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Correspondent: Matt Eaton https://twitter.com/meaton310
Resume Dead men are heavier than broken hearts
rating 4384 Votes
Release year 2019
New Zealand
Duration 1 Hours 32Minutes
writed by Sophia Takal.
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Saw this a few weeks is ABYSMAL. I thought a group of sorority girls fighting a gang of psychotic frat boys would be worth a watch but it’s nothing but dull, heavily telegraphed attempts at jump-scares, completely unrealistic character behavior and a sad attempt to make an effective PG rated horror. When a girl is given fresh cuts on her face and they DON’T BLEED A SINGLE DROP, I’m going to have a hard time suspending my disbelief. Give it a hard pass. Even as someone who likes shitty horror films this is zero fun.
After cutting a great trailer for Black Christmas, (viral rate was high according to RelishMix at 28:1, above the horror genre’s 25:1 viral rate) how the hell did this film burn up like a Christmas tree? Some prestige critics from Variety and NY Times enjoyed the movie with others applauding the pic’s “skewering of toxic masculinity, the white male literary canon, rape culture” as IndieWire praised. But overall this reboot of the 1974 movie and 2006 Dimension movie in which the sorority girls vs. the guys is being knifed in the back by moviegoers with an awful D+ Cinemascore and 1 1/2 stars and a 38% definite recommend on PostTrak. Some genre critics (over RT here is a bad 43% Rotten) complain that the first first hour of this 92 movie is a drag, with all of the scares falling flat. Universal’s Black Christmas earned a frankly miserable $1. 8 million on Friday, including $230, 000 in Thursday previews. The PG-13 horror remake of Bob Clarke’s trendsetting 1974 slasher is on track to earn just $4. 5 million for the weekend. Yes, the film cost $5 million to produce and yes it opened a little better than Clint Eastwood’s Richard Jewell, but this is a tragedy. Of the few who turned out, mostly older people at males over 25 (32%), females over 25 (29%), with females under 25 at 25% and 15% guys under 25. The East and the South were best markets for Black Christmas, but even there sales were bad. The whole holiday box office multiple defense won’t work here for this pic — because the audience response is so horrible.
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Rank Title Domestic Gross (Weekend) Worldwide Gross (Cume) Week # Percentage Change Budget 1 Jumanji: The Next Level $60, 100, 000 $145, 800, 000 1 N/A $125M 2 Frozen II $19, 182, 000 $1, 032, 542, 072 4 -45% $150M+ 3 Knives Out $9, 250, 000 $142, 490, 651 3 -35% $40M 4 Richard Jewell $5, 000, 000 $5, 000, 000 1 N/A $45M 5 Black Christmas $4, 420, 000 $7, 520, 000 1 N/A $5M Films Reddit Wants to Follow This is a segment where we keep a weekly tally of currently showing films that aren't in the Top 5 that fellow redditors want updates on. If you'd like me to add a film to this chart, make a comment in this thread. Title Domestic Gross (Weekly) Domestic Gross (Cume) Worldwide Gross (Cume) Budget Week # Joker $1, 468, 751 $333, 035, 374 $1, 059, 735, 374 $55M 11 Parasite $1, 070, 983 $20, 356, 718 $125, 429, 590 $11M 10 Jojo Rabbit $871, 941 $19, 981, 764 $25, 081, 764 $14M 9 The Lighthouse $130, 399 $10, 578, 828 $11, 310, 468 $4M 9 Notable Film Closings Title Domestic Gross (Cume) Worldwide Gross (Cume) Budget The Lion King (2019) $543, 638, 043 $1, 656, 405, 082 $260M Gemini Man $48, 546, 770 $173, 174, 352 $138M As always r/boxoffice is a great place to share links and other conversations about box office news. Also you can see the archive of all Box Office Week posts at r/moviesboxoffice (which have recently been updated).
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I always keep thinking wow this was 1974.
They would have been better off on Netflix. No offense.
This gets nowhere near enough credit.
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Oh fantastic, now were gonna get another wave of mentally unstable people wearing clown suits all over the place again 🤦♂️.
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Black Christmas Film Complet en HD. All Language. spains, English, sweed, france, italian, arab Un gruppo di studentesse viene perseguitato da uno sconosciuto durante le vacanze di Natale. Questo fino a quando le giovani sorority si impegnano a scoprire che l'assassino fa parte di una cospirazione del college sotterraneo.
SPOILER. The face that len is my favorite vocaloid. and I have to see him die in multiple videos RIP.
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Nearly a decade before he made A Christmas Story, director Bob Clark embarked on making another eventual holiday classic of a different sort: The story of a sorority house decorated with Christmas lights, an unsuspecting group of young women, and a mysterious killer lurking in the attic.
