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Actor Rene Auberjonois
average Ratings 7,7 / 10
Director Kelly Reichardt
USA
Drama.
This looks like a masterpiece for sure.
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I'm gonna see this film, but I'm feeling kinda split cuz I checked the cast and only one of the actors portraying a disabled person is disabled IRL. I hope they do a good job regardless (the trailer is promising) but I feel a little let down as well...
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I dont care what anybody says the second half of the movie was just as good as the first.
I'm only early because of the countdown on Instagram 😂 I can't wait to watch the whole video.
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I dont wanna watch this movie itll make me sad.
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Look forward to these videos. Thanks for sharing. I dont think people realize what goes into building the infrastructure on a farm. Your videos really help.
With the death of composer James Horner, I doubt weather the music for a Titanic 2 would be as emotional and compelling as the original movie. As we know, the visuals and the sound of a movie is a hand in glove thing.
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This struck a nerve man damn. I used to live in sf and it was really hard, you just cant live there unless you make 100k a year.
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Одинокий повар, путешествующий по Западу времён покорения Америки, присоединяется к новому поселению, где знакомится с иммигрантом из Китая. Вместе они организуют бизнес, успех которого зиждется на существовании коровы, которая принадлежит местному богатому землевладельцу.
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Первая корова First Cow, 2019
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Результаты уик-энда
Зрители 2 411 009 846 435
Деньги 658 629 937 руб. 224 513 762
Цена билета 273, 18 руб. 2, 06
07. 02 — 09. 02 подробнее
Сегодня в кино рейтинг
Джентльмены
The Gentlemen
8. 705
Лёд 2
7. 136
Свистуны
La Gomera
промо
6. 670
Соник в кино
Sonic the Hedgehog
6. 535
Удивительное путешествие доктора Дулиттла
Dolittle
5. 957
афиша
Скоро в кино премьера
Пушки Акимбо Guns Akimbo 27. 02
Сладкая жизнь La dolce vita 05. 03
Человек-невидимка The Invisible Man 05. 03
Бладшот Bloodshot 12. 03
Тихое место 2 A Quiet Place Part II 19. 03
премьеры
Телевикторина Quiz Show, 1994
другой случайный фильм.
This MAN has many TALENT. 1st He talk to Machines He built, Now he can talk to animal. FANTASTIC.
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🔝 Zurück nach oben Melden Sie sich an, um dieses Wort auf Ihre Merkliste zu setzen. Startseite ▻ Wörterbuch ▻ fristgerecht ❞ Als Quelle verwenden Melden Sie sich an, um dieses Wort auf Ihre Merkliste zu setzen. Wortart INFO Adjektiv Häufigkeit INFO ▒▒ ░░░ Rechtschreibung Info Worttrennung frist|ge|recht Bedeutung Info unter Einhaltung einer bestimmten Frist [geschehend, erfolgend] Beispiel fristgerecht kündigen Synonyme zu fristgerecht Info ordnungsgemäß, plangemäß, planmäßig, pünktlich, rechtzeitig, termingemäß, wie geplant/vorgesehen, zur rechten/richtigen Zeit fristgemäß, pünktlich, rechtzeitig, termingemäß Grammatik Info Steigerungsformen Positiv fristgerecht Komparativ fristgerechter Superlativ am fristgerechtesten Starke Beugung (ohne Artikel) Nominativ Genitiv Dativ Akkusativ Singular Maskulinum Artikel – – – – Adjektiv fristgerechter fristgerechten fristgerechtem fristgerechten Femininum Artikel – – – – Adjektiv fristgerechte fristgerechter fristgerechter fristgerechte Neutrum Artikel – – – – Adjektiv fristgerechtes fristgerechten fristgerechtem fristgerechtes Plural Maskulinum Femininum Neutrum Artikel – – – – Adjektiv fristgerechte fristgerechter fristgerechten fristgerechte Schwache Beugung (mit Artikel) Nominativ Genitiv Dativ Akkusativ Singular Maskulinum Artikel der des dem den Adjektiv fristgerechte fristgerechten fristgerechten fristgerechten Femininum Artikel die der der die Adjektiv fristgerechte fristgerechten fristgerechten fristgerechte Neutrum Artikel das des dem das Adjektiv fristgerechte fristgerechten fristgerechten fristgerechte Plural Maskulinum Femininum Neutrum Artikel die der den die Adjektiv fristgerechten fristgerechten fristgerechten fristgerechten Gemischte Beugung (mit ein, kein, Possessivpronomen u. a. ) Nominativ Genitiv Dativ Akkusativ Singular Maskulinum Artikelwort kein keines keinem keinen Adjektiv fristgerechter fristgerechten fristgerechten fristgerechten Femininum Artikelwort keine keiner keiner keine Adjektiv fristgerechte fristgerechten fristgerechten fristgerechte Neutrum Artikelwort kein keines keinem kein Adjektiv fristgerechtes fristgerechten fristgerechten fristgerechtes Plural Maskulinum Femininum Neutrum Artikelwort keine keiner keinen keine Adjektiv fristgerechten fristgerechten fristgerechten fristgerechten Aussprache Info Betonung fr i stgerecht © Bibliographisches Institut GmbH, 2020.
