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Stable URL: Geographical Review is currently published by American Geographical Society. Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. The JSTOR Archive is a trusted digital repository providing for long-term preservation and access to leading academic journals and scholarly literature from around the world. The Archive is supported by libraries, scholarly societies, publishers, and foundations. It is an initiative of JSTOR, a not-for-profit organization with a mission to help the scholarly community take advantage of advances in technology. For more information regarding JSTOR, please contact Thu Dec 20 12:30:46 2007 You have printed the following article: The Kindness of Strangers Marie D. Stable URL: This article references the following linked citations. If you are trying to access articles from an off-campus location, you may be required to first logon via your library web site to access JSTOR. Please visit your library's website or contact a librarian to learn about options for remote access to JSTOR. References Geography As Exploration and Discovery James J. Parsons Annals of the Association of American Geographers, Vol. 67, No. 1. (Mar., 1977), pp. 1-16. Stable URL: Ecopolitics and Environmental Nongovernmental Organizations in Latin America Marie Price Geographical Review, Vol. 84, No. (Jan., 1994), pp. 42-58. Stable URL: LINKED CITATIONS - Page 1 of 1 - Weaving lives together at Bawaka, North-East Arnhem Land is a book about basket weaving and culture. In this paper, some of the co-authors of the text, non-Indigenous academics and an Indigenous woman from northern Australia, reflect on the process of creating the book. We argue that jointly authoring a book about weaving lives has in fact interwoven all our lives in a manner which confronts many traditional academic accounts of research and fieldwork. Through the process of researching and writing the book we have experienced a sharing of knowledge and a sharing of family. In particular, we have learnt that relationships cannot be planned and that uncertainty can lead to creative transformations. While qualitative fieldwork in cross-cultural settings is central to human geography, there has been limited focus in the literature on the expectations and skills required to succeed as a field researcher in this area. Some practical advice is available for researchers who are new to cross-cultural fieldwork (e. g. graduate students, junior faculty members) and for advisers preparing young academics for such endeavours; however, themes are often treated individually rather than as a collective whole. This paper provides suggestions for novice field researchers by drawing on the experiences of four female graduate students engaged in qualitative geographic research. It identifies some major issues that influence the feasibility and efficacy of cross-cultural fieldwork, and provides practical suggestions to help prospective researchers plan for and implement field-based research projects in these contexts. This paper outlines an adaptable concept of hybridity to frame and facilitate fieldwork, research, and writing. It combines geographical theories of place and methodology to propose a hybrid approach to mixed‐method research. Hybrid field‐work iterates and mixes multiple methods for imagining and co‐conducting research in and with places. Reflections on the author's fieldwork in Northeast Brazil illustrate the approach. Free access to version of record here: Grounded in a self-reflexive, intersectional analysis of positionality, we examine emotions in fieldwork through the autobiographical accounts that we gathered during our postgraduate ethnographic research in the Global South. We show how we, two female early-career geographers, emotionally coped with instances that put us in a vulnerable position due to loneliness, commitment to the field, insistent questioning, violence, and violent threats. We argue that a culture of silence surrounding fieldwork difficulties and their emotional consequences tend to permeate our discipline. We contend that geography departments ought to provide mentorship that takes into account doctoral candidates' different positionalities, conflated vulnerability and privilege, and embodied intersectional axes. This renewed awareness will help not only to reveal possible risks and challenges connected with fieldwork but also ultimately to enrich the overall academic discussions within our discipline. This article aims to help researchers think about some big-picture challenges that occur in the early stages of fieldwork. In particular, we address the transition from a clear, concise research proposal to the often complicated, messy initiation of a project. Drawing on autobiographical accounts of our own