Black Christmas is one of the most important Canadian horror films of all time, and is now considered a classic of both the Christmas and the horror genres, as well as an important benchmark on the road to slasher films as we now know them. Here are a dozen facts about the film, from creepy voices to the actors who almost joined the production.
1. It went through several script evolutions.
Black Christmas began life as a screenplay by Roy Moore called The Babysitter, which riffed on the now-familiar urban legend of a babysitter tormented by a killer who turns out to be making phone calls from inside the house. That concept was tweaked by writer Timothy Bond to include a collegiate setting, and eventually made its way to director Bob Clark, who’d made a working home for himself in Canada after kickstarting his film career in the United States with low-budget films like Children Shouldn’t Play With Dead Things. The script, then retitled Stop Me, underwent yet another evolution in Clark’s hands.
The director dialed back the murder sequences, believing they were “too violent, ” and added various dialogue to “emphasize the adultness of college students, ” including the scenes in which Barb (Margot Kidder) is drunkenly ranting about turtles having sex. Clark also introduced the idea that the film would never actually show the killer to the audience, something Moore—the film’s sole credited writer—"didn’t want to go along with" at first, according to Clark. Moore eventually came around, and the film’s now-famous mysterious killer concept stuck.
2. Olivia Hussey said yes because of a psychic.
Clark wanted to make Black Christmas as sophisticated as he possibly could, and pursued top-tier talent to elevate his script. To that end, he reached out to Olivia Hussey, then best known for her work on Franco Zeffirelli’s Romeo and Juliet, to play the role of “final girl” Jess Bradford. Hussey took the part, and when she showed up on set, she apparently had a rather interesting reason for saying yes.
According to co-producer Gerry Arbeid, Hussey told him that she’d been informed by a psychic that she would be involved in a film in Canada that would make a lot of money. Since Black Christmas was being filmed in Toronto, she believed it to be the film the psychic was referring to. Arbeid told her at the time that he hoped she was right.
3. Bette Davis was asked to play the house mother.
The sorority’s house mother, Mrs. MacHenry or Mrs. Mac, was loosely based on one of Clark’s aunts, who also had a habit of hiding liquor bottles throughout the house. The role is vividly played by veteran actress Marian Waldman, but Clark originally had a bigger named in mind. The role was offered to screen legend Bette Davis, but she ultimately turned the role down.
4. Gilda Radner was supposed to co-star.
Black Christmas 's cast is a mix of already established stars (Hussey and 2001: A Space Odyssey 's Keir Dullea among them) and future stars (Margot Kidder, for example, had not yet starred in Superman), and that’s also reflected in the people who were almost in the cast. One future star who was cast but ultimately had to leave the film was Gilda Radner, who would have played Phyl, one of the longest-surviving sorority sisters in the house. Just a month before filming was set to begin, Radner was cast on a new TV show called NBC’s Saturday Night, which was eventually retitled Saturday Night Live. The role of Phyl went to future screen and stage legend Andrea Martin instead.
5. One actor was fired for a tragic reason.
For the role of police Lt. Kenneth Fuller, Clark originally wanted Oscar-winning actor Edmond O’Brien, who agreed to do the film. When O’Brien arrived in Toronto to begin work, though, Clark and Arbeid noticed something was wrong. According to Arbeid, O’Brien had trouble remembering where he was, and once declared that he was going to go back up to his hotel room while they were dining together at a restaurant in another part of town. It became clear that Alzheimer’s was beginning to take hold of the veteran actor, and Clark and Arbeid were worried about what might happen if they took O’Brien out into the cold Toronto winter for the night shoots required to film the scenes in which the police are searching for the missing girls. So the decision was made to let O’Brien go, and it fell to Arbeid to sit the actor down and break the news to him.
“It was very traumatic for me as well, and he burst into tears, ” Arbeid recalled. “It was a very sad thing. ”
With a tight schedule to keep, Arbeid and Clark had to recast the role of Lt. Fuller quickly. John Saxon was available, and was in wardrobe and preparing to shoot his first scenes just hours after landing in Toronto. According to Clark and Arbeid, if Saxon hadn’t said yes so quickly, the production might have been shut down.
6. A lot of the snow wasn’t real.
Though the film was shot in Toronto during the winter, Black Christmas dealt with an interesting problem when it came time to set the wintry scenes: a lack of snow. What little snow the production did have was closely guarded by the film's art director Karen Bromley, who recalled going to the house where much of the film was shot very early in the morning and making sure no one tracked through it before cameras were rolling.
For the scenes where snow simply wasn’t around, the production employed a fire truck spraying out flame retardant foam—the kind usually used for hard landings on airport tarmacs—to simulate a wintry look.
