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Genres: Fantasy;
Directors: Isao Takahata;
writed by: Isao Takahata;
Countries: Japan;
Average Ratings: 8,6 of 10 star.
I thought she was the Kaguyan in Naruto.
Sin duda es hermosa la película.
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Just finished watching it, the art and story was so beautiful!♥ Almost teared up at one of the scenes, if you are thinking about watching it, watch it. It's 100% worth it.
You sing very well, I love your version more than the original one! Favorited <3.
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Very goood.
That cat in the thumbnail tho. 😂😂 But this movie broke my heart : c.
Song of the Sea looks so beautiful. I liked The Secret of Kells for it's conservative storytelling. Then again a magnificent and rich story doesn't need to be a CGI complexity to be outstanding. #SongOfTheSea #Selkie.
Japan really knows how to make emotional movies.
"Tale of the Princess Kaguya", "かぐや姫の物語", and "Kaguya-hime no Monogatari" redirect here. For the Studio Ghibli film, see The Tale of the Princess Kaguya.
"Taketori Monogatari" and "竹取物語" redirect here. For the 1987 film, see Princess from the Moon.
Discovery of Princess Kaguya (depiction from the Edo period, late 17th century)
The Tale of the Bamboo Cutter ( 竹取物語, Taketori Monogatari) is a 10th-century Japanese monogatari (fictional prose narrative) containing Japanese folklore. It is considered the oldest extant Japanese prose narrative [1] [2] although the oldest manuscript dates to 1592. [3]
The tale is also known as The Tale of Princess Kaguya ( かぐや姫の物語, Kaguya-hime no Monogatari), after its protagonist. [4] It primarily details the life of a mysterious girl called Kaguya, who was discovered as a baby inside the stalk of a glowing bamboo plant.
Narrative [ edit]
Taketori no Okina takes Kaguya-hime to his home, Drawn by Tosa Hiromichi, c. 1600
One day, while walking in the bamboo forest, an old, childless bamboo cutter called Taketori no Okina ( 竹取翁, "the Old Man who Harvests Bamboo") came across a mysterious, shining stalk of bamboo. After cutting it open, he found inside it an infant the size of his thumb. He rejoiced to find such a beautiful girl and took her home. He and his wife raised her as their own child and named her Kaguya-hime (かぐや姫 accurately, Nayotake no Kaguya-hime, "Shining princess of the supple bamboo"). Thereafter, Taketori no Okina found that whenever he cut down a stalk of bamboo, inside would be a small nugget of gold. Soon he became rich. Kaguya-hime grew from a small baby into a woman of ordinary size and extraordinary beauty. At first, Taketori no Okina tried to keep her away from outsiders, but over time the news of her beauty spread.
Eventually, five princes came to Taketori no Okina's residence to ask for the beautiful Kaguya-hime's hand in marriage. The princes eventually persuaded Taketori no Okina to tell a reluctant Kaguya-hime to choose from among them. Kaguya-hime concocted impossible tasks for the princes, agreeing to marry the one who managed to bring her his specified item. That night, Taketori no Okina told the five princes what each must bring. The first was told to bring her the stone begging bowl of the Buddha Shakyamuni from India, the second a jeweled branch from the mythical island of Hōrai, [5] the third the legendary robe of the fire-rat of China, the fourth a colored jewel from a dragon 's neck, and the final prince a cowry shell born of swallows.
Realizing that it was an impossible task, the first prince returned with an expensive stone bowl, hoping that Kaguya-hime would believe it to be real, but after noticing that the bowl did not glow with holy light, Kaguya-hime saw through his deception. Likewise, two other princes attempted to deceive her with fakes, but also failed. The fourth gave up after encountering a storm, while the final prince lost his life (severely injured in some versions) in his attempt.
After this, the Emperor of Japan, Mikado, came to see the strangely beautiful Kaguya-hime and, upon falling in love, asked her to marry him. Although he was not subjected to the impossible trials that had thwarted the princes, Kaguya-hime rejected his request for marriage as well, telling him that she was not of his country and thus could not go to the palace with him. She stayed in contact with the Emperor, but continued to rebuff his requests and marriage proposals.
That summer, whenever Kaguya-hime saw the full moon, her eyes filled with tears. Though her adoptive parents worried greatly and questioned her, she was unable to tell them what was wrong. Her behaviour became increasingly erratic until she revealed that she was not of this world and must return to her people on the Moon. In some versions of this tale, it is said that she was sent to the Earth, where she would inevitably form material attachment, as a temporary punishment for some crime, while in others, she was sent to Earth for her own safety during a celestial war. The gold that Taketori no Okina had been finding had in fact been a stipend from the people of the Moon, sent down to pay for Kaguya-hime's upkeep.
