
Canada
Michael Burgess
Austria
Reinhard Brussmann
Australia
Rob Guest
Norway
Øystein Wiik
Czech Republic
Jan Ježek
Denmark
Kurt Ravn
Ireland
Jeff Leyton
Iceland
Egill Ólafsson
United States
Craig Schulman
Burgess, Schulman, Guest, Cavill, and Leyton also appeared as the five principal convicts in "Look Down" at the beginning of Act 1. [1]
DVD release [ edit]
The DVD was released by Sony Pictures on 17 November 1998. This Region 1 fullscreen DVD is now out of print. It has a run time of 159 minutes.
A two-disc widescreen collector's edition was released by BBC Video in Region 1 territories on 19 February 2008. Viewers have reported that a segment of " Little People, " is inexplicably removed. This release also does not contain the speeches. The second disc contains Les Misérables: Stage by Stage, a documentary from 1989.
Recent versions of the DVD include the missing segment of Little People. [2]
A remastered special edition DVD of the concert was released on November 20, 2012. [3]
Soundtrack [ edit]
Disc 1
Prologue (Look Down)
On Parole/The Bishop
Valjean's Soliloquy
At the End of the Day
I Dreamed a Dream
Lovely Ladies
Fantine's Arrest
The Runaway Cart
Who Am I? - The Trial
Fantine's Death
The Confrontation
Castle on a Cloud
Master of the House
The Bargain-Waltz of Treachery
Look Down
Stars
ABC Café/Red and Black
Do You Hear the People Sing?
Rue Plumet - In My Life
A Heart Full of Love
Disc 2
The Attack on Rue Plumet
One Day More!
Building the Barricade/On My Own
Back at the Barricade
Javert's Arrival/Little People
A Little Fall of Rain
Night of Anguish
First Attack
Drink with Me
Bring Him Home
Second Attack/The Final Battle
The Sewers
Dog Eats Dog
Javert's Suicide
Turning
Empty Chairs at Empty Tables
Every Day/A Heart Full of Love (Reprise)
The Wedding Chorale/Beggars at the Feast
Epilogue (Finale)
Encore 1: Entrance of International Valjeans
Encore 2: Do You Hear the People Sing? /One Day More!
See also [ edit]
Les Misérables: 25th Anniversary Concert (2010)
References [ edit]
External links [ edit]
Les Misérables in Concert on IMDb.
Sacha was good too because he had to act while singing aswell. :O.
Did he lose weight? He looks good.
Les misérables: the staged concert schedule.
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Les misérables: the staged concert.
Les mis c3 a9rables 3a the staged concert reaction.
Les misérables: the staged concert live.
Truly a dream cast! Oh Lea my Eponine.
Les mis c3 a9rables 3a the staged concert chrome
Image Courtesy Trafalgar Releasing.
For one night only, Cameron Mackintosh’s spectacular staged concert variation of Boublil & Schönberg’s musical, Les Misérables – The Staged Concert, will broadcast live in cinemas across North America on Monday, December 2, from the Gielgud Theatre in London. The show will also have encore screenings taking place on Sunday, December 8.
Over 120 million people worldwide have seen Les Misérables, which is one of the world’s most popular musicals. Now Les Misérables – The Staged Concert is a must-see event for fans of musical theatre and live event cinema everywhere.
Leading a cast and orchestra of more than 65 are Michael Ball (Javert), Alfie Boe (Jean Valjean), Carrie Hope Fletcher (Fantine) and Matt Lucas (Thénardier), who will perform the songs “I Dreamed A Dream, ” “Bring Him Home, ” “One Day More, ” “On My Own” and many more. This sensational one-night cinematic live event is not to be missed.
Cameron Mackintosh said:
“The extraordinary sell-out success and response to our spectacular new theatrical concert staging of Les Misérables has been phenomenal so we are thrilled to add one final extra performance on December 2 which will be streamed LIVE to cinema audiences around North America. Starring our entirely brilliant London cast headed by Michael Ball, Alfie Boe, Carrie Hope Fletcher and Matt Lucas, our 16 week limited season at the Gielgud sold out in a few days but now you can storm the barricades to ensure you catch this thrilling live performance direct from the West End in a cinema near you. For the masses of disappointed fans who couldn’t get to see this amazing concert in London this live event will be a unique shared experience of thrilling drama, glorious music and sensational singing performed by an amazing all-star cast and orchestra of over 65 – the like of which you will have never seen before. If you have ever Dreamed a Dream – this is it! ”
Tickets for North American cinemas will be available here beginning Friday, November 8.
Tags: les miserables staged concert
Written by Brianna
Brianna works full time in the publishing industry, passionately building books to bring to the masses. Her first fandom was Harry Potter, which she joined at age 11. Her love for books took her abroad to earn her Masters Degree at University College London, after which she lived in New York City, and now resides in Austin. She loves all things fandom including Supernatural, Doctor Who, and more. Ever the introvert, she can usually be found reading, playing with her dog, listening to music and practicing yoga. Brianna joined the Nerds and Beyond staff in 2018 where she unites her love for all things "nerd" with her passion for writing. Find her on Twitter here: @bookbag09
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I am so excited! I got my ticket, I am so lucky that I'm in London at the time that this all star cast concert is running.
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I really enjoyed seeing Les Miserables The Staged Concert at the Gielgud Theatre in London on Saturday 5th October 2019 in the matinee afternoon performance and it was brilliant and I saw it with Alfie Boe, Michael Ball and Matt Lucas and they were amazing.
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3:20 javert:AND IM JAVERT me:Eat your Heart Out. Russel Crowe.
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Detalles My favourite musical ever, I've seen it so many times but I can't wait to see it again! So happy I can see it live in Cinema! The musical starts at 6. 45pm, we will meet at Cineworld bar at 6. 30pm. I've booked my ticket, last row in the middle. (I suggest you not to book next to me, unless you want to hear me singing and crying for two hours! I know it by heart) LES MISÉRABLES - THE STAGED CONCERT CAMERON MACKINTOSH presents BOUBLIL & SCHÖNBERG’S legendary musical LES MISÉRABLES – THE STAGED CONCERT. Based on the novel by VICTOR HUGO Music by CLAUDE-MICHEL SCHÖNBERG Lyrics by HERBERT KRETZMER Original French Text by ALAIN BOUBLIL and JEAN-MARC NATEL. Seen by over 120 million people worldwide, LES MISÉRABLES is undisputedly one of the world’s most popular musicals. Coinciding with its 35th triumphant year in London’s West End, Cameron Mackintosh produced a spectacular sell-out staged concert version at the Gielgud Theatre featuring an all-star cast including Michael Ball, Alfie Boe, Carrie Hope Fletcher, Matt Lucas and John Owen Jones. Now cinema audiences can experience a live broadcast of the musical phenomenon which broke box office records and sold out its entire 16 week season. Featuring a cast and orchestra of over 65 and including the songs I Dreamed A Dream, Bring Him Home, One Day More and On My Own this sensational staged concert is not to be missed - an absolute must-see for any fans of musical theatre or live event cinema. Do you hear the people sing? Singing a song of angry men? It is the music of a people Who will not be slaves again! When the beating of your heart Echoes the beating of the drums There is a life about to start When tomorrow comes! Will you give all you can give So that our banner may advance Some will fall and some will live Will you stand up and take your chance? The blood of the martyrs Will water the meadows of France! Ir a la lista de asistentes.
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