♡♡ ♢♢♢♢♢♢♢♢♢♢♢♢♢♢♢ . ♡♡ WATCH https://stream-flick.com/16727.html?utm_source=form_run ♡♡ ♧♧♧♧♧♧♧♧♧♧♧♧♧♧♧ About The Author: Adom TV https://twitter.com/adom_tv Biography: Welcome to the official Adom TV Twitter page. Rich in indigenous Ghanaian language programming. Adom TV, Yewo Adze Oye!!! [Retweets, Likes ≠ Endorsements] Creator= Rowan Joffe / Genre= Thriller / Rosamund Pike / 8214 vote / Tomatometers= 6,9 / 10. Great the fight scenes well choreographed especially ares... I love Wonder Woman with all my heart ❤️. The Informer (2019) Crime, Drama Grossbritannien 113 Minuten Zurich Film Festival 2019 Heiho, heiho, wir sind vergnügt und froh! Pete Koslow (Joel Kinnaman) ist ein Ex-Knacki, der seine kriminelle Karriere gerne hinter sich lassen und mit seiner Frau Sofia (Ana de Armas) und seiner Tochter neu anfangen möchte. Dafür hat er sich als Informant mit dem FBI zusammengetan. Agent Wilcox (Rosamund Pike) und ihr Boss Montgomery (Clive Owen) haben den ehemaligen Elite-Soldat und Drogenschmuggler der polnischen Mafia aus dem Gefängnis geholt, damit er ihnen bei deren Infiltration helfen, und dem Drogenhandel in New York damit ein Ende setzen kann. Und jetzt alle Hände in die Höh. Als der Plan unerwartet schief geht und Koslow beinahe auffliegt, wird er vom FBI im Stich gelassen. Sie geben ihm eine letzte Chance, die ihn aber vor eine grosse Herausforderung stellt: Er muss an den Ort zurückkehren, von dem er für immer entkommen wollte. Im Bale Hill Gefängnis muss er als Spitzel Informationen über den sich darin abspielenden Drogenhandel sammeln und eine Liste mit Namen auftreiben. Doch für Koslow ist es ein Spiel gegen die Zeit, denn er steht unter gewaltigen Druck und auch seine Familie ist immer noch in Gefahr. Das Rezept von The Informer ist so simpel und uninspiriert wie der Filmtitel selbst. Man nehme einen Ex-Knacki mit krimineller Vergangenheit, ein paar vermeintlich hilfsbereite FBI-Agenten, grimmige Schurken aus Osteuropa und eine hübsche Ehefrau, die beschützt werden muss. Ja, Andrea Di Stefano geizt nicht mit Klischees und altbekannten Formeln. Dass sein Krimi-Thriller dennoch so gut unterhält und für knapp zwei Stunden durchgehend spannend ist, ist der Besetzung und der schnörkellosen Inszenierung zu verdanken. Der schwedische Schauspieler Charles Joel Nordström, der unter dem Namen Joel Kinnaman bekannt wurde, kennt man als Rick Flag aus Suicide Squad oder als Hauptdarsteller aus dem Robocop -Remake. Auch in der Netflix-Serie Altered Carbon und der starken Krimi-Serie The Killing hatte Kinnaman sehr überzeugende Schauspielleistungen abrufen können. Im neusten Film von Andrea Di Stefano, der mit seinem Regiedebüt Escobar: Paradise Lost gleich einen Geheimtipp im Thriller-Genre verzeichnen konnte, übernimmt Kinnaman nun zum zweiten Mal in einer grösseren Produktion das Lead. The Informer ist ein grundsolider und spannungsgeladener Krimi mit Thriller- und Dramapassagen, bei dem man als Actionfan kaum was falsch machen kann. Andrea Di Stefano verlässt sich bei seinem zweiten Werk, das auf dem Roman "Drei Sekunden" von Börge Hellström und Anders Roslund basiert, auf einen altbewährten Plot ohne grössere Überraschungen. Wer bereits Filme kennt, in denen ein Ex-Krimineller für die Polizei als Spitzel arbeitet, wird nicht viel Neues entdecken. Die Stärken sind anderswo auszumachen. Hauptdarsteller Kinnaman ist das Herzstück des Thrillers. Er trägt den Film, und auch wenn er kaum eine Miene verzieht, kauft man ihm den Leidensweg genauso ab wie seine harte und toughe Art. Mit Rosamund Pike ( Gone Girl) und Clive Owen ( Closer) auf der Seite des FBI hat Di Stefano zwei bekannte Gesichter aufgestellt, die im Verlauf der Story für die wenigen Wendungen verantwortlich sind. Etwas schade ist der kurze Einsatz von Film-Ehefrau Ana de Armas ( Blade Runner 2049). Die talentierte Darstellerin kann nur wenig von sich zeigen und geht als "Damsel in Distress" fast ganz unter. Natürlich