Kaguya-hime goes back to the Moon
As the day of her return approached, the Emperor sent many guards around her house to protect her from the Moon people, but when an embassy of "Heavenly Beings" arrived at the door of Taketori no Okina's house, the guards were blinded by a strange light. Kaguya-hime announced that, though she loved her many friends on Earth, she must return with the Moon people to her true home. She wrote sad notes of apology to her parents and to the Emperor, then gave her parents her own robe as a memento. She then took a little of the elixir of life, attached it to her letter to the Emperor, and gave it to a guard officer. As she handed it to him, her feather robe was placed on her shoulders, and all of her sadness and compassion for the people of the Earth were apparently forgotten. The heavenly entourage took Kaguya-hime back to Tsuki no Miyako (月の都; lit. "the Capital of the Moon"), leaving her earthly foster parents in tears.
The parents became very sad and were soon put to bed sick. The officer returned to the Emperor with the items Kaguya-hime had given him as her last mortal act, and reported what had happened. The Emperor read her letter and was overcome with sadness. He asked his servants, "Which mountain is the closest place to Heaven? ", to which one replied the Great Mountain of Suruga Province. The Emperor ordered his men to take the letter to the summit of the mountain and burn it, in the hope that his message would reach the distant princess. The men were also commanded to burn the elixir of immortality since the Emperor did not wish to live forever without being able to see her. The legend has it that the word immortality, 不死 ( fushi), became the name of the mountain, Mount Fuji. It is also said that the kanji for the mountain, 富士山 (literally "Mountain Abounding with Warriors"), are derived from the Emperor's army ascending the slopes of the mountain to carry out his order. It is said that the smoke from the burning still rises to this day. (In the past, Mount Fuji was much more volcanically active and therefore produced more smoke. )
Literary connections [ edit]
Elements of the tale were drawn from earlier stories. The protagonist Taketori no Okina, given by name, appears in the earlier poetry collection Man'yōshū (c. 759; poem# 3791). In it, he meets a group of women to whom he recites a poem. This indicates that there previously existed an image or tale revolving around a bamboo cutter and celestial or mystical women. [6] [7]
A similar retelling of the tale appears in the c. 12th century Konjaku Monogatarishū (volume 31, chapter 33), although their relation is under debate. [8]
Banzhu Guniang [ edit]
In 1957, Jinyu Fenghuang (金玉鳳凰), a Chinese book of Tibetan tales, was published. [9]
In early 1970s, Japanese literary researchers became aware that "Banzhu Guniang" (班竹姑娘), one of the tales in the book, had certain similarities with The Tale of the Bamboo Cutter. [10] [11] Initially, many researchers thought that "Banzhu Guniang" must be related to Tale of Bamboo Cutter, although some were skeptical.
In 1980s, studies showed that the relationship is not as simple as initially thought. Okutsu provides extensive review of the research, and notes that the book Jinyu Fenghuang was intended to be for children, and as such, the editor took some liberties in adapting the tales. No other compilation of Tibetan tales contains the story. [12]
A Tibet-born person wrote that he did not know the story. [13] A researcher went to Sichuan and found that, apart from those who had already read "Jinyu Fenghuang", local researchers in Chengdu did not know the story. [14] Tibetan informants in Ngawa Tibetan and Qiang Autonomous Prefecture did not know the story either. [14]
Legacy [ edit]
The Tale of the Bamboo Cutter has been identified as proto- science fiction. Some of its science fiction plot elements include Kaguya-hime being a princess from the Moon who is sent to Earth for safety during a celestial war, an extraterrestrial being raised by a human on Earth, and her being taken back to the Moon by her real extraterrestrial family. A manuscript illustration also depicts a round flying machine that resembles a flying saucer. [15]
See also [ edit]
Big Bird in Japan
The Tale of the Princess Kaguya
Notes [ edit]
^ "Japan: Literature", Windows on Asia, MSU,
^ "17. A Picture Contest". The Tale of Genji. the ancestor of all romances)
^ Katagiri et al. 1994: 95.
^ Katagiri et al. 1994: 81.
^ McCullough, Helen Craig (1990). Classical Japanese Prose. Stanford University Press. pp. 30, 570. ISBN 978-0-8047-1960-5.
^ Horiuchi (1997:345-346)
^ Satake (2003:14-18)
^ Yamada (1963:301-303)
^
田海燕, ed. (1957). 金玉鳳凰 (in Chinese). Shanghai: 少年兒童出版社.
百田弥栄子 (1971). 竹取物語の成立に関する一考察. アジア・アフリカ語学院紀要 (in Japanese). 3.
伊藤清司 (1973). かぐや姫の誕生―古代説話の起源 (in Japanese). 講談社.
^ 奥津 春雄 (2000). 竹取物語の研究: 達成と変容 竹取物語の研究 (in Japanese). 翰林書房. ISBN 978-4-87737-097-8.
^ テンジン・タシ, ed. (2001). 東チベットの民話 (in Japanese). Translated by 梶濱 亮俊. SKK.
^ a b 繁原 央 (2004). 日中説話の比較研究 (in Japanese). 汲古書院. ISBN 978-4-7629-3521-3.
