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Genre= Fantasy, Thriller
creator= Rob Hayes
2020
directors= Oz Perkins
Casts= Samuel Leakey
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The most common reaction I've seen to the reversal of the names in the title has been negativity. More specifically, it has been negativity stemming from the belief that the switch is due to feminism. Hey, males! Wanna know a secret? 😱 You're absolutely correct! It's because of feminism. Us women have been so pissed about Hansel (the fictional child that ends up being eaten. getting his name first for so long that we decided to do something about it! We hid our anger for centuries. never once mentioned having an issue with it, got an almost all male crew to make a lower budget horror film of the story, and for it. switched the names of the children for the title. 😱😱💀💀 Holy shit* We *really stuck it to you guys! This is by far the smartest, most strategic fuck you to the male gender ever! 🙌 (Unfortunately, I'm 99% sure that the following clarification is necessary. 😒🤦 The aforementioned reason for the title is *sarcasm. I'm sure some of you had trouble putting that together. However, it is, indeed, sarcasm. Carry on...
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EReaders and other devices To read on E Ink devices like the Sony eReader or Barnes & Noble Nook, you'll need to download a file and transfer it to your device. Please follow the detailed Help Centre instructions to transfer the files to supported eReaders.
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Gretel & Hansel. Well, pack it in boys, our reign of male privilege is over.
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Okay, let’s face it. As far as fairy tales go, Hansel and Gretel is pretty dark. The family is starving, so their cruel stepmother convinces their father to abandon them in the woods so they starve to death. Then they stumble upon a witch’s candy house, and she captures them with plans to eat them. Finally, Gretel pushes the wicked witch into a flaming oven, where she burns to a crisp.
Yikes.
But believe it or not, there are many good reasons to read fairy tales to kids – even the scary ones. I won’t go into all the reasons here, but if you’re curious, I recommend reading this post.
All that said, I loved Hansel and Gretel as a kid, and so do my own kids. In fact, my Four recently illustrated her own version of the tale and then brought it to me – asking me to add the words that she supplied. “Ha ha ha ha ha ha! ” (spoken in her version of a witch’s cackle) “Now I am going to fatten you up! ”
So I hope you enjoy this list! And if you’d like, grab a printable book list here.
Hansel and Gretel, by James Marshall
I am a huge fan of James Marshall’s silly books, so this is my favorite version of Hansel and Gretel. Since we own it, I’m sure I’ve read it over one hundred times (and I really don’t mind). The story itself is true to the original story, but Marshall’s comic illustrations and funny dialogue lighten the mood. My favorite line is when the witch discovers the children nibbling on her house. “Well, look at this! Two tasty – uh, pretty children have come to stay! ”
Hansel and Gretel, by Rachel Isadora
What I love about this book is the beautiful African illustrations. What disappointed me was that if you didn’t see the pictures, you’d have no idea that this story was set in Africa. I had hoped to see different character names and story details – but it was exactly the same as the traditional German story. Maybe I’m alone in feeling this way, but the book was a disappointment.
Hansel & Gretel, by Holly Hobbie
This is a beautiful version of the classic tale, with wonderful storytelling and vocabulary. (“A woman, bent and withered with age, suddenly stepped into view. ‘Who dares to nibble at my delicious house? '”) Not only is the story wonderful, but the watercolor illustrations are breathtaking.
I noticed in an Amazon review that one person thought the book was too dark for children. The traditional story is indeed dark, but children have been loving the story of Hansel and Gretel for generations. I definitely recommend this one.
Hansel and Gretel, by Cynthia Rylant
Cynthia Rylant is one of my favorite children’s book authors, and not surprisingly, she found a way to put her own voice into the familiar story. Her subtle references to spirituality feel a little odd to me, but overall we enjoyed the story. The pictures are beautiful and less scary than in other versions.
Hansel and Gretel, by Rika Lesser
The stunning artwork by Paul O. Zelinksy makes this my second favorite book of the bunch. One thing I find interesting is that the wife is called the mother, and not the stepmother. Your child will want to jump right into the book to eat that beautiful house!
Hansel and Gretel, illustrated by Susan Jeffers
This is a lovely retelling, but even more striking are the beautiful illustrations by Susan Jeffers. The story itself is true to the original story and may be a bit darker than other versions. This didn’t bother my kids at all; they were entranced.