PhD research projects, we focus on dilemmas that may arise for researchers guided by feminist epistemology and methodology. First, we discuss parameters regarding acceptable changes to original research plans and questions. Noting that the carefully planned proposal may dramatically change as fieldwork begins, we draw on feminist literatures to expand and concretize the notion of flexibility in the research process. Second, we puzzle out the relationship between theory, epistemology, and method as the researcher delves into her fieldwork. As logistical challenges may take priority, theoretical and epistemological concerns may temporarily wane. Third, we consider the many ways in which the researcher's personal and field life bleed into each other to shape the conduct of research. We emphasize the importance of considering – prior to research as well as during – what the concepts of reflexivity and embodiment mean in fieldwork, especially for the researcher in terms of personal needs and logistical realities. Finally, while we suggest that there are certain unique pressures that shape the early stages of the field research period for PhD students, we conclude the article by focusing on ways in which lessons learned during our own experiences might be broadly useful for any researchers in the beginning stages of fieldwork. This article contributes to theories of the postcolonial city. The town of Alice Springs/Mparntwe is situated in the middle of Australia. Its shift from colonial control center to postcolonial city involves four interrelated processes: land rights negotiations, residential segregation, the use and regulation of public space, and the development of a cultural-creative economy based on “Aboriginal” art. Continuances and ruptures of the postcolonial city are highlighted by exploring the paradox of cultural prominence and economic importance of Aboriginal art with the continuing residential marginalization of many Aboriginal inhabitants. The city resonates with the tensions between the postcolonialism of new national imaginaries and the continuing colonialism expressed and embodied in the commodification of “Aboriginal” art. Este artículo aporta a las teorías de la ciudad poscolonial. El pueblo de Alice Springs/Mparntwe está situado en la mitad de Australia. Su salto de centro de control colonial a ciudad poscolonial involucra cuatro procesos interrelacionados: negociaciones por derechos de tierras, segregación residencial, uso y regulación del espacio público, y el desarrollo de una economía cultural creativa basada en el arte “aborigen. ” Las continuidades y rupturas de una ciudad poscolonial se destacan explorando la paradoja de la prominencia cultural e importancia económica del arte aborigen frente a la continuada marginalización residencial de muchos habitantes aborígenes. La ciudad resuena con las tensiones existentes entre el poscolonialismo de nuevos imaginarios nacionales y el colonialismo continuado que se expresa e incrusta en la co-modificación del arte “aborigen. ” This is a story of lives entwined and of new places of being and belonging. It is also a collaborative narrative of unexpected transformations. The "interplay of knowledges" described above challenges many of the rigors and certainties required by and guiding academic conventions. The co-created narratives enabled by the Indigenous-academic collaboration tell a story of new places to belong as the three female academic researchers "take off their shoes;' walk on the beach, and learn. It is also a story where the Indigenous Yolngu researchers and their families find a place to belong in the South East of Australia, in transdisciplinary spaces within the academy and in the homes and lives of the academics. But it is more than that, too. In this chapter we aim to deepen current understandings of collaboration in geography. We challenge the researcher-centeredness of much collaborative literature by discussing two further methodological sites of agency: the families of all researchers involved in the collaboration and Bawaka country itself as it actively creates and is created by our collaboration. As with the beach at Bawaka and the inscription of knowledges back and forth, so too the long path between Bawaka and the South East marks the flow of knowledges to and fro. As we each find new places to belong both in and out of place, we transform ourselves, our families, and our geographies. In turn, our geographies, families, and places transform us. This collaborative process embodies new conceptual and methodological landscapes that challenge and transform traditional ways of imagining and enacting geography. We begin the chapter with a discussion of the features of collaborative research in human geography and how they have emerged. We explore the main attributes