7. The creepy phone call voices were done upside down.
One of the most memorable elements of Black Christmas is the repeated use of phone calls from the killer, which take the form of threats, screaming, and arguments from two personalities calling themselves “Billy” and “Agnes, ” though little else is told to us during the film. The calls were mixed by composer Carl Zittrer, and the voices were done by actor Nick Mancuso (who auditioned with his back to Clark so the director would hear rather than see the character), Clark, and other uncredited performers. According to Mancuso, one of the ways he achieved a particularly creepy vocal effect was to perform the calls upside down.
"I did the voice actually standing on my head to compress the thorax, to give it that kind of weird and spooky sound, " Mancuso later recalled.
8. One cameraman played the killer.
The film is also recognizable for its continuous use of point of view shots to establish the movements of the killer throughout the film. All of those shots, including every time we see the killer’s hands, were performed by cameraman Bert Dunk, who developed a “body brace” rig that would allow him to mount the camera on his shoulder while keeping his hands free. Dunk used that rig to climb the trellis outside of the house, throw objects around the attic, and even perform the famous bag strangulation scene with the bag mounted on the camera lens.
9. There is a backstory for the killer.
Clark was determined to keep the killer’s identity mysterious throughout Black Christmas, so other than the names Billy and Agnes we know very little about who he is or why he kills. That doesn’t mean no information exists, though. According to Clark, he developed a “very strong” backstory for Billy that provides a subtle logic to the phone calls.
"Billy is abusive and abused his little sister, and was abused himself, and probably killed his parents, and probably locked her up in a basement for five or six years, ” Clark said. “And I think she escaped, and Billy doesn’t like girls, and it turns out Agnes doesn’t like boys. "
A version of this backstory was explored in greater detail in the film’s 2006 remake.
10. Several crew members maDe cameos.
Because Black Christmas was produced on a low budget, Clark cut costs and saved time wherever he could, which meant various crew members ended up playing small roles throughout the film. Arbeid, for example, appears in the film as the taxi driver at the door of the sorority house. Among the other cameos: Property master John “Frenchie” Berger appears as a snowmobiler during the search of the park, costume designer Debi Weldon appears as a sorority sister, and production supervisor Dave Robertson appears as a police officer.
11. It was a hit in Canada, but bombed in America—at first.
Black Christmas was released in the fall of 1974 in its home country of Canada, and creative marketing (including a series of macabre countdown ads released in newspapers) helped make it a box office success. Warner Bros. picked up the film for distribution in the United States, and though the response to preview screenings was positive, the studio was worried that the title would make people think it was a blaxploitation film rather than a Christmas horror feature. The film was retitled Silent Night, Evil Night for its U. S. release, and audiences never quite latched on. Ironically, as was common practice at the time in Canada, various sets in the film had been dressed with American flags to make the movie more appealing to U. audiences. Revival screenings and home video releases eventually took care of Black Christmas in the States, and the film is now considered a holiday horror classic.
12. It helped inspire Halloween.
Black Christmas is considered one of the prototypes for what would become the slasher genre thanks to its high body count, point of view shots, and use of the “final girl” plot device, among other things, but it turns out the film actually has a rather direct connection to another of the most influential films in the genre. After it was released, Clark and writer/director John Carpenter were working on a project together. That project was never released, but the work did eventually lead to Carpenter one day expressing to Clark that he loved Black Christmas, and asking if a sequel or companion film could ever happen. Clark said he wasn’t really interested in going back to that territory, but he did offer up an idea for what it could be.
“It’ll be he was captured after all, he was put in an institution, and the movie will begin the night he escapes, back in town and they don’t know it yet, and I’m gonna call it Halloween, ” Bob Clark recalled telling Carpenter.
“He deserves the full, expansive credit he’s gotten for doing that movie, ” Clark added. “A few words about an idea are hardly a screenplay and a finished movie. ”
Additional Sources: The 12 Days of Black Christmas (2006) On Screen! : Black Christmas (2005).
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Having never seen either of the previous two films I feel I give an unbiased view of this film.
The trailer is completely misleading and fails to mention at all the huge and unnecessary involvement of sexual assault in this film. It features heavily throughout the film yet if it was left out of the film the plot and theme of the movie would still be the same. It is pointlessly distressing to all anyway, let alone the fact that there is no mention of it until you have sat down with your popcorn.
Along with that the poor storyline is as though it has been written in the last 2 hours before the deadline from the production company. Feel sorry for the actors but they should never have agreed to the film anyway, hence the complete lack of a face that anyone has seen in film before.
100% would not recommend this film, it is an hour and a half of downers and negativity followed by a way too long, slow motion and unrealistic fight scene at the end.
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So you show the big twist ya I think Ill skip it especially if this is how you are marketing the film.
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