Hansel & Gretel, by Will Moses
If you have some extra time and a patient listener, consider this beautiful version. While the story itself is engaging (if a bit long), what truly shines is the artwork. I love the full page illustrations in beautiful folk art style.
Trust Me, Hansel and Gretel are Sweet!, by Nancy Loewen
This is a fun book to read when you are teaching your learners about point of view. While the witch lives in a gingerbread house, she didn’t create it to lure unsuspecting children; she just likes to play with her food! When two small children nibble her masterpiece, the witch is enraged. But when she hears their story, she becomes their loving guardian. This is not the most spectacular piece of literature, but it offers a fun perspective.
I hope you found some new books to get at your library! Be sure to check out my other posts about familiar fairy tales:
Different versions of The Little Red Hen
Different versions of The Three Billy Goats Gruff
Different versions of The Princess and the Pea
© 2018, Anna G. All rights reserved.
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Everyone is commenting about Kangana. But how can we forget innocent Jassi gill.
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Holy shit. I was skeptical when I heard they were doing a sequel. But Im so on board now
Everyone- Dom has a brother, why didnt they tell us before? John cena - I was always there since the first movie but “You Cant See ME”.
Missed opportunity for a sequel titled “A Quieter place”.
3:16 reminds me of F2 when they jump to the yacht and them in the air😭😭😢.
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OMG The passage between MINUTE 50:00 and MINUTE 103 is one of the purple passages in all of opera, when the little children are protected by '14 angels. Karajan conducts a god. Thanks for posting this.
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Omg seoeon and sojun meeting the sua and seola was so cute the way seoeon held her had and said but you're cute lmfao.
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Everyone: the physics in this sucks Bollywood: ALLOW US TO INTRODUCE OURSELVES.
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A fairy tale originally recorded by the Brothers Grimm in 1812. It's in the Public Domain, so here goes: Once upon a time, there was a brother and sister named Hansel and Gretel. Their father was a widower who had remarried, and the family was having hard times. The stepmother insists they abandon the children in the woods so they will have more food for themselves. Their loving father is completely opposed to the plan initially, but she badgers him into agreeing. Hansel overhears the plan and comes up with the idea of leaving a trail of white pebbles. The plan works and the children are able to find their way back home. The stepmother accepts her plan's failure at first, but when food becomes even more scarce, she and the woodcutter attempt to abandon the children again, this time locking the children's door to prevent them from collecting pebbles. Therefore, Hansel is forced to mark their way back via a Trail of Bread Crumbs from the bread that was supposed to be their lunch; the birds eat all the crumbs, leaving them stranded. They wander around for a while, and then they find a Gingerbread House. They are very hungry, so they start eating. The owner of the house, a Wicked Witch, calls out that she knows someone is eating her house; Hansel and Gretel don't reply. The third time, the witch goes out to meet them. She seems surprisingly friendly, and gives them a huge feast. The next day, Hansel is in a fattening pen, and Gretel is a servant. It seems that the witch eats children, once they are properly prepared. Hansel stalls for a while — the old witch can't see well and pinches his finger to test his plumpness and he is able to trick her by holding out a bone — but eventually she gets tired of waiting, and decides to roast him and eat as he is, along with Gretel to compensate for the supposedly measely meal. She orders Gretel to crawl in to check the oven (intending, of course, to shove her in and cook her as well), but Gretel can tell what she has in mind, and pretends she doesn't know how. When the witch bends over to demonstrate it to her, Gretel shoves her in and slams the door. The two siblings then take all of the treasures and valuables from the late witches house and return home. With the stepmother now dead and all the valuables they took from the witch, Hansel and Gretel live prosperously with their father from then on. Found in many variants across many cultures; a list of some can be found here. There are television versions of this tale, but few film versions for reasons that should be clear. The 19th century composer Engelbert Humperdinck adapted the fairy tale into an opera (premiered 1893). The opera in turn was adapted into a 1954 stop-motion animation film. Garrison Keillor deconstructs this one, as well as " Snow White " and " Cinderella ", in his short story "My Stepmother, Myself" in his book Happy To Be Here. There's