that characterize a shift in methodological traditions and highlight participatory action research and the development of Indigenous methodologies. We emphasize several examples of Indigenous-academic collaborations to show the recent surfacing of transdisciplinary spaces within the discipline, which are representative of the kinds of transformed geographies that characterize our collaboration. Having introduced the contextual terrain, we embark on our own stories of entwined lives and transformation. To give voice to these personalized accounts, we speak in the first person to capture the highly situated meanings that each of us attaches to our cultural and context-specific practices. These shared stories are presented under three descriptive headings. The first frames the background and introduces the initial connections and hard work involved in the sheer logistics of conducting family accompanied fieldwork. Here we focus on the role of the researchers and the need for trust, respect, reciprocity, and flexibility in research collaborations. The following sections describe the methodological sites of agency that make up the rest of the chapter: families and nonhuman elements in Indigenous-academic collaborative research. Guiding these two sections is a brief synopsis of the literature on these emerging themes, which challenge existing conceptual and methodological understandings of what constitutes collaboration in geography. This article explores the methodological and emotional challenges of conducting a multi-sited and multi-method ethnography in three diverse dance settings: sweaty dance clubs in the northwest of England, the muddy grounds of a festival site and the sands of Playa den Bossa, Ibiza. Despite overlapping academic and personal interests in these dance spaces, my connection to the field did not equip me for the fieldwork task. In plotting the transition from dance consumer to field researcher, I reflexively analyse how my personal anxieties about entering the field as a novice, lone female researcher have come to shape the research process. In addition to gender, the impact of less prominent facets of my identity, including my ethnicity and social class, are also considered. The article concludes by evaluating some of the retrospective advantages of entering the field as a lone researcher. These two bibliographies are described in our article, ―Fieldwork and the Geographical Review: Retrospect and Possible Prospects‖ (Delyser and Karolczyk 2010) which reviews fieldwork accounts as detailed in the articles (over 600 of them) published in the Geographical Review's first 99 volumes. The ―primary bibliography‖ includes all the articles we found that provide readers with rich details of field methods, experiences, funding sources, and regional field focus. The ―secondary bibliography‖ is shorter because it includes only those articles that present much more peripheral accounts of fieldwork—typically very brief mention in an article's body, or one confined to notes. This introduction outlines the kinds of articles the bibliography contains, expands on the published article, and supports the articles claims (for reasons of length these were omitted from the published article). Of all the articles, only the fifty–six in the 2001 ―Doing Fieldwork‖ double issue and twenty others could be called methods or methodological papers—articles that focused heavily, or centrally on issues of fieldwork. These articles focused on a broad spectrum of issues including methods in exploration (Stefansson 1919; Allen 1972), mapping and cartography (Sauer 1919; Moffit 1920; Matthes 1926; Kuchler 1953; Boyce 2004), oceanography (Johnson 1932), snow surveying (Church 1933), post–war political geography (Jones 1943), climatology (Sanderson 1950), photography (Bird and Morrison 1964; Denevan 1993; Finn et al. 2009), cultural ecology (Harris 1971, Denevan 1971), field analysis (Buvinger 1978), demography (Morgan and Rudzitis 1978), behavioral geography (Hobbs 1996), and zoogeomorphology (Baer and Butler 2000). The special fieldwork issue presented articles on participatory fieldwork (Routledge 2001); children's geographies (Aitken 2001); covert fieldwork (Parr 2001); protecting privacy (Myers 2001); political ethnography (Sangarasivam 2001); validity (Herbert 2001); theory and fieldwork (Duncan and Duncan 2001); language fluency (Veeck 2001); and archival fieldwork (Harris 2001). Based on natural breaks that reflect prominent, qualitative methodological, and epistemological shifts in the kinds of fieldwork described, we identified three periods of fieldwork: 1916–1959, 1960–1999, and 2000–2009 (the present). We have included articles that represent the kinds of fieldwork we deemed typical of each period. Portrait of a Town: Social Change in a Mexican Community. Honor's thesis, De-partment of Anthropology Batzella, V. 1993. Honor's thesis, De-partment of Anthropology, George Washington University. The World in a Zip Code: Greater Washing-ton, D. C. as a New Region of Immigration Women in the Field ": The Politics of Feminist Fieldwork-A Discussion A Singer S Friedman I Cheung M D Price Singer, A., S. Friedman, I. Cheung, and M. D. Price. 