^ Richardson, Matthew (2001). The Halstead Treasury of Ancient Science Fiction. Rushcutters Bay, New South Wales: Halstead Press. ISBN 978-1-875684-64-9. ( cf. "Once Upon a Time". Emerald City (85). September 2002. Retrieved 2008-09-17. )
References [ edit]
Katagiri Yōichi, Fukui Teisuke, Takahashi Seiji and Shimizu Yoshiko. 1994. Taketori Monogatari, Yamato Monogatari, Ise Monogatari, Heichū Monogatari in Shinpen Nihon Koten Bungaku Zenshū series. Tokyo: Shogakukan.
Donald Keene (translator), The Tale of the Bamboo Cutter, ISBN 4-7700-2329-4
Japan at a Glance Updated, ISBN 4-7700-2841-5, pages 164—165 (brief abstract)
Fumiko Enchi, "Kaguya-hime", ISBN 4-265-03282-6 (in Japanese hiragana)
Horiuchi, Hideaki; Akiyama Ken (1997). Shin Nihon Koten Bungaku Taikei 17: Taketori Monogatari, Ise Monogatari (in Japanese). Tōkyō: Iwanami Shoten. ISBN 978-4-00-240017-4.
Satake, Akihiro; Yamada Hideo; Kudō Rikio; Ōtani Masao; Yamazaki Yoshiyuki (2003). Shin Nihon Koten Bungaku Taikei 4: Man'yōshū (in Japanese). ISBN 978-4-00-240004-4.
Taketori monogatari, Japanese Text Initiative, Electronic Text Center, University of Virginia Library
Yamada, Yoshio; Yamda Tadao; Yamda Hideo; Yamada Toshio (1963). Nihon Koten Bungaku Taikei 26: Konjaku Monogatari 5 (in Japanese). ISBN 978-4-00-060026-2.
External links [ edit]
Ryukoku University exhibition
Tetsuo Kawamoto: The Moon Princess (translated by Clarence Calkins).
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Esto es simplemente HERMOSO ja ja ja.
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Voice from another world. Amazing.
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Really good! It would've been helpful to have english subtitles on this one or japanese dub on the other, but oh well. I just rented it twice and played the audio on this one with the video on the other.
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I love this art style! ❤️.
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Alternative Titles English: The Tale of the Princess Kaguya
Synonyms: Kaguyahime no Monogatari, Princess Kaguya Story
Japanese: かぐや姫の物語
Information
Episodes:
1
Status:
Finished Airing
Aired:
Nov 23, 2013
Source:
Other
Duration:
2 hr. 17 min.
Rating:
G - All Ages
Statistics
Score:
8. 27 1 (scored by 47, 646 users)
Ranked:
#257 2 2
based on the top anime page. Please note that 'Not yet aired' and 'R18+' titles are excluded.
Popularity:
#1100
Members:
103, 082
Favorites:
1, 066
8. 27
Ranked #257 Popularity #1100 Members 103, 082 * Your list is public by default.
Synopsis Deep in the countryside, a man named Okina works as a bamboo cutter in a forest, chopping away at the hollow plants day after day. One day, he discovers a small baby inside a glowing shoot. He immediately takes her home, convinced that she is a princess sent to Earth as a divine blessing from heaven. Okina and his wife Ouna take it upon themselves to raise the infant as their own, watching over her as she quickly grows into an energetic young girl. Given the name Kaguya, she fits right in with the village she has come to call home, going on adventures with the other children and enjoying what youth has to offer.
But when Okina finds a large fortune of gold and treasure in the forest, Kaguya's life is completely changed. Believing this to be yet another gift from heaven, he takes it upon himself to turn his daughter into a real princess using the wealth he has just obtained, relocating the family to a mansion in the capital. As she leaves her friends behind to enter into an unwanted life of royalty, Kaguya's origins and purpose slowly come to light.
[Written by MAL Rewrite] Background Kaguya-hime no Monogatari is based on the 10th century Japanese folk tale of the same title. It was nominated for Best Animated Feature at the 87th Academy Awards, the first such nomination for Takahata. The film received over 20 nominations worldwide from critics associations, film festivals, and academies, winning seven times. Related Anime Characters & Voice Actors
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Opening Theme
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Ending Theme
"Inochi no Kioku (いのちの記憶)" by Kazumi Nikaidou (二階堂和美)
More reviews Reviews
Jan 10, 2018
1 of 1 episodes seen
The Tale of Princess Kaguya: Peaks and Valleys
**This “review" is SPOILER-HEAVY and is recommended for those who have already seen the film**
**This “review” is also FAR from complete and I will be continually updating it in the future as I better collect more of my thoughts. **
This analysis may be somewhat messily written or seem to lack any sort of overarching structure. It is merely my personal thoughts and things I’ve realized while watching the film.