a modern retelling set in WWII Poland where Hansel and Gretel are Jewish children; and that's all we're going to say about that. The Doctor Who Expanded Universe book Time Lord Fairy Tales retells it as "The Gingerbread Trap", crossing the plot over with that of the Tenth Doctor story "School Reunion". The tale may have originated during the medieval period of the Great Famine when people were driven to desperate measures. Children were abandoned to fend for themselves, and there were many reported incidents of cannibalism. A variant appears in the Dark Parables games, in which Hansel must rescue Gretel from the witch, rather than the other way around, and does so by giving her a permanent sleeping potion instead of shoving her in the oven. He aids a goddess in the process of the rescue, and she rewards him by bestowing an unusual blessing on his descendants in perpetuity. Gerda, from The Snow Queen, is one of these descendants. A translation can be found here. Adaptions and works based upon "Hansel and Gretel": Gretel and Hansel Hansel and Gretel (2007) Hansel and Gretel (2013) Hansel vs. Gretel Hansel & Gretel Get Baked Hansel & Gretel: Witch Hunters Hansel & Gretel: Warriors of Witchcraft Gretel and Hansel (2020) (no relation to the above-mentioned game) "Hansel and Gretel" provides examples of: Adults Are Useless: Are they ever! The children's birth mother is dead, their stepmother wants to abandon them, their father is cowardly enough to comply to his wife's wishes and the witch desires to eat them for her supper! An Aesop: Don't be too trusting of strangers. Also, strangers immediately offering you goodies and treats the minute they meet you is not a good sign. It should make you raise suspicions that they want something from you in return. Candy laid out in open sight (let alone if they're in a forest far from civilization and in the shape of a house) is a sign that this is a trap. Barefoot Poverty: Illustrations often portray one or both of the siblings going barefoot, presumably to indicate their poverty. Bears Are Bad News: One version has a grizzly bear as the Big Bad instead of the witch. Bowdlerize: In the first edition of the Grimm tales, there was no stepmother; instead both parents agreed to abandon their children. For the second edition, the Grimms changed the mother into a stepmother and added the father's reluctance to follow his wife's plan. This was part of the Grimms' effort to make the tales more palatable as family entertainment. Humperdinck's opera takes this even further, as do later adaptations influenced by it. In the opera, their mother just sends them out to pick berries in exasperation after they accidentally spill a jug of milk that was the only food item left in the house; then they stay too long playing in the forest and get lost when it gets dark. The opera also has the witch turn children into gingerbread instead of straight-up eating their flesh, has her turned into gingerbread herself instead of just burning to death, and has all her previous child victims come back to life when she dies. In VERY early versions of the story (as noted below), the witch's house is not delectable, frosting-covered gingerbread and candy. It's just normal bread, which both ramps up the famine's severity AND the witch's evilness. Big Bad: The Witch. Brother–Sister Team: Our heroes. Composite Character: In some versions of the tale, after killing the witch, the children return home and are happily reunited with their father, when they find out that their wicked (step)mother has died too. This has led some folklorists to speculate that the wicked (step)mother and the witch are in fact the same character. At least one Russian version has the stepmother and the witch be sisters. Creepy Twins: Hansel and Gretel, in the Darker and Edgier adaptations. Cultural Translation: Being a fairy tale, this is often done. A good example of older fairy tale books in Eastern Europe having the witch be Baba Yaga. Distressed Dude: Hansel is locked up in a cage and fattened up to be eaten, and it's left to his sister to bail him out. Family-Unfriendly Death: Befalls the witch. Face on a Milk Carton: In the Supernatural episode " About a Boy ", the witch no longer abducts children because of the Amber Alert system. Instead, she deages adults with a hex bag, fattens them up, and eats them. Fattening the Victim: The witch uses her gingerbread house to lure children into her home in order to fatten and cook them. Faux Affably Evil: The Witch, who pretends to be nice to Hansel and Gretel so that she can lure them into her house and eat them. Gingerbread House: Trope Maker and Trope Codifier. Although in some versions, it's made of bread, and in others, it's simply a house that the siblings recognize as occupied by smoke from the chimney, and are attracted to in an effort to beg for food, only to be caught. Guile Hero: Both siblings use their smarts to outwit both their parents and the witch. Half-Identical Twins: Our heroes are often depicted as such, although it's not stated in the original tale if they're actually twins