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Release Year 2019;
Karim Aïnouz;
Carol Duarte;
Audience Score 1855 votes;
Drama.
Bem, ja perdi minha empolgação com filmes de terror, sempre me decepciono.
Invisible life movie review.
Achei que Atlantique não entraria.
Aaa se eu fosse o homem invisível. E tu faria o q.
Invisible life movie amazon prime.
Invisible live movie.
É como se eu fosse você versão mais engraçada.
A arte brasileira resiste.
Onde que surge essa votação pra melhor filme 🤔 primeira divulgação que vejo é essa.
Invisible life movie review ny times.
Entrevista e vídeo maravilhosos. Parabéns, Carol. Admiro muito a forma que vc realiza seu trabalho 🥰.
' Mas e os meus sentimentos. Caguei pra eles. kkkkkkkk rindo ate agora.
Tu triunfa de tanta inteligentice kkk.
Oscar vai para. o filme do Pelé.
Invisible Life movie reviews.
Invisible live movie maker.
La Vie invisible d'Eurídice Gusmão
Séances
Bandes-annonces
Casting
Critiques spectateurs
Critiques presse
Photos
VOD
Bande-annonce
Séances (48)
Spectateurs 3, 9 334 notes dont 50 critiques
noter: 0. 5 1 1. 5 2 2. 5 3 3. 5 4 4. 5 5 Envie de voir Rédiger ma critique
Synopsis et détails
Avertissement: des scènes, des propos ou des images peuvent heurter la sensibilité des spectateurs
Rio de Janeiro, 1950. Euridice, 18 ans, et Guida, 20 ans, sont deux soeurs inséparables. Elles vivent chez leurs parents et rêvent, l’une d’une carrière de pianiste, l’autre du grand amour. A cause de leur père, les deux soeurs vont devoir construire leurs vies l’une sans l’autre. Séparées, elles prendront en main leur destin, sans jamais renoncer à se retrouver.
Titre original A Vida Invisível de Eurídice Gusmão
Distributeur
ARP Sélection
Récompenses
1 prix et 5 nominations
Voir les infos techniques
1:28
Acteurs et actrices
Casting complet et équipe technique
Critiques Presse
Bande à part
BIBA
Le Parisien
Libération
Positif
Sud Ouest
Voici
Cahiers du Cinéma
CinemaTeaser
Culturebox - France Télévisions
Femme Actuelle
La Croix
Le Figaro
Le Journal du Dimanche
Le Nouvel Observateur
Les Fiches du Cinéma
Les Inrockuptibles
Rolling Stone
Télérama
Transfuge
Le Monde
Paris Match
Première
Ouest France
Chaque magazine ou journal ayant son propre système de notation, toutes les notes attribuées sont remises au barême de AlloCiné, de 1 à 5 étoiles. Retrouvez plus d'infos sur notre page Revue de presse pour en savoir plus.
27 articles de presse
Critiques Spectateurs
Le très beau premier roman de Martha Batalha, Les mille talents d'Euridice Gusmao, séduisait par sa fantaisie et sa gaieté colorée pour un sujet qui évoquait l'émancipation d'une femme brésilienne depuis les années 50 jusqu'à nos jours. Le film de Karim Aïnouz est loin d'être une adaptation fidèle, notamment par sa tonalité mélodramatique, mais il a conservé ce portrait de la condition féminine dans une époque pas si lointaine,...
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Quel souffle, quelle ampleur dans ce mélodrame tropical! J'ai été complètement absorbé tout au long des 2h20 du film brésilien de Karim Aïnouz.
La reconstitution des années 50 est superbe, que ce soit dans les intérieurs, les rues, les véhicules, les mentalités.
Superbe et dure à la fois, puisque le film est avant tout un tableau de la tyrannie patriarcale sur la vie et le corps des femmes. La vie invisible est une charge constante...
Euridice et Guida sont inséparables. Elles vivent chez leurs parents et aspirent à une belle vie. La première qui a dix-huit ans, rêve de devenir pianiste, tandis que la seconde, vingt ans, souhaite juste être une femme libre et trouver l’amour. Mais nous sommes au Brésil dans les années cinquante et les femmes subissent la pression des hommes. Les deux jeunes femmes vont être séparées malgré elles et à cause des hommes qui les...
Ouah, on est dans du grand cinéma… film est d'une photographie et d'un cadrage absolument parfait… musique est émouvante. C'est déjà un classique…. L'histoire de ces deux sœurs à Rio dans les années cinquante, est magistralement écrite. Quel ignoble personnage que le père, quand il prend sa fille dans ses bras, lui murmurant, ici, il n'y a plus de fille plus de papa... C'est un film de sentiments, à part… ne peut être...
50 Critiques Spectateurs
13 Photos
Secrets de tournage
Primé à Cannes
Le film a reçu le prix Un Certain Regard au Festival de Cannes 2019.