As one of the more recent additions, “The Tale of Princess Kaguya, ” may not be the first title to come up with when you think of Studio Ghibli, yet I’m convinced
read more
Mar 11, 2019
--- This review spoils the entirety of Kaguya Hime no Monogatari, and is advised to be read after completion of the film ---
"It is like a circle, when one ends, the other one begins. So you can always count on it to keep on moving. "
If there ever was a quote to perfectly describe the surreal and metaphorical journey that is Kaguya Hime no Monogatari, then this quote would be it. Kaguya-hime no Monogatari, or The Tale of the Princess Kaguya, is a Studio Ghibli film that was created and directed by none other than the legendary Isao Takahata, and was released during the year of
Dec 11, 2014
Studio Ghibli have always been at the very forefront in the anime film industry. Their creations have been able to reach out to any and all demographics with great success for decades, and have numerous masterpieces under their belt by now. Most of these are creations of the one and only Miyazaki Hayao, however Hotaru no Haka (Grave of the Fireflies) released back in 1988, one of the most critically acclaimed Ghibli films was written and directed by the studio's co-founder Takahata Isao. But this was something that was known as a one-hit wonder, as his other works never got anywhere near the same level
Jan 2, 2016
This Studio Ghibli motion picture is relatively well-acclaimed outside the anime world. As of now it boasts 100% rating on rotten tomatoes and it was nominated for 87th Academy Awards. Unfortunately, for all of its praise it's a surprisingly mediocre work.
The movie has some merits - it has delightful watercolor-like visual style. It's very pleasant to watch, one can simply sit and enjoy the flow of images. Animation is vivid and the art style captures the mood of the period and atmosphere of the folk tale very well. What this movie fails to capture however, is the very point it's trying to make.
Because the
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HISTORY channel would bring this tale to their new episode: Ancient Alien in Japanese Samurai Ninja.
I can look back to a few experiences that completely changed the way that I watch movies; one of these is the first time that I saw Stanley Kubrick's 1968 masterpiece 2001: A Space Oddysey, which showed me the purest example of film as an art form that I had ever seen. I saw it not too long after I graduated high school and had never experienced a movie that expressed complex and confusing thoughts in the way that it did nor in such a visually stunning way. The film went beyond conventional narrative and filmmaking to deliver something entirely new to me.
In a similar manner, The Tale of the Princess Kaguya represents a level of artistry that I had never before seen in an animated feature. From the brilliant mind of Studio Ghibli's lesser-known co- founder Isao Takahata (Grave of the Fireflies, Only Yesterday) the film is an adaptation of Japan's oldest folk tale, The Tale of the Bamboo Cutter. It tells the story of a strange girl (Asakura/Moretz) who is discovered inside a bamboo stalk and who shoots through her childhood at a rapid pace. Her adoptive parents (Chii/Caan, Miyamoto/Steenburgen) bring her into the city, where she is groomed as a noblewoman and comes to be widely sought after for her beauty.
The Tale of the Princess Kaguya is simply gorgeous; its visual style combines watercolor painting and charcoal sketching to create something that is entirely its own. Personal and often unnecessary care is given to the smallest details, such as a toddler crawling after a frog or the princess casually putting her hair up. The character and quality of the animation even change with the tone of the story, most noticeably in one instance in which the princess' despair completely overwhelms her. As the world is stripped away and sound is simplified to almost nothing, the scene so perfectly expresses the character's personality and mood and presents such a perfect image of her story that to me, it fully represents the reasons that animation exists as a medium. Because there are no live actors or sets and no real world in which the filmmakers must do their work, the artists are free to fully express themselves as artists, without the constraints of the real world. Rather than use animation to simply bring color to a bland story as many animators are wont to do, the creators here use the deep story and visuals to produce situations and imagery that would otherwise be impossible to create. The movie spends much of its run time grounded firmly in reality – sometimes uncomfortably so – but at its most powerful, it extends far beyond what live action can achieve.
The film is also thematically rich, particularly exploring the societal roles of Japanese women at the time depicted. When she is no longer allowed to live her simple life around her childhood friends, her life becomes dedicated to presenting herself as beautiful and submissive to the world. She is instructed to sit still and to look pretty, never mind the fact that she is often hidden from view. She is whisked away to be married as soon as she reaches puberty and is told by both the men and women around that a rich husband will be the source of her greatest happiness.
Kaguya herself is a wonderful character to watch. She is at times one of the happiest people you could imagine but at others one of the saddest. After all, she started walking over the course of a day and grew into the body of a teenager in less than a year's time. Her innocence is shown as a blessing and a curse, and seeing her interact with the variety of people she encounters provides the film plenty of joy and drama.
The Tale of the Princess Kaguya uses the language of cinema in a way that, in my experience watching animation, has been truly special; through blocking of scenes, visual symbolism, color, and much more, the film is able to speak to us beyond its surface narrative and to tell a more robust story. It makes full use of the opportunities unique to animation and combines them with tools of the great live- action masterpieces of the past.
The film, for example, often separates the princess from the rest of the world, particularly in scenes in which she is hidden from sight. She is often placed behind a screen or behind bamboo blinds for narrative purposes, but even when these are not present, there is often an element visually keeping her from other characters, such as a bamboo stalk or a tall blade of grass placed between them. While not forming a true wall between the characters, the viewer can see them separated and feel their distance.
This film also offers a wonderful experience of sound and silence through the use of its score, which consists of tracks mostly under two minutes long. This allows each moment of music to have its power and meaning, while not overwhelming the viewing experience or directing the viewer along every step of the film's vast emotional landscape. Through contrapuntal folk sounds or delicate solo piano, the film is able to sing its story to us as it shows it and tells it. The musical pieces and the silence between them are given the full attention that they deserve and in turn give us exactly what we need.