2001. as a New Region of Immigration. Brookings Institution, Survey Series. Washington, D. Staeheli, L. A., and V. A. Lawson. 1994. " Women in the Field ": The Politics of Feminist Fieldwork-A Discussion. Professional Geographer 46 (1): 96-102. More than five hundred environmental nongovernmental organizations, most of them less than a decade old, operate in Latin America. Their popularity as vehicles of social change, the inability of governments to address environmental problems, new sources of international funding, and the idea of sustainable development have contributed to the proliferation of these organizations. Merits and limitations of this movement are assessed by case studies from Mexico and Venezuela. Conservation strategies have shifted from protectionist models to the politically popular notion of sustainable development. Many questions-practical, strategic, political, ethical, personal-are raised by conducting field research. Some of these seem, or are constituted as, separate from the “research itself, ” yet are integral to it. In this paper I attempt to cut through the breach that divides the doing of fieldwork and the fieldwork itself by addressing what constitutes the “field, ” what constitutes a field researcher, and what constitutes data under contemporary conditions of globalization. Drawing on my work in New York City and Sudan, I argue that by interrogating the multiple positionings of intellectuals and the means by which knowledge is produced and exchanged, field researchers and those with whom they work can find common ground to construct a politics of engagement that does not compartmentalize social actors along solitary axes. ABSTRACT Gold placers attracted initial Spanish settlement to the Antioquia highlands of northwest Colombia. Here there evolved a distinctive culture group, centering on Medellin, that in the nineteenth century fanned out to establish numerous pioneer fronts on Andean slopes. Change has been continuous. Recently Antioqueño colonization has been directed towards the northern tropical lowlands. Medellin, despite locational disadvantages, has become a major industrial center. Through example the author argues for the integrative values of area studies and the significance and rewards of field observation in geography. Typescript. Thesis (Ph. )--University of Wisconsin--Madison, 1970. Vita. Includes bibliographical references. Free the kindness of strangers trailer. Free the kindness of strangers movie. Free the kindness of strangers day. I listened to this song way too many times as I was driving across the country, by myself. If anything this is by far my favorite rendition of the of opening theme. I need that soundtrack. Free the kindness of strangers cast. Bruh, at the end, I'm just like: That's a gremlin. Is this Let It Snow based on John Green's book? For the record i wrote this comment long before i figured it out on the credit. Free the kindness of strangers quotes. Free The Kindness of stranger in a strange. Free The Kindness of strange stuff. Free the kindness of strangers full. Um, Bruce killed his partner. I see him waiting to see what she remembers so she'll be saved by a deaf lesbian muslim who identifies as a horseshoe crab. Sorry for the spoiler. I don't want to see #CRTV trash! Get it off my feed. Free the kindness of strangers youtube. I see Devina Claire. Free the kindness of strangers song. Fuckin' masterpiece. Free the kindness of strangers book. Free the kindness of strangers lyrics. Watch the kindness of strangers online free. Free the kindness of strangers free. Looks like a cross tween abduction phenomenon and Amityville horror. Plus Helen Hunt doesn't look her normal self. Free the kindness of strangers story. Free the kindness of strangers life. Free The Kindness of strangest people. Has Ethan Hawke ever done a bad movie? i simply can not remember. Not at least in the last twenty years. The guy has an amazing eye for good scripts. The lady at the end gets me all the time, pass the tissue. Love yer country warbley! 👍🎶🎶🎶👌😀👍. 