Note d'intention
Karim Aïnouz décrit son film comme "chargé de sensualité, de musique, de drame, de larmes, de sueur et de mascara, mais aussi un film imprégné de cruauté, de violence et de sexe. Un film qui n’a jamais peur d’être sentimental, excessif. Un film dont le coeur bat à l’unisson de mes deux protagonistes chéries: Guida et Eurídice".
Adaptation
La vie invisible d’Eurídice Gusmão est inspiré du roman éponyme de Martha Batalha paru en 2015. Le réalisateur s'est reconnu dans le livre à sa lecture: "J’ai été profondément ému quand j’ai découvert le livre. Il a fait remonter en moi de vibrants souvenirs de ma propre vie. J’ai grandi dans le Nord-Est brésilien conservateur des années 60, au sein d’une famille composée majoritairement de femmes; une famille matriarcale dans un contexte...
6 Secrets de tournage
Dernières news
5 news sur ce film
Si vous aimez ce film, vous pourriez aimer...
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Pour découvrir d'autres films:
Les meilleurs films de l'année 2019,
Les meilleurs films Drame,
Meilleurs films Drame en 2019.
Commentaires.
Tá mais pra suspense do que terror não me convenceu. Trailer engana mesmo.
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Melhor filme brasileiro dos últimos anos.
Tomare que a DC não nós decepcione. Amém.
O trailer é otimo, tirando a parte que praticamente entregou o final do filme.
Invisible Life.
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Bacurau.
Michael Peña versão sombria buuuuuu.
1:01 A Fantasma do lado da Millenium Falcon.
Cinema Br insiste nesses clichês de mostrar o RJ, morro da Urca, de maneirismos, de exagero. E outra forçar a barra em ter que ter Fernanda Montenegro em tudo só por causa que ela foi indicada uma vez, achei o testo fraco e previsível, sinto muito se Cidade de Deus não ganhou, não vai ser esse que vai ganhar.
Based on a novel INVISIBLE LIFE offers a very typical plot for Brazilian cinema. Sisters separated by fate is a tagline straight from GLOBO tv channel soap operas that are so popular in Brazil. With a running time of 2h20min the pace is rather slow and the story takes its time to get going. Where the film succeeds is the atmosphere of the 40s Rio, with its walkways, restaurants, and its diminishing Portuguese middle class that can easily slip into extreme hardship and poverty.
Um filme FODA que tive o prazer de assistir em pré-estréia. Se preparem pra aplaudir por motivos de. Vocês entenderão.
Aguardando ansiosamente pelo filme. Adora essa atriz.
Movie trailer invisible life.
Eu sou a Maria do Carito.
Os trailers são melhores que os filmes, fato.
Invisible life movie trailer.
Quero muito vê.
Natan tem que ser diretor pro Brasa ganhar o Oscar.
Joaquim quando você estiver no palco recebendo o Oscar não esqueça de mencionar o Heath Ledger por favor, obrigada, de nada.
Scored with the sounds of the rainforest, Karim Aïnouz’s exuberant melodrama A vida invisível de Eurídice Gusmão ( Invisible Life) casts a tropical spell of soul-stirring proportions as it maps the yearslong trajectory of how archaic patriarchal attitudes tampered with an indestructible sisterhood in 1950s Rio de Janeiro.
Reworked from Martha Batalha’s 2016 novel, this tantalizing feminist two-hander opens with a dreamlike sequence in the Amazonia adjacent to the bustling city where the Gusmão sisters, Eurídice (Carol Duarte) and Guida (Julia Stockler). The women have become separated and desperately try to find each other. It’s as if the illusory uncoupling was priming them for what’s to come.
Daughters to a working-class, traditionalist Portuguese father and a mother crushed into submission, the young women’s future prospects in a chauvinist society stop at a proper marriage with a man their family sees suitable. In private, however, their individuality blossoms through Guida’s cheeky tall tales of sexual awakening with a Greek sailor and Eurídice’s determination to audition for the Vienna conservatory as a pianist.
Like thunder, laughter precedes a downpour of sorrows. Separated first by a youthfully reckless romance and then a disgraceful parental lie, their sisterhood is rendered a kaleidoscope of unread letters, time lost in loneliness, unfixable regrets and the promise of a bittersweet reunion.
Courtesy of TIFF
Exquisitely sultry throughout, Invisible Life took French cinematographer Hélène Louvart ( Beach Rats) to South America in order to beguilingly illuminate the spaces Aïnouz impregnates with greenery. He heightens the already rich palette, bringing the endemic nature of Rio indoors. Louvart works in an ethereal atmosphere into every room by way of delicately colored lighting that coats them in a seductive haze of bluish and reddish tones. An early scene at a dance club between Guida and her Mediterranean lover plays like a mirage of passion, seen through the eyes of someone whose vision is clouded by desire.