I cannot recommend this film highly enough. While critical response at its release was overwhelmingly positive, far too few people have heard of it, and even fewer have seen it. The Tale of the Princess Kaguya is a movie that you will never forget and offers an experience not quite like anything else you will ever see.
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IT WAS SOOOO GOOD. I JUST WATCHED IT AND I AM HELLA CRYING😭 ESPECIALLY THE ENDING😭😭 GOSH SO BEAUTIFUL😭.
😢😭i want to watch this movie.
Why not A+ You didn't say anything bad about it.
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This looks 10 times more artistic and meaningful than Lego Movie.
This was my fave anime movie.
That song though.
Hillsdale is a great college. I appreciate what they do.
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Man, I saw this, and I cried my fricking eyes out! To think that this is Hayao Miyazaki's last movie ( actually he's not going to retire completely, but will retire from making long movies. its too sad...
The music was so beautiful. I feel like nostalgic my chillhood moments. When my grandpa was still alife until he died T^T.
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I wish there was a part 2 One of the best anime I have ever seen.
I'm not crying Y O U ' R E C R Y I N G.
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Sounded like Disney's way of slipping in dirty jokes.
Call me maybe.
For some reason i dont know why i feel like this animation makes it sadder.
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Edit
Storyline
An old man makes a living by selling bamboo. One day, he finds a princess in a bamboo. The princess is only the size of a finger. Her name is Kaguya. When Kaguya grows up, 5 men from prestigious families propose to her. Kaguya asks the men to find memorable marriage gifts for her, but the 5 men are unable to find what Kaguya wants. Then, the Emperor of Japan proposes to her.
Written by
Anonymous
Plot Summary
Plot Synopsis
Taglines:
A Princess' Crime and Punishment
Motion Picture Rating
( MPAA)
Rated PG for thematic elements, some violent action and partial nudity
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Details
Release Date: 23 November 2013 (Japan)
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Also Known As: The Tale of the Princess Kaguya
Box Office
Budget: JPY5, 000, 000, 000
(estimated)
Opening Weekend USA: $54, 915,
19 October 2014
Cumulative Worldwide Gross: $24, 638, 337
See more on IMDbPro »
Company Credits
Technical Specs
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Did You Know?
Goofs
While the baby princess crawls to the cutter she tosses a piece of bamboo to the edge of the floor mat. In the reverse shot as she crawls back, it is missing. See more »
Quotes
The Princess Kaguya:
[ singing]
Go round, come round, come round... come round, oh distant time. Come round, call back my heart. Birds, bugs, beasts, grass, trees, flowers. Teach me how to feel. If i hear that you pine for me, i will return to you.
See more ».
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I find this trailer to be brilliant because I haven't had the time or energy to care about this character yet, but I'm still sitting here sobbing and begging 'please don't die.
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Nooooooo Every one of this movies created my childhood and my love for anime I was trying to control my shock But when it show spirited away I just screamed hahahah.
The Tale of the Princess Kaguya Japanese theatrical release poster Japanese かぐや姫の物語 Hepburn Kaguya-hime no Monogatari Directed by Isao Takahata [1] Produced by Yoshiaki Nishimura Screenplay by
Isao Takahata
Riko Sakaguchi [ ja]
Based on The Tale of the Bamboo Cutter Starring
Aki Asakura [ Wikidata]
Kengo Kora
Takeo Chii
Nobuko Miyamoto
Music by Joe Hisaishi Edited by Toshihiko Kojima Production company Studio Ghibli Distributed by Toho Release date
23 November 2013
Running time 137 minutes [2] Country Japan Language Japanese Budget ¥5 billion ( $49 million) [3] Box office ¥2. 5 billion ( $27 million)
The Tale of the Princess Kaguya ( Japanese: かぐや姫の物語, Hepburn: Kaguya-hime no Monogatari, stylized as The Tale of The Princess Kaguya) is a 2013 Japanese animated fantasy drama film co-written for the screen and directed by Isao Takahata, based on the anonymous literary tale The Tale of the Bamboo Cutter and produced by Studio Ghibli for Nippon Television Network, Dentsu, Hakuhodo DYMP, Walt Disney Japan, Mitsubishi, Toho and KDDI, and distributed by Toho.
The film features an ensemble voice cast that includes Aki Asakura, Kengo Kora, Takeo Chii, Nobuko Miyamoto, Atsuko Takahata, Tomoko Tabata, Tatekawa Shinosuke, Takaya Kamikawa, Hikaru Ijūin, Ryudo Uzaki, Nakamura Shichinosuke II, Isao Hashizume, Yukiji Asaoka (in a special appearance) and Tatsuya Nakadai. [4] [5] [6] [7] The film features the final film performance by Chii, who died in June 2012, and was the final film directed by Takahata, who died in April 2018.