The cows need to be clean higean is important people.
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I thought it fair that the title of the movie mentioned the cow. After all, she seems to be very expressive and act quite naturally on the scene.
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I mean, not just had, overly optimistic views of the shouldn't planes follow what had been the evolutionary model of ships, as they weren't constrained by tracks and easements and tunnels and all the other myriad details that limit the size and weight of problems of flight must surely yield to engineering and MOAR POWAH and planes would get larger and efficiencies of scale would lead to bulk transport. Q. E. D. And... populations were more rural, and everyone was more related directly to a relevant story, if true, to farmers in the surrounding communities, as well as regionally ("the West"), if not nationwide, if the "St. Louis newspaper" in question is the St. Louis Post-Dispatch, it was widely read outside of the immediate area, the area also hosted extensive stockyards and meatpacking industry. It was like the 1950s when they assumed that putting compact nuclear reactors in everything was going to be a thing that happened the day after tomorrow. These guys were just assuming that this was going to pave the way for bulk transport of livestock by air. Because progress was swift and inevitable, it seemed, in those heady days, and if you could do a thing, you did it, and worried about if it was economically viable when your business failed.
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August 30, 2019 8:47PM PT
Kelly Reichardt gently explores how friendship and other human connections may have worked in a remote trading post in the Oregon Territory, circa 1820.
After reports she was looking to make a movie abroad, Kelly Reichardt returns to the familiar wilds of Oregon with “ First Cow, ” a loose yet engaging adaptation of Pacific Northwest chronicler (and frequent Reichardt collaborator) Jon Raymond’s novel “The Half-Life” — which, according to the director, was the book that made her want to work with him in the first place. Set a decent stretch before “Meek’s Cutoff, ” an austere frontier disaster movie that explored the tragic fate of ill-prepared pioneers along the Oregon Trail, “First Cow” restores this familiar territory (which she and Raymond have been exploring since “Old Joy”) to an earlier time, just as the Royal West Pacific Trading Post receives its first dairy cow.
Today, Americans take convenience for granted: Milk is sold by the gallon, biscuits can be gotten ready-made and a sophisticated economy exists for the buying and selling of goods. But Reichardt imagines a situation before so-called civilization — although, by the 1820s, the area had in fact been inhabited for thousands of years, it was still a few decades from statehood — when two outsiders without status found opportunity there, as well as an unlikely kind of friendship, by stealing the milk from the aforementioned cow to make “oily cakes” in a far-flung camp starved for any taste of home.
In their capacity as a mass medium, the movies have been such a powerful tool in shaping the public’s ideas of masculinity that it’s uncommon to see grown men embrace, or otherwise show any kind of physical affection. With this film, and to the extent that you accept Reichardt’s minimalist version of the past as accurate, the director invites us to consider what we have lost since society caught up with this primeval enclave on the edge of the world. Considering the attention Reichardt typically pays to female characters, one might rightly ask, where are the women in “First Cow”?
There’s one in the opening scene: Alia Shawkat plays an anonymous young Oregonian — let’s call her Wendy — who’s walking her dog (might as well be Lucy) in the woods, when the animal finds a bone. Turns out, it’s a human cranium, long abandoned and only half buried. Lucy wanders off, while Wendy kneels and starts to brush away the surrounding dirt, slowly (everything happens slowly in Kelly Reichardt movies), to reveal two skeletons, both male, lying side by side, holding hands.
That’s the last we see of Wendy or Lucy. From there on, “First Cow” unfolds in the past, concerning itself instead with other mysteries: Who were these two men? How did they get there? How did they die? And what was their relationship? At least, these questions are where certain minds will immediately gravitate, although the beauty of Reichardt’s work is that her movies are slender and unhurried and open-ended enough to invite any number of reactions.
With “First Cow, ” we could just as easily muse on the fact that this 21st-century hiker has chosen this afternoon to venture out into the wild, looking for … what? Most likely, she just wanted to escape her modern life for a few hours, to get away from the traffic, ignore the telephone and lose herself in nature.