kann man Di Stefano vorwerfen, dass The Informer eine Spur zu gewöhnlich daherkommt. Die fehlende Originalität ist sicherlich der Hauptkritikpunkt des Films und Genrefans dürften relativ rasch begriffen haben, wohin das Ganze führen wird. Interessanterweise kann der Regisseur trotz diesen Schwächen das Tempo angenehm hoch halten. Auch dank den vielen Locationwechseln kommt nie Langeweile auf und man fiebert als Zuschauer bis zum absehbaren Ende mit. The Informer ist ein solider Krimi-Thriller, der nicht viel falsch macht, aber auch nicht lange in Erinnerung bleiben wird. Dennoch ist auch die zweite Regiearbeit von Andrea Di Stefano gelungen und stellt viele Genrekollegen problemlos in den Schatten. This movie was so much more better than The Other Guys. I want to see it! That's some last of us stuff and I love it. Watch Full THE INFORMER 三秒間ãa.e.m.o. I actually loved this movie! It reminded me a lot of 'The Last Of Us' video game, but thats not a bad thing. Watch Full THE INFORMER 三秒間ãæ­»e.u. YouTube. I started this earlier, but didn't finish. 💚. December 31, 2019 10:04AM PT Joel Kinnaman and Rosamund Pike head up a Feds-versus-cops-versus-mobsters B-thriller that knows its limits, and works tidily within them. The mere opening salvo of “ The Informer ” contains nearly enough plot to keep many a lesser shoot-’em-up exercise occupied for an hour or two: Just 10 minutes into Andrea Di Stefano ’s undercover-mission-turned-prison-break-thriller, a family has been set on the run, an FBI bust on a Polish drug cartel has gone tensely awry, a character’s identity has been neatly pulled out from under us, and a cop has been shot dead. Somehow, this impersonal but tightly wound Americanization of a Scandi-crime potboiler then continues escalating its short-of-breath narrative for almost two hours. For all “ The Informer ” lacks in surface style — shot and scored as it is in functional, straight-to-VOD fashion — it remains a surprisingly well-oiled genre machine. Opening Stateside in the January doldrums, several months after a modestly received late-summer bow in the U. K., this sophomore effort from Italian actor-turned-director Di Stefano is — like his Benicio del Toro-starring debut “Escobar: Paradise Lost” — a B-movie of the honest old school, dignified by the canny casting of consummate professionals who get the job done while plainly marking time. In particular, as the requisite timber-jawed man-against-the-system protagonist, Swedish star Joel Kinnaman brings a stern sense of purpose to proceedings. Slathered in tattoos and cracking nary a smile throughout, he’s not an easily sympathetic presence, but his solemn, weight-of-the-world demeanor lends gravity to the film’s otherwise credibility-defying pileup of action setpieces. Loosely adapted from the 2016 novel “Three Minutes” by Swedish crime-writing duo Roslund & Hellström, this largely British-funded production relocates the action from Colombia to a vaguely defined New York City, somewhat streamlining its international tangle of heavies: everyone’s indeterminately American save for the generically villainized Polish drug mafia. After doing time for bar-brawling manslaughter, rough-hewn but good-hearted family man Pete Koslow (Kinnaman) wants a quiet life with his wife (Ana de Armas, her thin role all the more glaring in the wake of her “Knives Out” stardom) and daughter. The FBI has other plans for him, however: In exchange for early parole, he’s made to act as an undercover agent in various seamy, ill-organized narcotics busts. When one goes horribly wrong — in that aforementioned, hopped-up opening act — and a clashing undercover cop is killed, Polish drug lord “the General” (Eugene Lipinski) determines that Pete must take the fall. His returning to prison, meanwhile, suits the Feds, as Pete’s aloof but emotionally invested handler Wilcox (Rosamund Pike) changes tack to bring things down from the inside. Yet