It was released in Japan on 23 November 2013, distributed by Toho. At the budget of US$ 49. 3 million, it is the most expensive Japanese movie to date. [ when? ] The film was nominated for the Academy Award for Best Animated Feature at the 87th Academy Awards. The production of the film was the subject of the feature-length documentary film Isao Takahata and His Tale of the Princess Kaguya. [8]
Plot [ edit]
A bamboo cutter named Sanuki no Miyatsuko discovers a miniature girl inside a glowing bamboo shoot. Believing her to be a divine presence, he and his wife decide to raise her as their own, calling her "Princess". The girl grows rapidly, causing her parents to marvel and earning her the nickname "Takenoko" (Little Bamboo) from the other village children. Sutemaru, the oldest among Kaguya's friends, develops a close relationship with her.
Miyatsuko comes upon gold and fine cloth in the bamboo grove in the same way he found his daughter. He takes these as proof of her divine royalty and begins planning to make her a proper princess. He relocates the family to the capital, forcing her to leave her friends behind. She finds herself in a mansion, replete with servants. She is also saddled with a governess who is tasked with taming her into a noblewoman. She struggles with the restraints of nobility, arguing that life should be full of laughter and struggle.
When the girl comes of age, she is granted the formal name of "Princess Kaguya" for the light and life that radiates from her. Miyatsuko holds a celebration in commemoration of her naming. At the celebration, Kaguya overhears partygoers ridiculing her father's attempts to turn a peasant girl into a noble through money. Kaguya flees the capital in despair and runs back to the mountains, seeking Sutemaru and her other friends, but discovers that they have all moved away. She passes out in the snow and awakens back at the party.
Kaguya grows in beauty, attracting suitors. Five men of noble standing court her, comparing her to mythical treasures. Kaguya tells them she will only marry whoever can bring her the mythical treasure mentioned. Two suitors attempt to persuade her with counterfeits. The third abandons his conquest out of cowardice, and the fourth attempts to woo her with flattering lies. When one of the men is killed in his quest, Kaguya falls into depression. Eventually, the Emperor takes notice of her. Taken with her beauty, he makes advances toward her, revolting her. Kaguya then demonstrates the ability to disappear at will, surprising the Emperor. Understanding that he has been too forward, the Emperor leaves.
Kaguya reveals to her parents that she originally came from the Moon after it spoke to her. Once a resident there, she broke its laws, hoping to be exiled to Earth so that she could experience mortal life. When the Emperor made his advances, she silently begged the Moon to help her. Having heard her prayer, the Moon will reclaim her during the next full moon. Kaguya confesses her attachment to Earth and her reluctance to leave.
Miyatsuko swears to protect Kaguya and begins assembling defensive forces. Kaguya returns to her hometown and finds Sutemaru, who vows to protect her. Kaguya demonstrates the ability to fly but loses it when she flies by the Moon. Sutemaru, who flew with her, wakes up later, thinking it was a dream.
On the night of the full moon, a procession of celestial beings led by the Buddha descends from the Moon, and Miyatsuko is unable to stop it. An attendant offers Kaguya a robe that will erase her memories of Earth but she begs the attendant to grant her a last moment with her parents. The attendant, however, drapes the robe around her, and she appears to forget about her life on Earth. They leave, and Miyatsuko and his wife are distraught. Kaguya looks back one last time, and cries silently as she recognizes the love from her parents.
Voice cast [ edit]
Character
Japanese cast [9]
English dub cast
Princess Kaguya
Aki Asakura [ ja]
Chloë Grace Moretz Caitlyn Leone (young)
Sutemaru
Darren Criss
The Bamboo Cutter
Takeo Chii [a]
James Caan
The Bamboo Cutter's Wife / The Narrator
Mary Steenburgen
Lady Sagami
Atsuko Takahata
Lucy Liu
Me no Warawa
Tomoko Tabata
Hynden Walch
Inbe no Akita
Tatekawa Shinosuke
George Segal
Prince Ishitsukuri
Takaya Kamikawa
James Marsden
Lord Minister of the Right Abe
Hikaru Ijūin
Oliver Platt
Great Counselor Otomo
Ryudo Uzaki
Daniel Dae Kim
The Mikado
Nakamura Shichinosuke II
Dean Cain
Prince Kuramochi
Isao Hashizume
Beau Bridges
Middle Counselor Isonokami
Tamaki Kojo
John Cho
^ Yuji Miyake recorded additional dialogue for the bamboo cutter following Takeo Chii's death. [10]
Production [ edit]
As a child, Takahata read The Tale of the Bamboo Cutter. He recalled that he struggled to relate and sympathize with the protagonist; to him, the "heroine’s transformation was enigmatic" and that it "didn’t evoke any empathy from [him]". [11] In 1960, Takahata was preparing for a potential adaptation for his employer Toei Animation, which eventually was abandoned. [12] After rereading the tale, he realized the story's potential to be entertaining, as long as an adaptation allowed the audience to understand how Princess Kaguya felt. [11] [13]
Studio Ghibli revealed that Isao Takahata was working on a feature-length film in 2008. [14] Takahata announced at the 62nd Locarno International Film Festival in 2009 that he intended to direct a film based on the anonymous Japanese literary tale The Tale of the Bamboo Cutter. [15]
The Tale of the Princess Kaguya was financed by Nippon TV, whose late chairman, Seiichiro Ujiie, gave ¥ 5, 000, 000, 000 (approximately US$ 40, 000, 000) towards the project. [16] Ujiie loved Takahata's work, and pleaded with Ghibli producer Toshio Suzuki to let Takahata make one more film. [17] Ujiie died on 3 March 2011, but not before being able to view the script and some of the storyboards. [18]
To make sure the audience emotionally connected with the film, it was important to Takahata that viewers were able to "imagine or recall the reality deep within the drawings", rather than be distracted by a realistic art style. [19] He wanted to have people "recollect the realities of this life by sketching ordinary human qualities with simple props". [20] To assist with this vision, Osamu Tanabe provided the character designs and animation, and Kazuo Oga drew the watercolor backgrounds. [16]
The release of The Tale of the Princess Kaguya was finally confirmed by Studio Ghibli and distributor Toho on 13 December 2012. [21]
Soundtrack [ edit]
In 2012, Shin-ichiro Ikebe was announced to write the film's score. However, in 2013, Joe Hisaishi replaced Ikebe as the composer. This is the first and only time that Hisaishi has scored a film directed by Isao Takahata. [22] The theme song "When I Remember This Life" was written and performed by Nikaido Kazumi. [23] [24] [25] The music from the film's original soundtrack was released on 20 November 2013.