2 / 5 stars 2 out of 5 stars. A strange choice for Berlin’s opening night sees Bill Nighy’s funny Russian the only bright spot while an ensemble cast blunder through Lone Scherfig’s baffling drama Not one for the showreel … Zoe Kazan and Tahar Rahim in The Kindness of Strangers. Photograph: Per Arnesen/Berlinale/EPA T he Berlin film festival gets off to the ropiest start with this inert, implausible, often bafflingly acted ensemble movie from Lone Scherfig about lonely souls who miraculously find each other in New York. It’s what might be heart-sinkingly called a modern-day fairytale – but the kind of modern-day fairytale that gets both halves of the equation wrong, giving you something twee and improbable, weighted down by a dreary yet unconvincing realism. There are some decent moments: Bill Nighy is often amusingly eccentric as Timofey, the Russian-American proprietor of a failing Manhattan restaurant, and he does have one very funny line as he serves some dishes to two diners and then, having turned to leave, wrongly assumes one of their intimately intense questions is addressed to him. And Zoe Kazan certainly pulls out all the emotional stops playing Clara, on the run with her two boys from a terrifyingly abusive cop husband. But the performance of Tahar Rahim, as Timofey’s restaurant manager, really is not one for the showreel. It’s one that he may now wish to have scrubbed from his IMDb credits. This is not his first English-language performance. But his line readings are mysterious. The American-accented English is challenging. He gives every appearance of not understanding a single word that comes out of his mouth. But then the direction is uneven generally, and the film itself sometimes appears to have been Google-translated from Danish via Welsh. Scherfig herself has directed some great English-language pictures, such as An Education and Their Finest, but the screenplay she has written here is uncertain. ‘We’ve had this conversation! ’ … Bill Nighy as Timofey. Photograph: Per Arnesen/Berlinale/EPA Rahim’s character is called Marc, an ex-con now going straight and his best friend is John Peter (played by Jay Baruchel), the lawyer who took his case. John Peter accompanies Marc to the forgiveness group therapy session at a local church, being run by ER nurse Alice (Andrea Riseborough), who does this in her spare time out of the goodness of her heart, though she is secretly hardly less unhappy than the regular attendees. Poor Clara is to come into contact with all these people as she flees her family home in Buffalo, New York and takes the kids to Manhattan, where she hopes her violent husband can’t find them. They sleep in her car at night and during the day, while the kids are dozing in the public library, she forages by shoplifting and stealing leftover food on trays in hotel corridors. The film shows a civil court proceeding for child custody and then a criminal trial for assault lasting a painless month or so, passing in a very brisk montage. Meanwhile, the strangest and most jarringly unsuccessful character is Jeff (Caleb Landry Jones), an incorrigible guy who reacts to being fired from a mattress shop by throwing a swivel chair through a first-floor window. Is he supposed to have a creepy violent temper, like Clara’s husband? Evidently not. But if he’s supposed to be a sympathetic free spirit, then I guess it’s pedantic and beside the point to care about who that chair might have landed on. The Kindness of Strangers is one of those terrible ideas for a film: ensemble dramas that are superficially attractive because of all the big names shoehorned into the cast-list. It’s a bit like Fernando Meirelles’s awful film 360, which brings together a similar bunch of uninteresting characters made even more uninteresting by the tiresomely unreal way they are corralled together. And the film is furthermore naive about showing homelessness as a problem to be cured with romance. Still, Nighy has some fun with his wacky cod-Russian accent, arguing with his partners: “Please, Sergei! We’ve had this conversation! ”. My wendigo friend will be with me until the end. Free the kindness of strangers meaning. Free the kindness of strangers love. 2:20 bless both of them, hope the poor homeless guy would be helped Free the kindness of strangers things Free the kindness of strangers chords. I am just waiting for the dad to enter a rv and get it on. Jesus just went to see the joker possibly one of the best movies that I have ever seen and then I see this trailer, str8 dumpster fire! This is going to flop worst than BVS. Free The Kindness of stranglers. Love Lone's work. Wow amazing movie take me almost 3 minutes to watch it lmao. Free The Kindness of stranger in a strange land. Free The Kindness of strangest. I see Eddie redmayne I click. The moment he pay u will be like wow someone still love u🙏🏻🙏🏻🙏🏻 A las veteranas casadas le gustan los jovencitos porque se quieren sentir joven de nuevo. Es por esa razón que tienen relaciones sexuales con ellos. Conozco a varías, especialmente a una que me decía que no le gustaban los jóvenes de la edad de sus hijos pero, sin embargó anda cogiendo con uno. Free the kindness of strangers 2017.