corrupt forces from higher up are working against them, as Wilcox’s slithery superior (Clive Owen) threatens to drop the project entirely, while NYPD officer Grens (Common) has his own meddling eye on the case following his colleague’s death. The ensuing tic-tac-toe game of double- and triple-crossings is busy but coherent: the screenplay, co-written by Di Stefano with genre regulars Rowan Joffe (“Before I Go to Sleep”) and Matt Cook (“Patriots Day”) keeps tidy tabs on the shifting stakes of the whole bloody tangle — even if, admittedly, it doesn’t always give us an urgent reason to care whether Pete’s undone by the mafia or the authorities. In the potentially thankless role of a hands-tied FBI drone with limited backup above and below her station, Pike does a lot of the legwork in humanizing this standoff: The role benefits considerably from her pinched-nerve intelligence and cool chemistry with Kinnaman, even if, five years on from her Oscar nod for “Gone Girl, ” she feels a tad overqualified for the assignment. Tech credits are uniformly proficient, if never quite inspired. In its best sequences, notably that nippily edited introductory sting and a prison lockdown soundtracked to a mesmerically blaring alarm, that back-to-basics quality is prickly and effective; elsewhere, particularly in scenes centred on Common’s underdeveloped cop, the film takes on a TV-procedural quality. Still, in the age of franchise blockbuster bloat, there’s much to be said for an efficient B-movie that knows its place and purpose: Di Stefano, rather like his film’s brawny, brusque hero, has his mind on accomplishing the mission with as little flab and fuss as possible. By its very nature, science is supposed to be an impartial judge. But is it really? In her thought-provoking documentary “Coded Bias, ” director Shalini Kantayya questions the neutrality of technology, arguing that computers have a built-in bias that reflects the faulty assumptions of the people (usually men) who program them. Her emphasis is on the [... ] In today’s film news roundup, “Apollo 13” gets a three-day re-release, “Calm With Horses” gets a home, and Malin Akerman’s action-comedy “Chick Fight” rounds out its cast. ANNIVERSARY RELEASE “Apollo 13” will be re-released to 600 North American theaters on April 5, 6 and 8, nearly 50 years after the liftoff of the ill-fated 1970 [... ] Jason Blum’s Blumhouse Productions has ruled the box office when it comes to the horror genre in recent years, so when “The Hunt” cancelled its planned September 2019 release, it was a major shock. The film — a satiric thriller that follows a group of liberal elites who try to track down and kill “red [... ] Winner of both prizes awarded in the Next category of the 2020 Sundance Film Festival, “I Carry You With Me” tells the true story of an undocumented gay couple from Mexico who risk their lives for love, liberty and the American Dream. Making her first foray into narrative filmmaking, documentary helmer Heidi Ewing began the [... ] With new horizons to pursue, “Aladdin” is getting a sequel. Following the massive success of last summer’s reboot, Disney is developing a follow-up to the film with writers John Gatins and Andrea Berloff. Sources say the movie is in early development, but after spending the last six months figuring out what direction to take the [... ] Another hit game is getting the big-screen treatment. Sony Pictures is partnering with South Korean game developer Smilegate on the film adaptation of the mega-hit game “Crossfire. ” Chuck Hogan penned the movie from “Fast and Furious” producer Neal H. Moritz. Tencent Pictures will co-produce and co-finance the movie, which is based on the popular first-person [... ] One of the most entertaining moments in Eminem’s interview with Variety about his surprise appearance at the 92nd Academy Awards was his comment after being asked whether he enjoyed his performance, which came some 