All tracks are written by Joe Hisaishi, except where noted. Track listing No. Title Length 1. "Overture" 0:53 2. "Light" 0:22 3. "The Little Princess" 1:15 4. "The Joy of Living" 1:01 5. "The Sprout" 2:19 6. "Li'l Bamboo" 2:06 7. "Life" 0:59 8. "Mountain Hamlet" 1:53 9. "Robe" 0:34 10. "Setting Out" 1:19 11. "Autumn Harvest" 0:39 12. "Supple Bamboo" 1:22 13. "Writing Practice" 0:47 14. "The Garden of Life" 0:25 15. "The Banquet" 1:22 16. "Despair" 1:07 17. "The Coming of Spring" 1:03 18. "Melody of the Beautiful Koto" 0:34 19. "Spring Waltz" 2:02 20. "Memories of the Village" 1:36 21. "The Nobles' Wild Ride" 1:29 22. "Devotion" 1:28 23. "Cicada Night" 1:12 24. "Mystery of the Moon" 0:48 25. "Sorrow" 1:00 26. "Fate" 1:17 27. "The City of the Moon" 0:28 28. "Going Home" 1:19 29. "Flying" 4:26 30. "The Procession of Celestial Beings I" 2:28 31. "The Parting" 1:07 32. "The Procession of Celestial Beings II" 0:57 33. "Moon" 1:49 34. "When I Remember This Life" (Written and performed by Nikaido Kazumi [25]) 5:42 35. "Koto Melody" 0:57 36. "Nursery Rhyme" 0:48 37. "Song of the Heavenly Maiden" 1:34
Release [ edit]
The Tale of The Princess Kaguya was initially announced to be released simultaneously with The Wind Rises, another Ghibli film by Hayao Miyazaki in Japan in the summer of 2013, [26] which would have marked the first time that the works of the two directors were released together since the release of the films My Neighbor Totoro and Grave of the Fireflies in 1988. [26] However, in February 2013, distributor Toho announced that the release of Kaguya-Hime no Monogatari would be delayed to Fall 2013, citing concerns that the storyboards were not yet complete. [27] [28] On 12 March 2014, independent distributor GKIDS announced that it had acquired the US rights for the film and that it would release an English dub version produced by Studio Ghibli and Frank Marshall. [29] Chloë Grace Moretz is the voice of the title character in the English dub. It was released in select theatres in North America on 17 October 2014 and was also released on DVD and Blu-ray in Japan on 3 December 2014. [30] [31] The film was selected to be screened as part of the Directors' Fortnight section of the 2014 Cannes Film Festival. [32] Its North American première took place at the 2014 Toronto International Film Festival during the festival's "Masters" program. [33]
Reception [ edit]
Box office [ edit]
The film debuted at first place during its opening weekend in Japan, grossing ¥ 284 million ( US$ 2. 8 million). [34] By 2 February 2014, the film had grossed ¥ 2 313 602 733 (US$22 613 153) at the Japanese box office. [35] The film went on to gross ¥2. 47 billion ( $25, 348, 933) in Japan. [36]
Overseas, the film grossed $ 703 232 in North America, [37] and $ 969 920 in other territories, [38] for a worldwide total of $26, 980, 529.