Strategically positioned mirrors cast reflections of both siblings — though of Eurídice more often and frequently in brooding manner — are much more than a visual gimmick. In those likenesses, they get to bear witness to their own corporealness. They have not disappeared, for better or worse. Often, Aïnouz films women in the solitude of bathrooms, secluded from the men that taunt them with their flimsy egos, a respite from quotidian tyranny.
Sex scenes devoid of libido and exposed as grossly transactional from a female point of view, indignantly communicate that freedom is what these characters lust after. Two women, like countless others, for whom motherhood didn’t function as a source of absolute fulfillment. Treasuring the memory of one another above all else counts as a self-preservation tactic in a world bent on erasing any traces of defiance in them.
With ample range on display, Duarte and Stockler accompany their respective aggrieved characters on a ride that begins in buoyant adolescence and crosses over despair to arrive at resignation, which doesn’t heal but patches the emotional lesions for them to keep on living. Anyone who’s ever missed somebody deeply without the power to bring them back close, will share in the tragedy of their hankering for reconnection.
Duarte’s Eurídice, imposingly tall and introverted, wishes to vanish into her music and in every note leave behind the housewife reality that murdered her dreams. Vivacious, Guida, in Stockler’s hands, is charged an unreasonable rate in pain for a juvenile mistake, and so her skin thickens in the company of other mothers raising children without fathers. Amid her personal predicaments, Guida never stops writing, as we learn in voice over, because each line builds a bridge to a better past.
Among the finest Latin American period pieces of the decade, Aïnouz’s inspired and intoxicatingly sensorial reverie of a movie fits within his canon of lush dramas infatuated with ostracized and beautifully doomed, yet vibrant subjects. Eurídice and Guida are indistinct, in essence, from the queer men in Madame Satã or Praia do Futuro ( Futuro Beach).
For its epilogue, Invisible Life enlists Oscar-nominated Carioca legend Fernanda Montenegro in a nearly silent cameo that reverberates with the touching intensity of a woman finally tasting the sweetness of closure. Brief as her moments on screen may be, the veteran Brazilian star seals the heartbreaking deal with an embrace charged with decades of bitter longing. Her presence is a beacon of tried wisdom.
With the Christ the Redeemer statue as her witness, Eurídice cherishes the everlasting confirmation that her and Guida weren’t apart in spirit. Being in each other’s thoughts meant they could never be made invisible. Despite their messages not reaching the intended recipient, their mutual affection — communicated in writing or spoken out loud — validated their battered existences. Words, as expressions of love, don’t age.
Invisible Life opens in U. S. theaters on December 20, 2019. It is Brazil’s submission for the Best International Film category at the 92nd Academy Awards.
Editor’s Note, December 18, 2019 at 11:25 a. m. ET: This post has been updated. It previously said the movie was set in the 1940s, but it takes place in the 1950s.
EU OLHANDO MEU BOLETIM NO FINAL DO ANO 1:09 (JSHSJQKWKAKKKK.
Parabéns é muito bom, o filme e o vídeo. 👏👏🔝.
EU: NUM TO MT ANIMADO PRO FILME TOCA O INSTRUMENTAL DE REFLECTION: EU: VOU SEPARAR O DINHEIRO PERA AI.
Invisible life movie plot.
Invisible Life movie page imdb.
Uma grande pena. Seria excelente pro Brasil ter um filme indicado ao Oscar nesse momento de desmonte da cultura audiovisual. Vamos aguardar o próximo ano quem sabe.
Invisible life movie.
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Filmaço. Assisti, chorei. Não gostei do livro porque acho que tem problema no desenvolvimento de personagens, mas o roteiro foi brilhante nas mudanças feitas.
Pelomenos ele não virou uma galinha
Respeito seu conhecimento, mas 7 pra Vida Invisível é pouco.
A minha leitura foi mais afetiva do que crítica. O livro me fez acessar muitas memórias da minha infância, do convívio com a minha avó. Gostei muito do olhar terno da autora sobre cada personagem. Eu adoro o personagem da prostituta também! Enfim, pra mim funcionou. Já comecei a ler o outro livro da autora, Nunca houve um castelo.
Guida and Euidice are two sisters who could not be any more different. Euridice is tall, Guida is short. Euridice is focused, determined and working hard to become a professional pianist, Guida can't think about anything but boys. When a tragic incident separates them the girls are lost without each other but they never give up hope to meet again. A desperate search turns into a journey of a lifetime, when in fact the girls only live a few streets away from each other. will the sisters be able to reunite? And at what cost.
Independent director Karim Ainouz is a Cannes darling but has never quite made it into the big league. This feels like a passion project for him and his love for Rio is obvious in every shot. Definitely not for everyone THE INVISIBLE LIFE is rich in emotion and atmosphere. Watch out for a small role from Brazilian acting royalty Fernando Montenegro. Her emotional gut wrenching cameo could be just the reason to see this overlong family saga.
Invisible Life movie database.
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