17 years after his “Lose Yourself” won an Oscar: “Absolutely, ” he replied, “I got to hug Salma Hayek! ” Today, Hayek herself [... ]. Watch Full THE INFORMER 三秒間ãæ­»e r. Watch Full THE INFORMER 三秒間ãæ­»e.v. I have never seen a movie with Joel Kinnaman that didn't make me want to vomit at least ten times. This guy can ruin the best of scripts. Watch Full THE INFORMER 三秒間ãæ­»e.e. I loveeeeeee Ana D Armas. Could have been a good movie, eventually clichéd, directionless and underwhelming. What a beautiful brunette holy cow. And brains to boot. Love love love. Critics Consensus The Informer may prove a passable diversion for less demanding thriller fans, but most of its ingredients have been recycled from superior entries in the genre. 53% TOMATOMETER Total Count: 30 Coming soon Release date: Jan 10, 2020 Audience Score Ratings: Not yet available The Informer Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. The Informer Videos Photos Movie Info Honorably discharged Special Ops soldier Pete Koslow's (Joel Kinnaman) world is turned upside-down when he is jailed after a fight to protect his wife (Ana de Armas). He's given a chance for early release by becoming an informant for the FBI (Academy Award nominees Rosamund Pike and Clive Owen) and using his covert skills in an operation to take down The General, the most powerful crime boss in New York. But when the FBI sting meant to finally earn Koslow his freedom results in the death of an undercover NYPD cop, Koslow finds himself caught in the crossfire between the mob and the FBI. The General insists Koslow takes the heat and sends him back to prison to spearhead a drug operation from inside, and the FBI affirms that going back to jail to do The General's bidding is the only way for Koslow to keep his deal with them alive. Caught in a world of impossible choices, Koslow must return to prison, where he formulates a plan to escape the clutches of three of New York City's most powerful organizations - the mob, the NYPD and the FBI - in order to save himself and his family. Rating: NR Genre: Directed By: Written By: In Theaters: Jan 10, 2020 limited Runtime: 113 minutes Studio: Aviron Pictures Cast News & Interviews for The Informer Critic Reviews for The Informer Audience Reviews for The Informer The Informer Quotes Movie & TV guides. Watch Full THE INFORMER 三秒間ãa.e.f Tell me lies, tell me sweet little lies. Tell me tell me lies. That's Fleetwood Mac. Watch Full THE INFORMER 三秒間ã. I saw this movie in theater  its my new fav movie it's OMG amazing and inspiring. I see Hollywood is still pretending Joel Kinnaman is a thing. Love and respect Joe. 💯💪. This was supposed to be more suspense action than an ironclad plot film, a b grade underdog film. But moving around in prison is too easy, as is the escape and all the subsequent events. You can't fault the actors for working with what they are given, but it falls flat as a movie because of the lack of realism. Plus marks for not relying on fancy effects or gruesome violence, but really can't give it more than a 5 for where it goes after a strong beginning and all the elements for a really good thriller. Either commit to strong script or B grade John Wick style, don't turn this into lifetime for criminals. Imagine human evolution reaching a point where we no longer need our physical bodies. We have just our conciousness. Where would we go? Would we still stay on this Earth or even this realm of existence? I'd imagine our path would take us to a similar place where Samantha went. This can be the joker movie we all wanted after the dark knight. It does have pretty solid poster for sure. Orange HAHAHAHA. Beat movie I ever seen love wonder woman 😊❤❤. We've all been blinded by the snatch a time or two Joe. I remember when this song 1st came out... 2019 Still have no idea what is he saying... The way this movie ended made no since to me. 2:36 They dont say anything but theyre eyes say A LOT.