Critical reception [ edit]
Review aggregator Rotten Tomatoes assigned the film a score of 100% "Certified Fresh" with an average rating of 8. 21/10 based on 92 reviews. The critics' consensus says, "Boasting narrative depth, frank honesty, and exquisite visual beauty, The Tale of the Princess Kaguya is a modern animated treasure with timeless appeal. " [39]
In February 2014, The Tale of the Princess Kaguya placed 4th in both Kinema Junpo 's Best Ten and their Reader's Choice Awards. [40] David Ehrlich of The A. V. Club gave the film an A, deeming it "the best animated movie of the year, " adding that it is "destined to be remembered as one of the revered Studio Ghibli’s finest achievements. " [41] Nicolas Rapold of The New York Times praised the artwork calling it "exquisitely drawn with both watercolor delicacy and a brisk sense of line. " [42]
Accolades [ edit]
See also [ edit]
The Kingdom of Dreams and Madness, a 2013 documentary about the making of the film
List of films directed by Isao Takahata
Princess from the Moon, a 1987 major live-action film based on The Tale of the Bamboo Cutter
List of films with a 100% rating on Rotten Tomatoes, a film review aggregator website
References [ edit]
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^ "かぐや姫の物語 (2013)" (in Japanese). allcinema. Archived from the original on 4 December 2013. Retrieved 17 January 2015.
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^ Fischer, Russ (21 November 2012). "Studio Ghibli Titles New Films From Hayao Miyazaki and Isao Takahata; Grave of the Fireflies Picked Up For US Re-Release". /Film. Archived from the original on 18 January 2013. Retrieved 24 November 2012.
^ " Isao Takahata and His Tale of the Princess Kaguya". Wild Bunch International Sales. 2015. Retrieved 27 February 2019.
^ "Character" かぐや姫の物語 登場人物. Kaguya-hime Monogatari (in Japanese). Archived from the original on 29 January 2014. Retrieved 22 January 2014.
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^ a b Bradshaw, Nick (8 May 2018). "Slow on the draw: Takahata Isao's long road to The Tale of the Princess Kaguya | Sight & Sound". British Film Institute. Retrieved 9 April 2019.
^ "Special Interview: Suzuki Toshio, Producer and Chairman, Studio Ghibli – Miyazaki Hayao and Takahata Isao Serving as the driver for two geniuses" (Interview) (16). Interviewed by Shibuya Yoichi. 11 October 2013.
^ Loo, Egan (28 March 2011). "NTV Chair/Anime Film Producer Seiichiro Ujiie Passes Away (Updated)". Retrieved 9 April 2019.
^ Kamen, Matt (19 March 2015). "Studio Ghibli's Isao Takahata on animating his final film". Wired UK. ISSN 1357-0978. Retrieved 9 April 2019.
^ Solomon, Charles (9 April 2018). "Studio Ghibli co-founder Isao Takahata was a true poet of Japanese animation".. Retrieved 8 April 2019.
^ ジブリ新作、2作一挙公開!宮崎駿&高畑勲作品でジブリ史上初!. Cinema Today (in Japanese). 13 December 2012. Retrieved 27 December 2012. CS1 maint: BOT: original-url status unknown ( link)
^ "Takahata, Ghibli's Kaguya-Hime Now Lists Composer Hisaishi". 7 February 2013. Archived from the original on 9 February 2013. Retrieved 8 February 2013.
^ ジブリ新作『かぐや姫の物語』主題歌決定!現役僧侶の二階堂和美が大抜てき!. 23 May 2013. Archived from the original on 15 July 2013. Retrieved 15 August 2013. CS1 maint: BOT: original-url status unknown ( link)
^ "かぐや姫の物語 サウンドトラック". Oricon. Archived from the original on 18 May 2015. Retrieved 7 May 2015.
^ a b "Nikaido Kazumi Official Website" (in Japanese). Retrieved 27 February 2019.
^ a b "Ghibli Announces Miyazaki's Kaze Tachinu, Takahata's Kaguya-hime no Monogatari". Archived from the original on 3 January 2013. Retrieved 27 December 2012.
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^ 高畑勲監督「かぐや姫の物語」公開が秋に延期! (in Japanese). Eiga. 4 February 2013. Archived from the original on 6 February 2013. Retrieved 8 February 2013. CS1 maint: BOT: original-url status unknown ( link)
^ Amidi, Amid (12 March 2014). "GKIDS Acquires Takahata's 'The Tale of The Princess Kaguya' for US Distribution". Cartoon Brew. Archived from the original on 16 March 2014. Retrieved 19 March 2014.
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External links [ edit]
Official website (in Japanese)
United States and Canada official webpage at GKIDS
The Tale of the Princess Kaguya at Anime News Network 's encyclopedia
The Tale of the Princess Kaguya at The Big Cartoon DataBase
The Tale of the Princess Kaguya on IMDb
The Tale of the Princess Kaguya at Metacritic
The Tale of the Princess Kaguya at Box Office Mojo
The Tale of the Princess Kaguya at Rotten Tomatoes.
I watched half of it at my school anime club. :p.
Awesome :3 I don't think people under 10 would like it but I'm 12 and I liked it so idk.
I just end watching this wonderful masterpiece but my heart is broken to 100000000 piece of sadness I don't know if I will never ever get over this movie.
How have I just know seen this trailer, I need to watch the movieee.
Published by: Fundacja WSPAK https://twitter.com/FundacjaWSPAK