“First Cow” offers audiences the same opportunity, even if this particular excursion should be laced with melancholy, seeing as how the two men we’re about to meet are bound to die together. Following along as he collects mushrooms, we meet “Cookie” Figowitz (John Magaro), so-called because he prepares the meals for a traveling group of salty fur trappers. Cookie is soft-spoken and too gentle for the likes of them, barely capable of catching wild animals for supper (at one point, he pauses to flip a salamander squirming on its back). He’s certainly not prepared to defend himself from the curious stranger (Orion Lee) he stumbles upon hiding naked in the brush.
At first, Cookie assumes this exotic-looking man is a Native American, only to discover that he’s in fact Chinese, a sailor named King-Lu, on the run from a group of Russians, and desperately hungry. Cookie could easily turn him in, but instead chooses to assist King-Lu, establishing in that instant a connection that blooms when the two men are reunited a short time later at the trading post, a makeshift community with precious few women — and even less in the way of livestock.
Here, Reichardt and Raymond’s script takes its most significant departure from the novel. In the book, Cookie and a different friend earn their fortune trading castoreum, a sweet-smelling substance beavers use to mark their territory. The screen version streamlines their capitalistic venture considerably: Cookie cooks — while King-Lu markets — “oily bread” they make using milk stolen from the colony’s English chief factor (Toby Jones), who has married a Native (Lily Gladstone), lives in a proper house and owns the primitive settlement’s first and only cow. That’s a simpler idea, and one that lends the ensuing story a basic, fable-like quality — far preferable to the relatively elaborate plot of Raymond’s book (described by Kirkus Reviews as “unglamorous and sad, but compelling, ” which could also be said for most of Reichardt’s movies).
Reichardt specializes in pared-down narratives, sometimes stripping away so much that boredom sets in. “First Cow” may be lean, but it offers ample room to ruminate in the comparison between its two time periods. Reuniting with “Meek’s Cutoff” DP Christopher Blauvelt, Reichardt once again confines the West’s panoramic potential to a nearly square cinematic frame — although in this case, the boxed-in Academy ratio serves to shift our focus from the land to the special bond between these two characters, which is a beautiful thing.
If there are conspicuously few female characters in Reichardt’s latest film (Natives are also included, but strictly in supporting roles), it’s because the director wants to draw attention to a kind of homophilic connection. While not impossible today, it seems easier beyond society’s reach, when the Pacific Northwest was still wild and friendship wasn’t something one declared publicly via Facebook moments after making someone’s acquaintance, but a kind of profound intimacy that developed over time.
James Bond made his way to Super Bowl LIV, debuting a new trailer for “No Time to Die. ” The footage, putting the spotlight on Daniel Craig’s British spy, promises the 25th “Bond” movie will change everything. “No Time to Die” is Craig’s fifth take on the secret agent, a role he first assumed in 2006’s [... ]
Scarlett Johansson and Florence Pugh take center stage in the new “Black Widow” trailer that dropped at the 54th Super Bowl. Details are scarce on the next Marvel movie, directed by Cate Shortland, but new footage teases Natasha Romanoff’s life before she was an Avenger. “You don’t know everything about me, ” Johansson’s Black Widow says [... ]
Tom Cruise has made an enemy in the newest “Top Gun: Maverick” trailer, which premiered during the 54th annual Super Bowl on Sunday. “My Dad believed in you, I’m not going to make the same mistake, ” says Miles Teller who is playing Bradley “Rooster” Bradshaw, son of Nick “Goose” Bradshaw, deceased wingman to Cruise’s character. [... ]
The Sundance Film Festival is fighting a battle that’s been building for several years, and what it’s fighting for can be summed up in one word: relevance. What makes a Sundance movie relevant? In a sense, the old criteria still hold. It’s some combination of box-office performance, awards cachet, and that buzzy, you-know-it-when-you-see-it thing of [... ]
When Tim Bell died in London last summer, the media response was largely, somewhat sheepishly, polite: It was hard not to envision the ruthless political spin doctor still massaging his legacy from beyond the grave. “Irrepressible” was the first adjective chosen in the New York Times obituary. “He had far too few scruples about who he [... ]
After three weeks in theaters, Sony’s “Bad Boys for Life” is officially the highest-grossing installment in the action-comedy series. The Will Smith and Martin Lawrence-led threequel has made $291 million globally to date, pushing it past previous franchise record holder, 2003’s “Bad Boys II” and its $271 million haul. The first entry, 1995’s “Bad Boys, ” [... ]
World War I story “1917” dominated the BAFTA film awards, which were awarded Sunday evening at London’s Royal Albert Hall with Graham Norton hosting. The wins for “1917” included best film, best director for Sam Mendes and outstanding British film. The awards are broadcast on the BBC in the United Kingdom and at 5 p. m. ].
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- Author: Arpit Rathi https://twitter.com/Arpit_Rathi - Biography: All things automobile. Other interests include: Product #design, architectural design, stock markets, economy, climate change, horology, and hypebeast culture.