or not. Henpecked Husband: The woodcutter, so much so that he's willing to abandon his own kids in the woods on his second wife's insistence. Happily Ever After: The children escape the witch and take all her treasures and jewels home with them, and find their stepmother has died and their father is overjoyed to see them. They live like kings from then on. Hoist by His Own Petard: The witch's death. Hope Spot: The children are able to find their way back home using the trail of pebbles, and the stepmother, while angry, initially lets it be. But when the famine worsens, the stepmother insists on abandoning them again, this time locking the door to prevent Hansel from collecting anymore pebbles. Hansel attempts to leave a breadcrumb trail, but the birds eat them. I'm a Humanitarian: The witch eats children. Kill It with Fire: The witch Laser-Guided Karma: In some versions, the children's step-mother dies for no apparent reason besides this. Lighter and Softer: The opera. The Lost Woods: The kids parents attempts to dump them in one so they won't have to worry about feeding them anymore. Lured into a Trap: The gingerbread house itself was a trap the witch set up for children. Murder by Cremation: The witch's death. No Name Given: The parents and the witch. Though in Humperdinck's opera, the parents are Peter and Gertrud and the witch is Rosine Leckermaul (literally, "Raisin Tastymuzzle"). The Nose Knows: In many versions, the witch is nearly blind, but has a keen sense of smell that lets her detect prey from a distance. Ode to Food: Considering the family lives in hunger, there are plenty of food songs in the opera. Offing the Offspring: An implication often overlooked now, but obvious to folk at the time of the tale's origin, is this: the woodcutter's wife can bear him more children once the famine has passed. Oktoberfest: In illustrations, Hansel and Gretel are almost invariably depicted wearing traditional Bavarian costumes. After all, everyone knows it's a German story. Parental Abandonment: The parents do this to their kids in the forest under pretense that they are only leaving briefly to gather some wood, their motive being that there will be more food for them during the famine occurring their country without the children. Parents as People: Mother in the Humperdinck opera and the Cannon Movie Tales version based upon it. When she finds the children horsing around and the milk she was relying on is lost, she starts screaming at them in frustration, says some terrible things, and drives them out into the forest. However, her desperation, fear, and exasperation are understood by the viewer and she remains a sympathetic character. Her horror is palpable when she realizes they are now in danger, and the reunion at the end is a happy one usually void of any reference to her first scene. Rule of Three The Sandman: In the theater version, the Sandman appears to Hansel and Gretel in The Lost Woods, signaling that it is time for the children to sing their evening prayer and go to sleep (though a Dream Ballet ensues). The Sandman's morning counterpart, the Dewman, appears to wake them up again with a very similar song as the curtain goes up on the third act. Social Darwinist: The children's stepmother. The family is living in a medieval famine-stricken Germany, meaning a food shortage, so she decides getting rid of the children is the best option. Solitary Sorceress: This tale is a strong contender as Trope Codifier for the "witch lives in a cottage in the woods" variant of the trope. Sugary Malice: The witch. Temporary Bulk Change: Hansel fattens up rapidly over what appears to be just a few days. Too Smart for Strangers: Except they weren't. Trail of Bread Crumbs: Trope Namer, Trope Maker and Trope Codifier, and possible Ur-Example, together with " Hop-o'-My-Thumb ". Though note that the breadcrumbs didn't work. The trail of stones is what did. Wealthy Ever After: They return with the witch's treasure. What Measure Is a Non-Human? : Also doubles as Ungrateful Bastard. In at least one version, Hansel and Gretel are escorted home by a magic duck... who the father then kills and cooks for dinner. Wicked Stepmother: In the best known versions of the tale, the plan to abandon Hansel and Gretel in the woods is put forward by their stepmother, and the father only complies because of her pressuring. The trope does not appear in the first edition version recorded by the Grimm brothers (and in occasional retellings of the story, such as Paul O Zelinsky's), where the woman is the kids' actual mother, and the father also desires to abandon the children. Averted in Humperdinck's opera, where she is once again the birth mother. In the opera, however, she has no evil motive; she simply sends them out as an exasperated parent and they become lost by accident. As mentioned above, some Russian versions of the story have a pragmatic reason to have a Wicked Stepmother.. is the sister of the Wicked Witch who marries widowed fathers so she can send her their children. Wicked Witch.
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